Carmelita Tropicana News

Bailey Contemporary Arts (BaCA) presents Building a Feminist Archive: Cuban Women Photographers in the US; an exhibition that features ten women artists whose works in photography provide a glimpse into diverse histories of migration, community, activism and resistance. The work will be on view in the Central and East Galleries from November 20 through December 21, 2019. Free Opening reception is December 6 from 6 pm to 10 pm during Old Town Untapped. And then join us for a walkthrough of the exhibition and a conversation with artists and the curator of Building a Feminist Archive: Cuban Women Photographers in the US. December 18th, 2019 at| 7pm. For more information, www.baileyarts.org.

Performance Space New York continues The Stages Seriesa?"rethinking the dominant form and aesthetics that have informed the stage for centuriesa?"with Martine Gutierrez's Circle (November 20, 22-23).

Performance Space New York partners with East Village-based queer funk dance party WET NOISE for a celebratory 12-Hour DANCE-A-THON (May 5, 12pm-12am), a fundraising event that couldn't be further from expectations of what a "fundraising event" entails. The DANCE-A-THON revels in filthy funk music, endless dancing, community building, and inclusivity across age, race, gender, sexuality, and class. DJs tag team in sets as a dynamic give-and-take, throughout the night; they include founding DJ Amber Martin along with Patrick Johnson, Ana Matronic (Scissor Sisters), Seth Kirby (Joshua Light Show), Thomas Campbell, and DatKat (O.E.A.).

The New York Foundation for the Arts (NYFA) inducted three arts luminaries into its Hall of Fame during its annual benefit on April 11 at Capitale.

Soho Rep., which provides a platform for vastly diverse artists to realize their boldest visions, in productions that are regularly among the most ambitious and acclaimed offerings of the theater season, will convene many of its collaborators and supporters at its 2019 Spring Fete, Monday, April 8, at Tribeca Rooftop (2 Desbrosses Street, New York, NY 10013).

Performance Space New York continues its Posthuman Series with DEAD THOROUGHBRED, a collaboration that includes at least keyon gaskin and sidony o'neal, October 26-27. DEAD THOROUGHBRED feels ambivalent about the posthuman future. Rather than the post-human, DEAD THOROUGHBRED feels the ante-human (ante = before in Latin), i.e. the dead and other non-human living and non-living forms, in an effort to complicate the idea that living human consciousness is the central or sole indicator of subjective relation. DEAD THOROUGHBRED acknowledges the inherent exclusion and limitations of posthuman theory. DEAD THOROUGHBRED's presentation in the Posthuman Series f**ks with the generativity of death and hopelessness as a critical antithesis to DEAD THOROUGHBRED's interest in posthuman ideas of enhanced living, futurity, and occult possibility.

Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.

Performance Space New York announces First Mondays: Readings of New Works in Progress, organized by author Sarah Schulman (Maggie Terry, 2018; Conflict is not Abuse: Overstating Harm, Community Responsibility and the Duty of Repair, 2016). On the first Monday of most months between October 2018 and May 2019, the series will present audiences with an opportunity to gather and hear in-progress works from writers leading the literary avant-garde. First Mondays exemplifies the artistic community-building power in Performance Space New York's appointment of five Associate Artists. Today, the organization announces Sarah Schulman, Emily Johnson, Gillian Walsh, Sarah Ortmeyer, and Angela Dimayuga as the Associate Artists who will actively contribute to programming and administrative decision making in the years to come-honoring Performance Space New York's roots as a space run by the very people experimenting within it.

Performance Space New York continues its second themed season of performances and events-the Posthuman Series-with the U.S. Premiere of choreographer and dancer Mette Ingvartsen's 21 pornographies(October 3-5). The solo performance expands on Ingvartsen's body of work exploring an all-pervasive sexuality, here using physical action and narrative description to take audiences through pornographic history in associative tour de force that is equally stimulating, disturbing, cheerful, and sensuous. Ingvartsen also brings The Permeable Stage - Reimagining the Social, a new installment of her ongoing series of performative conferences, to Performance Space New York (October 7),engaging artists, thinkers, filmmakers, and activists in a dialogue drawing on various Posthuman ideas.

Soho Rep. announces its 2018-2019 season, with two world premieres that demonstrate the small but flexible space's 'indispensible' (New York Magazine) presence as 'a 70-seat house filled with big ideas' (Hilton Als, The New Yorker). Through singular and irreverent stylistic approaches, Kate Tarker's Thunderbodies,directed by Lileana Blain-Cruz (October 16-November 18, 2018), and Christopher Chen's Passage, directed by Saheem Ali (April 23-May 26, 2019),interrogate the staggering ramifications of U.S and global imperialism.

