Review: HEARTBREAK HOUSE at Antaeus Theatre Company
HEARTBREAK HOUSE marks the start of Antaeus Theatre Company’s thirty-fifth anniversary season, and it bodes well for what they have in store.
Craig Schwartz News
Review: COME FROM AWAY at A Noise Within
Clearly there were a lot worse places to be on that infamous day than small provincial Gander.
Interview: Director Julia Rodriguez-Elliott of COME FROM AWAY at A Noise Within
A Noise Within, in Pasadena, puts on the hit Broadway musical Come From Away this October.
Photos: COME FROM AWAY to Open at A Noise Within in Pasadena
The Tony Award-winning musical COME FROM AWAY, based on the true story of Gander, Newfoundland residents who sheltered thousands of stranded passengers after 9/11, opens at A Noise Within's 324-seat theater in Pasadena.
Review: MA RAINEY'S BLACK BOTTOM at A Noise Within
Director Gregg T.
Photos: MA RAINEY'S BLACK BOTTOM at A Noise Within
Amber Liekhus and Jamar Gilbert lead August Wilson's drama about a volatile 1927 Chicago recording session, directed by Gregg T.
Review: ANTIGONE at Antaeus
Andy Wolk's production transports Sophokles’s work off the pages of a high school syllabus and directly across the threshold of our comfort zone.
Interview: Director Michael Michetti of EXIT THE KING at A Noise Within
Director Michael Michetti shares his vision for the production, what first drew him to it, and how elements of clowning are being used to highlight Ionesco’s surreal humor.
Photos: EXIT THE KING Opens at A Noise Within
A Noise Within has released production photos for EXIT THE KING by Eugène Ionesco.
Review: DEATH OF A SALESMAN at A Noise Within
Director Julia Rodriguez-Elliott delivers a production that pulses with quiet power and a moody score.
Photos: DEATH OF A SALESMAN At A Noise Within
Now in previews, Arthur Miller’s Pulitzer Prize-winning masterwork “Death of a Salesman” opens this Saturday at A Noise Within in a visceral new production directed by co-artistic director Julia Rodriguez-Elliott and starring co-artistic director Geoff Elliott as Willy Loman opposite lo
Review: ALL MY SONS at Antaeus Theatre Company
What did our critic think of ALL MY SONS at Antaeus Theatre Company?With Miller’s prescient book and under Nguyễn’s precise and fluid direction, ALL MY SONS is another gem in the Antaeus crown.
Review: RICHARD III at A Noise Within
Embodied by the exciting Ann Noble and surrounded by a solid cast, Richard and his dastardly deeds are every inch at home within the world of Guillermo Cienfuegos’s sweet and seedy production of RICHARD III for A Noise Within.
Review: ON BECKETT at Shakespeare Theatre
What did our critic think of ON BECKETT at Shakespeare Theatre?
Interview: Guillermo Cienfuegos And Ann Noble of RICHARD III at A Noise Within
Here's my interview with director Guillermo Cienfuegos and Richard III star Ann Noble about their vision for the production.
Photos: RICHARD III At A Noise Within
Production photos have been released for RICHARD III, which begins performances this Saturday at A Noise Within.
Bill Irwin's ON BECKETT Begins Performances Next Week
Performances of On Beckett, conceived and performed by Bill Irwin (Who’s Afraid of Virginia Woolf?, Sesame Street), will begin next week at Shakespeare Theatre Company.
Photos: August Wilson’s JOE TURNER'S COME AND GONE At A Noise Within
Currently in previews, “Joe Turner’s Come and Gone” — the second play in Wilson’s extraordinary 10-play “American Century Cycle” and the sixth in A Noise Within’s commitment to stage them all — opens at A Noise Within this weekend.
Review: ONE MAN, TWO GUVNORS at A Noise Within
Staged with take-no-prisoners verve by Julia Rodriguez-Elliott and Geoff Elliott, Richard Bean’s romp of a play is a joyride through a 60s England in which would-be actors ham it up gleefully, blondes are dizzy, would-be lovers are temporarily thwarted, and positively everybody is ready to cut loo
Review: A MAN OF NO IMPORTANCE at A Noise Within
Featuring a cast who seamlessly transport us to a working-class Dublin community in 1964 – with music to match – ANW’s production spotlights not just its leading player, but pens a love letter to the lure of the stage
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