Kate Stanley Brennan

Danielle Galligan, Cameron Cuffe and Eimear Keating are among the cast members announced by the Abbey Theatre for its upcoming production of Somewhere Out There You, a new play written by Nancy Harris and directed by Wayne Jordan.

THISISPOPBABY return to the Irish stage after a magnificent programme of work in 2022. This year the company go transatlantic with the U.S. premiere of Mark O'Halloran's intimate, outstanding drama which was a huge theatrical success in 2021, Conversations After Sex - an honest account of anonymous sexual encounters, where a clever heightened realism takes centre stage.

Irish Arts Center will present the U.S. premiere of THISISPOPBABY’s Conversations After Sex, written by Mark O’Halloran and directed by Tom Creed. Performances take place February 22-March 11.

The Greeks seem to be trending at the moment. Last year TikTok went mad for Madeline Miller’s book Song of Achilles, Ivo van Hove brought his mash-up of myths to the Barbican at the start of the month, and the Almeida’s latest project is being compared to a Greek masterpiece. London seems to be in a blood-thirsty mood these days and now the Kiln joins in.

Annabelle Comyn directs Nina Bowers (Cassandra), Daon Broni (Aegisthus), Jim Findley (Tyndareus), Kate Stanley Brennan (Cilissa), David Walmsley (Agamemnon) and Eileen Walsh (Clytemnestra). 

With Chinonyerem Odimba and Ben and Max Ringham's Black Love currently running at the theatre, Kiln Theatre, in a brand-new partnership with the Abbey Theatre, today announces the full cast for Marina Carr's Girl on an Altar. Annabelle Comyn directs Nina Bowers (Cassandra), Daon Broni (Aegisthus), Jim Findley (Tyndareus), Kate Stanley Brennan (Cilissa), David Walmsley (Agamemnon) and Eileen Walsh (Clytemnestra).

Licking off THISISPOPBABY's unmissable 15-Year Anniversary programme this March is the electrifying, multi-award winning play SHIT by acclaimed playwright Patricia Cornelius, for 5 performances only at Project Arts Centre, Dublin.

Celebrated singer-songwriter Mick Flannery, writer Ursula Rani Sarma, and director Annabelle Comyn have transformed Flannery's acclaimed concept album, Evening Train, into a stunning new musical and it premieres at Cork Midsummer Festival next week, Friday, June 14th, and continues until Sunday 23rd June.

London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Shakespeare and Tennessee Williams to a new epic and a lush romance, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld reviews, interviews and features!

In a dystopian landscape charged with searing verbal aggression, sustained horror, and gratuitous violence, Crestfall unfolds on the day when the lives of Olive, Alison, and Tilly fatefully intersect.  

Kate Stanley Brennan's theatre work includes Wuthering Heights at the Gate Theatre, Yerma at the West Yorkshire Playhouse and The Night Alive at Lyric Belfast. She's currently starring in Annie Ryan's production of Webster's The White Devil in the Sam Wanamaker Playhouse, the evocative candlelit indoor space at Shakespeare's Globe.

London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From a major Albee revival to starry Shakespeare and a steamy musical, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews...

John Webster is not what you could ever describe as a subtle writer. His bloody themes of lust, revenge and tragedy are overt and unflinching. The White Devil is based on an extraordinary true-life story in the Venetian court, where Duke Bracciano decides to seduce Vittoria with the help of her brother Flamineo, who is motivated by social mobility and power. The fact that both characters are already married seems no barrier. The result is an intoxicating and decadent game of power play and lust that leads to murder, revenge and the destruction of their very existence.

A cluttered bedsit becomes a refuge in Conor McPherson's drama. You can't help but see it staged against the current homelessness crisis.