“It is perfect symmetry to utter the words ‘Curt Dale Clark’ and ‘Christmas’ in one sentence because no one does Christmas better than he and Marc Robin.” These were my words as moderator of MSMT’s third Peek Behind the Curtain panel discussion as I introduced MSMT Artistic Director, (Curt Dale Clark) and his concept for the Christmas in July extravaganza currently providing context for the theatre’s spectacular production of WHITE CHRISTMAS, directed and choreographed by Robin. The panel of several of the show’s stars, Kerry Conte (Betty Haynes), Darien Crago (Judy Haynes), and David Girolmo (General Waverly) joined Clark and me to share with the audience their experience on stage in the beloved Irving Berlin classic now running at the Pickard Theater until August 3.
What could be more enticing to youngsters than Christmas that comes early? This summer Maine State Music Theatre invites families to experience Christmas in July at the Pickard Theatre and to share the magic of a musical never before presented here in Brunswick: Robin and Clark’s THE STORY OF THE NUTCRACKER. Twinkling lights, myriads of trees, a market filled with goodies, and even a hint of snow …. all join forces to create an immersive experience for the Theatre for Young Audiences series. While Robin and Clark’s musical version of the Nutcracker story has been a Christmas staple for years in cities like Chicago and Lancaster, PA, It has not been presented here in Maine until now. But after this debut series of performances, one can only hope it will become a new Maine tradition.
The thermometer in Brunswick Maine reads 85°F, but as one approaches the Pickard Theater, a band plays Christmas music outside, and inside the lights are twinkling; the halls are decked with garlands and wreaths; there is literally a forest of elegantly decorated trees, and there is a promise of snow in the air. This is, indeed, a white Christmas like no other.
The brainchild of Artistic Director Curt Dale Clark, Maine Street Music Theatre has created “Christmas in July” with a spectacular production of Irving Berlin’s classic WHITE CHRISTMAS, directed and choreographed by Marc Robin as its centerpiece. This is a singular and sensational opportunity to experience a breathtaking Broadway musical in a beautiful fantasy setting.
“We battle with other theatres to get the rights for shows. We always try to get MSMT on the national radar as much as we can and get first rights if possible, but it is very competitive,” explains Curt Dale Clark, Maine State Music Theatre’s Artistic Director, as he recounts how the Brunswick theatre managed a virtual coup for this 2024 season by becoming the first regional theatre to receive the rights to produce FUNNY GIRL after it closed its recent revival on Broadway. “In the case of FUNNY GIRL, Concord Theatricals was holding our money for a show that we planned to produce in 2020 before the pandemic shut everyone down. Since they do not return money, they were eager for us to choose another show from their catalog and clear their books. I agreed if they would give us the first rights to FUNNY GIRL after the Broadway show closed.”
Clark is sharing his thoughts with the audience at MSMT’s second Peek Behind the Curtain on July 3 at the Curtis Memorial Library in Brunswick, where he is joined by actors Sue Cella, Douglas Raymond Williams, and Michelle Beth Herman, as well as panel moderator, Carla Maria Verdino-Süllwold.
Maine State Music Theatre’s new production of FUNNY GIRL is a triumph for its star and a coup for the company. Obtaining the first rights to produce the show after the closing of the recent Broadway revival is an unprecedented accomplishment for the theatre’s Artistic Director, Curt Dale Clark. In addition, the production, itself, is arguably the first FUNNY GIRL anywhere to use the state-of-the art video technology, and perhaps the most thrilling feat of all: not only does the entire cast deliver stunning performances, but Jenna Lea Rosen, who makes her MSMT debut and role debut as Fanny Brice, is unquestionably a superstar. The result is an evening in the theatre that is as exhilarating and spellbinding as any you will see on any stage and an experience not to be missed!
Maine State Music Theatre is the first - and only - regional theatre to be granted the rights to produce Funny Girl since the Broadway National Tour launched. We chat with Kenny Ingram about the upcoming production.
