Souls Grown Deep Elects Board Chair Lola C. West
by Stephi Wild - May 24, 2023
Souls Grown Deep Foundation and Community Partnership announced that Lola C. West has been elected chair of its Board of Directors. West has served on the board since 2019.
Souls Grown Deep Fall Programs Celebrate Gee's Bend Quilters At National Gallery And In Alabama
by A.A. Cristi - Sep 15, 2022
Souls Grown Deep Foundation and Community Partnership (SGD) today announced its fall 2022 initiatives, featuring a significant exhibition of recent acquisitions from the Foundation by the National Gallery of Art, as well as the inaugural Gee's Bend Airing of the Quilts Festival inviting the public to celebrate the quilting tradition and support local artists.
On Site Opera Presents U.S. Premiere of LA MERE COUPABLE
by Christina Mancuso - Apr 5, 2017
Known for staging “the ultimate in intimate productions” (The New York Times), On Site Opera (OSO) presents the U.S. premiere and new site-specific production of Darius Milhaud's La mère coupable (The Guilty Mother). For the premiere, OSO partners with the Darius Milhaud Society and the award-winning International Contemporary Ensemble (ICE). The site-specific production celebrates the 125th birthday of Milhaud and is dedicated to Katharine Warne, composer and founder of the Darius Milhaud Society. La mère coupable also marks the completion of OSO's three-year Figaro Project, in which the company is staging lesser-known operatic adaptations of French playwright Beaumarchais' (1732-1799) famed trilogy of Figaro plays.
On Site Opera Presents Mozart's THE SECRET GARDENER, 5/11-13
by Molly Tracy - Mar 7, 2017
Known for staging 'the ultimate in intimate productions' (The New York Times), On Site Opera (OSO) presents a trio of exciting new site-specific opera productions in 2017, beginning May 11-13 with Mozart's rarely-performed early opera The Secret Gardener (La finta giardiniera) at the West Side Community Garden.
BWW Reviews: Paragon Theatre's REASONS TO BE PRETTY
by Michael Mulhern - Feb 17, 2011
While beauty is only skin deep, words however; can cut like a knife and leave a wound that may never heal. This superficial theme is featured in Neil LeBute's play entitled reasons to be pretty.