Review: THE GOSPEL AT COLONUS at The Getty Villa
The new seat cushions aren’t the only thing regulars of the Getty Villa’s annual theatre production are buzzing about this season (even though they are surprisingly comfortable and make the amphitheater a worthy place to sit for a few hours).
Exclusive: First Look At OUR DEAR DEAD DRUG LORD At Center Theatre Group
Named a New York Times Critics Pick, “Our Dear Dead Drug Lord” by playwright Alexis Scheer, directed by Center Theatre Group Associate Artistic Director Lindsay Allbaugh, and produced in association with IAMA Theatre Company, comes to the Kirk Douglas Theatre from August 20 to September 17, 2023 with the press opening on August 27. Get a first look at the production!
Review: FETCH CLAY, MAKE MAN at Kirk Douglas Theatre
In FETCH CLAY, MAKE MAN, Will Power investigates the friendship as a fascinating dual study in individual character and cultural identity. Under Debbie Allen’s rocking direction at the Douglas, the play is as exciting as it is thoughtful. THE BEAR’s Edwin Lee Gibson and Ray Fisher act the daylights out of it.
Review: THE BOOK OF WILL at A Noise Within
Gunderson’s storytelling and her love of Shakespeare is another. It’s also icing on a most tasty cake that may not be for all palates. If you get the running gag of a character’s passion for PERICLES, this one’s for you.
Review: MUCH ADO ABOUT NOTHING at A Noise Within
Where the classics are concerned, L.A. doesn’t have any institution stronger than A Noise Within and if director Guillermo Cienfuegos, his wonderful actors and designers are working hard, they sure make it looks easy. From the first glimpse of that rampaged stage to the final dance, this MUCH ADO is an end-to-end delight.
Review: CLYDE'S at Mark Taper Forum
Quite possibly, a perfect production. Two-time Pulitzer Prize-winning playwright Lynn Nottage’s Tony Award-nominated CLYDE’S at the Mark Taper Forum is heartfelt, funny, and seriously delicious.
Review: 2:22 A GHOST STORY at Ahmanson Theatre
It doesn’t help that director Matthew Dunster plays much of Danny Robins’ script for laughs when it could have been amping up some suspense. It would have been more cohesive and had a bigger impact if it hadn’t played as a comedy for most of its 2-hour run time, though it wouldn’t have been enough to make the story land.
Review: ON BECKETT at A.C.T. Geary Theatre
What did our critic think of ON BECKETT at A.C.T. Geary Theatre? On Beckett is an obvious labor of love, combining the phenomenal clown skills of the great Bill Irwin with his affection for the works of Samuel Beckett. Great comics often make great dramatic actors (e.g., Gleason, Lewis, Williams) and Irwin can, in a split second and with the aid of some clown props, morph into Beckett's complex, Irish voiced characters. The result is a stunning one-man show that delights and challenges.