Performance Space New York kicks off its second themed season of performances and events-the Posthuman Series-with the world premiere of Annie Dorsen's The Slow Room (September 27-29). Dorsen has taken the idea of technological theater further than most artists.

Performance Space New York announces the Posthuman Series, its second themed season of performances and events, beginning Fall 2018. Following the conclusion of its East Village Series, which looked inward to contemplate the past, present and future of Performance Space New York and its immediate neighborhood, Executive Artistic Director Jenny Schlenzka now gathers artists who've taken an active approach to addressing nothing smaller than the morphing state of "humanity." Inspired by thinkers like Donna Haraway ("A Cyborg Manifesto") and Rosi Braidotti (The Posthuman), the Posthuman Series continues the legacy of Performance Space New York to defy categorization and broaden the meaning of "performance," through works that simultaneously seek to question and expand the very definition of "human."

Performance Space New York closes out its by-turns pensive, provocative, and radically festive East Village Series with The Independence Day Ball, a Kiki ball from the organization's neighbors at Alliance for Positive Change (June 29).

Performance Space New York's East Village Series, the first themed series under the leadership of Executive Artistic Director Jenny Schlenzka, has reexamined the audacious origins of the organization and the communities that formed around it. In 1986, choreographer Ishmael Houston-Jones, composer/guitarist Chris Cochrane, writer Dennis Cooper, and an ensemble of dancers performed the first full version of THEM, an unblinking interdisciplinary work of scored improvisational dance, spoken text, and guitar, at what was then Performance Space 122.

Performance Space New York continues its East Village Series' examination of the history, assessment of the present, and radical gaze into the future of the neighborhood in which it was founded and has boldly returned this season. Autonomous, anti-capitalist, gender self-determining collective BRUJAS-who build revolutionary political coalition through youth culture, and express community through skateboarding, art, and political organizing-will be in residence at Performance Space New York from May 25-June 9. With their project, Training Facility, they have enlisted industrial designer Jonathan Olivares to transform the organization's new theater into a skate park and intimate meet-up spot. On May 25, as part of Red Bull Music Festival, the collective will throw their third annual Anti-Prom in the space, kicking off their residency with the gender-queering party described by the New York Times as 'an effervescent celebration of people usually sidelined by traditional prom culture.' Or, as BRUJAS co-founder Arianna Gil herself has described it, 'the Met-Gala of the underground.'

Performance Space New York continues its East Village Series' examination of the history, assessment of the present, and radical gaze into the future of the neighborhood in which it was founded and has boldly returned this season. Autonomous, anti-capitalist, gender self-determining collective BRUJAS-who build revolutionary political coalition through youth culture, and express community through skateboarding, art, and political organizing-will be in residence at Performance Space New York from May 25-June 9.

Legendary Downtown New York artist Penny Arcade is now 50 years into a career in which she continues to turn a mirror back on society with highly original and entertaining investigations into the human condition that perhaps best described as cultural criticism you can dance to. She revives her international hit Bitch! Dyke! Faghag! Whore!: The Penny Arcade Sex and Censorship Show, May 11-19 at Performance Space New York, as part of the institution's East Village Series.

Amidst Performance Space New York's exhilarating first series of interdisciplinary works under the new leadership of Executive Artistic Director Jenny Schlenzka, the organization's 2018 gala will celebrate game-changing and iconic figures from the arts sector (April 14).

LA MAMA presents COFFEEHOUSE CHRONICLES #146 "MARIO MONTEZ" -- Saturday March 24, at 3:00pm - 5:00pm?-- Located at, La MaMa, Downstairs (66 East 4th Street, NYC). Moderated by CONRAD VENTUR, Panelists include Brian Belovitch, Bibbe Hansen, Joe E. Jeffreys, Tom Kalin, Agosto Machado, and Lola Pashalinski.

Performance Space New York kicks off its East Village Series, contemplating the past, present, and future of the organization and its neighborhood, with Welcome to Lenapehoking (February 17, 4pm, Free), a partnership with the The Lenape Center, and Avant-Garde-Arama, the extravaganza of experimentation that's also the organization's longest-running program (February 18, 6pm, Free). Performance Space New York's Executive Artistic Director Jenny Schlenzka steps into her new curatorial role with these events honoring the neighborhood's original caretakers and the organization's own trailblazing roots, as springboards into an exhilarating new chapter.