WAITING FOR LEFTY Will Host Post-Show Sit-In Series
by Stephi Wild - Oct 8, 2026
Classic Stage Company will present a series of sit-in conversations following select performances of Clifford Odets' WAITING FOR LEFTY, examining labor activism and the labor movement.
Review Roundup: BROKEN SNOW, Starring Tony Danza
by Nicole Rosky - May 8, 2026
The world premiere of Broken Snow by Ben Andron, directed by Colin Hanlon, is now playing through May 31 at Theatre71. Let's see what the critics had to say about the new play...
Discover the Cast and Creative Team of BEAUTIFUL at The REV Theatre Company
by Chloe Rabinowitz - Jul 26, 2023
Get all the details about the cast and creative team of BEAUTIFUL at The REV Theatre Company. Find out who will be bringing this beloved musical to life and get ready to be wowed by their incredible talents. Don't miss this opportunity to experience the magic of BEAUTIFUL on stage.
BWW Review: HELLDRIVERS OF DAYTONA Hits Too Many Speed Bumps
by Rachel Weinberg - Sep 13, 2016
Chicago, fasten your seat belts-the world premiere musical HELLDRIVERS OF DAYTONA has parked at the Royal George Theatre...and it's a bumpy, messy ride. Billed as a spoof of 1960s racing films, composer Berton Averre (known for 'My Sharona'), lyricist Rob Meurer, and book writer Mark Saltzman have developed a show that's entirely too on the nose. HELLDRIVERS lacks the satirical tone it seeks; instead, the first act replaces the sexual repression common in those 1960s movies with blatant, unoriginal sexual innuendoes and jokes in poor taste. Though conceived as an ironic take on the movies of that era, HELLDRIVERS feels overall cringe-worthy in the first act. The show shifts gears in the second act to focus more on sending up a number of great American musicals (and one Billy Joel song). The overall experience is erratic.