MorDance Presents WORKS IN PROCESS, November 5
by A.A. Cristi - Oct 27, 2022
MorDance presents Works in Progress on Saturday, November 5, 2022 at 7:30pm at Martha Graham Studios, 55 Bethune St, NYC. This intimate showing is an opportunity to peer into the creative process and hear from the artists themselves.
New York Festival Of Song and Kaufman Music Center Present THE WIDER VIEW: SONGS BY BLACK COMPOSERS
by Stephi Wild - Mar 4, 2022
The concert features mezzo-soprano Lucia Bradford, soprano Kearstin Piper Brown, and baritone Jorell Williams, together with pianists Nathaniel LaNasa and Steven Blier, in works by Black composers that include H. Leslie Adams, Margaret Bonds, Harry Burleigh, Adolphus C. Hailstork, Robert Owens, Hale Smith, and William Grant Still..
Writers In Performance Present DREAM At Tribeca PAC
by A.A. Cristi - Nov 19, 2019
Writers in Performance is a 12-week writing and performance workshop hosted by BMCC Tribeca Performing Arts Center, culminating in two public presentations. Throughout the course of the workshop, talented actors, playwrights, poets and storytellers have explored writing exercises, theater games, improvisation, movement techniques, and ensemble work in a safe, creative environment. This season, the theme and title of the Writers in Performance show is a?oeDream.a?? Writers in Performance participants are diverse by design; not only in ethnicity, but by age, and experience as well, mixing professionals with students.
Riverside Opera Company Presents SUPERSTARS Concert!
by A.A. Cristi - Sep 16, 2019
The Riverside Opera Company (ROC), under the direction of award-winning conductor Maestro Alan Aurelia, presents: Superstars! on Saturday, October 19, 8 p.m. at St. Teresa's Church, 1634 Victory Blvd., Staten Island, NY. ROC held city-wide auditions and the winners are the featured performers in Superstars! Gina Hanzlick, soprano; Chantelle Grant, mezzo soprano; Hyunho Cho, tenor and Joseph Gansert, baritone are accompanied by a 57 piece orchestra conducted by Maestro Alan Aurelia as they perform operatic favorites.
Celebration Presents STILL AT RISK as Part of Celebrating New Works Series
by Julie Musbach - Aug 8, 2019
CELEBRATION presents, as part of its Celebrating New Works reading series, Still At Riskby Tim Pinckney, directed by Brad Griffith and performing one night only on Tuesday, August 20th at 7:30pm at The West Hollywood City Chambers, 625 N. San Vicente Blvd in West Hollywood.
BWW Review: THE BLACK CLOWN at Mostly Mozart Festival
by George Weinhouse - Jul 25, 2019
THE BLACK CLOWN, as envisioned by Langston Hughes, is a metaphor for the Afro-American as a figure of entertainment in a white world. It is also a series of verses by Hughes. In this performance piece devised by Davone Tines and Michael Schachter, the clown is examined though the lens of history and given life in a series of impressive vignettes, employing song, acting, and dance. An eclectic mix of music is heard, mainly soul, gospel, Black choral, and spiritual. Various verses of the poem, which is lengthy, are brought to life by the extremely talented performers; some examples follow:
BWW Interview: No Clowning Around for Bass-Baritone Davone Tines in Mostly Mozart's THE BLACK CLOWN
by Richard Sasanow - Jul 24, 2019
The first time I heard bass-baritone Davone Tinesa--he off the sensual, resonant voice and startlingly vivid stage presence--it was in Handel's ACI, GALATEA E POLIFEMO (described as a spectacular, streamlined, Cliff-Notes version of a Handel opera), at Brooklyn's National Sawdust. Tines wowed me and I thought that I wanted to hear more of him. He opens July 24, 2019 at Mostly Mozart in THE BLACK CLOWN at the Gerald Lynch Theatre of John Jay College, near Lincoln Center.
BWW Preview: Ready or Not, Here Comes NY's PROTOTYPE 2019, January 5-13
by Richard Sasanow - Jan 4, 2019
New York's PROTOTYPE OperaTheatreNow Festival returns for its seventh season from January 5 to the 13th and the one thing that you can't ask about it is “What's new?” That's not because there's nothing to answer. On the contrary--there's too much, in style, in content, in the sizes of its venues: This year's Festival is larger than ever, with a dozen works, 24 composerlibrettists and over 150 collaborators.