“There was no one else like Fanny Brice! Since I was a child, I have identified with her in so many ways,” enthuses Jenna Lea Rosen, who makes her MSMT debut and role debut this week in the first regional revival since the Broadway show’s recent closing.
“I feel a responsibility to both past and present,” declares MSMT Artistic Director Curt Dale Clark, who also serves, together with Marc Robin as Co-Director for the production which opens MSMT’s 2024 season.
In a colorful, imaginative retelling of this “tale as old as time,” MSMT opens its 2024 TYA series with a revival of Robin and Clark’s version of BEAUTY AND THE BEAST. The production, directed by Betsy Puelle, not only offers a contemporary twist on the classic fairytale, but also layers onto that version another dimension of fantasy and fun. Setting the ancient story as a play within a modern play, Robin and Clark create the dual perspective that characterizes many of their musicals and allows the actors to break the fourth wall and engage the youngsters directly. The narrator, a schoolgirl named Cindy, fashion – often improvises - her version of the story, lobbies to have it produced, and eventually plays a pivotal role in the work. Employing MSMT’s exciting new video technology, a stellar cast of young professionals, and incorporating large-scale, whimsical puppetry into the mix, this BEAUTY AND THE BEAST proves the resilience of the source material and the creative genius of the company
“We perform in parking lots, restaurants, tents, bandshells, and lovely venues like this one,” declares Maine State Music Theatre’s Artistic Director Curt Dale Clark. He is addressing a full house in the Lunt Auditorium at Oceanview at Falmouth on May 30. It is only one of over 95 free public outreach events that MSMT offers in the course of each year, but today is special because it introduces the new 2024 crop of MSMT Singers in their second public performance since arriving in the state.
An outgrowth of the company’s former intern program, the MSMT Singers are an elite group of young (college age) professionals selected by Clark in an annual nationwide search that has holds over 3000 auditions for eight spots. “These young artists have to sing, dance and act on a scale of at least an 8 out of 10 when they come here,” Clark explains, “and when they leave, I expect that they will have grown into the stars they are going to be.”
Respectful of the show’s legacy and sensitive to contemporary context, Maine State Music Theatre has mounted a stunning revival of the Rodgers and Hammerstein classic, SOUTH PACIFIC. Marshalling the company’s considerable artistic resources, this 75th anniversary production is musically glorious, visually lush, and packed with emotion and talent.
“The world is coming back online, and people are getting back to who they were before the pandemic,” declares MSMT Artistic Director Curt Dale Clark. “Ticket sales are as close as they have come to pre-pandemic levels, and there is an extraordinary buzz surrounding the upcoming 2024 season.”
We spoke to Director/Choreographer Marc Robin about Maine Maine State Music Theatre (MSMT)'s upcoming production of the timeless classic, Rodgers & Hammerstein’s South Pacific, the inaugural production for the 2024 Season. Since its premiere in 1949, South Pacific has captivated audiences worldwide, earning widespread acclaim and numerous accolades, including numerous Tony Awards and the Pulitzer Prize for Drama.
Watch as the cast and orchestra of Fulton Theater's production of Rodgers and Hammerstein's South Pacific rehearse together for the first time in this all-new video.
The Fulton Theatre has announced the cast of its upcoming production of Rodgers & Hammerstein's South Pacific. Since its debut in 1949, South Pacific quickly captured the hearts of theatergoers worldwide, earning critical acclaim and many prestigious awards, including seventeen Tony Awards and the Pulitzer Prize for Drama.
Whether you’ve seen Joseph and the Amazing Technicolor Dreamcoat multiple times or not at all, you’ve never seen it like this. Broadway World was fortunate to sit down with two of the main characters from this spectacular show. Already receiving glowing reviews (and for good reason), director Marc Robin is delighting audience members with a mix of traditional and unique takes on this popular show.
Joseph and the Amazing Technicolor Dreamcoat is a blockbuster spectacle. It’s an electric powerhouse of entertainment that doesn’t let up. Word of mouth for this show is going to be strong. I am going to see it again, at least once. I recommend buying tickets now before it inevitably sells out.
