Review: PETER GRIMES, Royal Ballet And Opera
by Alexander Cohen - May 9, 2026
Peter Grimes hinges on balancing the duality between its chorus and Grimes as an individual. In one corner the spectacle of the mob, bustling and boiling with rage in their witch hunt for Grimes, and in the other corner is lonely fisherman Grimes himself, whose mental breakdown demands gutturally intimacy. Can Deborah Warner’s 2022 production, revived at the Royal Opera House, rediscover that equilibrium that electrified its first outing? of PETER GRIMES at Royal Ballet And Opera?
Industry Pro Newsletter: New Leaders, New Visions: Park Avenue Armory, Dallas Black Dance Theatre, and Beyond
by Alex Freeman - Jan 20, 2026
This week’s newsletter brings together stories of concrete action and forward momentum in theatre and dance. Highlights include Michael Sheen’s launch of a new national theatre for Wales and his starring role in its first production, New York State’s plan to preserve performing arts spaces, and major leadership appointments at Park Avenue Armory and The Public Theater. We also cover recognition for musical theatre creators Will Aronson and Hue Park, the launch of BroadwayWorld’s 2025 Stage Recording Awards, and the Next On Stage Season 6 finale. Rounding out the issue is a look at Dallas Black Dance Theatre’s relaunch and search for new leadership, underscoring themes of rebuilding, investment, and artistic ambition.
Cast Set For West End Run of GHOST STORIES
by Stephi Wild - Aug 29, 2025
The cast has been set for the return of Jeremy Dyson and Andy Nyman's supernatural sensation Ghost Stories to the West End. Learn more about the upcoming show here!
Review: Puccini’s TRITTICO Storms the Bastille, Giving Asmik Grigorian Three Times the Showcase
by Richard Sasanow - Jun 15, 2025
One of the operas at the top of my list for next season at the Met is the Deborah Warner staging of Tchaikovsky’s EUGENE ONEGIN that brings back soprano Asmik Grigorian for the first time since her 2024 debut in MADAMA BUTTERFLY.
Not that there’s anything wrong with Puccini, the major composer I’ve heard her sing. The first was that Met debut with her golden-throated, heart-breaking Cio-Cio San, followed by her blonde bombshell of a Freudian Turandot (plus a recital) at the Vienna State Opera. Very recently, there was this season’s justifiable cheering from the audience--myself included--when she took on the three soprano roles in IL TRITTICO at the Paris Opera’s home at the Bastille.
92NY to Present Ian Bostridge, Tenor & Julius Drake, Piano
by Chloe Rabinowitz - Feb 6, 2025
The 92nd Street Y will present Ian Bostridge, tenor & Julius Drake, piano in March. In one of the great vocal events of the season, world-renowned tenor Ian Bostridge performs Schubert's brooding masterpiece Winterreise. Learn more!
Cast Set For UK Tour of GHOST STORIES
by Stephi Wild - Dec 4, 2024
Casting has been announced for Jeremy Dyson and Andy Nyman’s worldwide cult phenomenon Ghost Stories, which is set to embark on its first full UK national tour opening at Churchill Theatre, Bromley.
Critics' Choice: Cheryl Markosky's Best Shows of 2024
by Cheryl Markosky - Dec 12, 2024
Grand dame Sian Phillips stealing the show, Adam Cooper giving an unexpected twirl and smaller theatre spaces punching above their weight. These are some of BroadwayWorld reviewer Cheryl Markosky's favourite theatre moments of 2024.
Review: MACHINAL, Theatre Royal Bath
by Cheryl Markosky - Nov 1, 2023
With the AI (artificial intelligence) summit at Bletchley Park this week, Machinal at the Ustinov Studio, Theatre Royal Bath, couldn’t be more timely.
Edinburgh International Festival Reveals 2023 Programme
by Stephi Wild - Apr 24, 2023
The global celebration of performing arts, Edinburgh International Festival, today unveils an expansive programme of world-class music, opera, dance and theatre to take place from 4 – 27 August 2023. This year marks the first Festival under the direction of new Festival Director, Nicola Benedetti, one of today's most influential classical music artists.