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Photos: A Noise Within Presents Thornton Wilder's THE SKIN OF OUR TEETH

A Noise Within opened its 2024-25 “True Grit” season last weekend with “The Skin of Our Teeth,” the Pulitzer Prize-winning, time-bending comic romp by Thornton Wilder that’s a testament to the indomitable spirit of humanity. See photos from the production.

Review: MISALLIANCE at A Noise Within

Misalliance is a delight, a breezy, witty, carefree period romp and delectable social satire set on the sprawling Surrey estate of underwear tycoon John Tartleton.

Photos: MISALLIANCE Opens This Weekend At A Noise Within In Pasadena

Eight marriage proposals and a plane crash, all in one afternoon. Now in previews, George Bernard Shaw’s high-flying comedy “Misalliance” opens this weekend at A Noise Within in a production directed by Guillermo Cienfuegos. See photos from the production below.

Review: KING HEDLEY II at A Noise Within

KING HEDLEY II is the eighth and quite possibly bleakest play of August Wilson’s Century Cycle. Pasadena’s A Noise Within is committed to producing the entire cycle, and ANW’s production, under the direction of frequent Wilson helmsman Gregg T. Daniel, wrestles with it valiantly.

Photos: KING HEDLEY II Opens This Weekend At A Noise Within

A new production of ‘King Hedley II, now in previews and opening this weekend at A Noise Within in Pasadena, continues the company’s commitment to August Wilson’s “American Century Cycle.” See photos of the production!

Review: A CHRISTMAS STORY at Ahmanson

Lenz’s production is solid family stuff, a little bit cock-eyed, and easy on the treacle. Knowledge of the original movie is by no means a prerequisite to enjoyment of ACS: TM. If you’re craving certain iconic moments from the movie, rest assured you’ll find them, possibly even amped up or with a musical number built around them.

Review: A CHRISTMAS CAROL at A Noise Within

Fresh and glorious to behold, with bold, impressive stagecraft and truly innovative and imaginative costume design.  There are frequent moments of awe and breathtaking sprinkles of magic.  Although it feels off to me in some of its performance and art direction choices, this is a remarkable and stunningly visual production.

Review: A MIDSUMMER NIGHT'S DREAM at A Noise Within

Visually and acoustically, from performances to pacing, this DREAM directed by Julia Rodriguez-Elliott and Geoff Elliott is so beautifully thought out and rendered that the Noise Within brain-trust should consider filming it for posterity.

Photos: A MIDSUMMER NIGHT'S DREAM Opens This Weekend At A Noise Within

A delightful, yet deeply resonant, production of ‘A Midsummer Night’s Dream’ by William Shakespeare opens this weekend at Pasadena's A Noise Within, with co-artistic directors Julia Rodriguez-Elliott and Geoff Elliott at the helm. Check out the photos from this enormously imaginative production below.

Review: THE GOSPEL AT COLONUS at The Getty Villa

The new seat cushions aren’t the only thing regulars of the Getty Villa’s annual theatre production are buzzing about this season (even though they are surprisingly comfortable and make the amphitheater a worthy place to sit for a few hours).

Review: FETCH CLAY, MAKE MAN at Kirk Douglas Theatre

In FETCH CLAY, MAKE MAN, Will Power investigates the friendship as a fascinating dual study in individual character and cultural identity. Under Debbie Allen’s rocking direction at the Douglas, the play is as exciting as it is thoughtful.  THE BEAR’s Edwin Lee Gibson and Ray Fisher act the daylights out of it.

Review: THE BOOK OF WILL at A Noise Within

Gunderson’s storytelling and her love of Shakespeare is another. It’s also icing on a most tasty cake that may not be for all palates. If you get the running gag of a character’s passion for PERICLES, this one’s for you.

Review: MUCH ADO ABOUT NOTHING at A Noise Within

Where the classics are concerned, L.A. doesn’t have any institution stronger than A Noise Within and if director Guillermo Cienfuegos, his wonderful actors and designers are working hard, they sure make it looks easy. From the first glimpse of that rampaged stage to the final dance, this MUCH ADO is an end-to-end delight.

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