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Review Roundup: MACBETH, starring Sam Heughan and Lia Williams

Directed by Daniel Raggett, the Royal Shakespeare Company’s brings a new version of Macbeth to the small studio space in Stratford-upon-Avon. Starring Sam Heughan, best known for his role in the series Outlander, and Lia Williams as Lady Macbeth. This staging imagines the play in a gangland pub in 20th-century Glasgow, with its characters as violent criminals.

Review: MACBETH, starring Sam Heughan and Lia Williams

Something wicked this way comes: it’s another exciting high-concept Shakespeare. Director Daniel Raggett moves the action of the Scottish Play to a safe-house pub in the midst of a racketeering war. Succession meets Sons of Anarchy with a hint of The Sopranos in this daring, new production. With a hypnotic tempo that’s almost cinematic in nature, Raggett leaves you on the edge of your seat, gasping for air, mouth gaping and eyes wide. It’s Macbeth like you’ve never seen it before. Is it an extravagant idea on paper? It sure is. Does it work? Flawlessly and explosively so.

Review: THE ESTATE, National Theatre

In Shaan Sahota’s barnstorming National Theatre debut the personal and political are layered on top of each other until they collapse under their collective weight.

Photos: ESTATE In Rehearsal At The National Theatre

The National Theatre has released first look rehearsal photos of the world premiere of The Estate, the remarkable debut play by Shaan Sahota, directed by Daniel Raggett (Accidental Death of an Anarchist). 

OUTLANDER's Sam Heughan Will Lead Macbeth at the RSC

Macbeth will return to the Royal Shakespeare Company this October. Daniel Raggett, whose Edward II played in the Swan Theatre earlier this year, directs Shakespeare’s story of love, power and ambition in the intimate setting of The Other Place.

Review: EDWARD II, Swan Theatre

'I'll bandy with the barons and the earls, and either die or live with Gaveston.' There has been much conjecture over the centuries as to the true nature of Edward II’s relationship with Piers Gaveston; were they friends, committed partners, or something in between? It’s not something for which we can ever have conclusive proof, thanks to the passing of time and the fact that sexuality wasn’t as rigidly defined in medieval times as it is now. Christopher Marlowe had his own thoughts about the pair, and that is what we see brought to life in his history play.

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