Single Tickets On Sale for Westport Country Playhouse's 2026-27 Season
by Nicole Rosky - Aug 31, 2026
Single tickets for Westport Country Playhouse’s 2026-27 Season will go on sale beginning Tuesday, September 1, at 1 p.m. EDT. They may be purchased by phone at 203-227-4177; in person at 25 Powers Court, Westport, between 1 and 5 p.m.; or online at: https://www.westportplayhouse.org/2026-2027-season/. Single tickets for the new season’s six mainstage productions start at $50 each, with discounts available for students, senior citizens, educators, military, first responders, Indigenous peoples, professional playwrights, and groups, as well as options for pay-what-you-will and library passes.
Interview: Mark Shanahan of Westport Country Playhouse
by Sherry Shameer Cohen - Jul 6, 2026
The Westport Country Playhouse’s upcoming season is going to be epic with two world premieres, comedy, drama, mystery, and music along with its signature Script in Hand play readings and concerts.
Cast Announced for RIPCORD at Peninsula Players Theatre
by Chloe Rabinowitz - Jul 21, 2022
Peninsula Players Theatre has announced the cast and creative team for David Lindsay-Abaire’s comedy, 'Ripcord.' “Ripcord,” which contains some adult language, runs July 27 through August 14 at the theater-in-a-garden and is generously sponsored by Tim & Jackie Danis.
Meet The Cast Of WRITE ME A MURDER At Peninsula Players Theatre
by A.A. Cristi - Jun 29, 2022
Peninsula Players Theatre, America's oldest professional resident summer theater and Door County's theatrical icon, is thrilled to announce the cast and creative team for the suspense-filled 'Write Me a Murder' by Frederick Knott.
Pittsburgh Public Theater's PlayTime Presents THE CAKE
by A.A. Cristi - May 28, 2020
Pittsburgh Public Theater is proud to present its season-closer, The Cake, as part of the online PlayTime series. Directed by Pamela Berlin, this deliciously complex comedy was written by Bekah Brunstetter, best known as a writer/producer for the TV hit 'This Is Us.' In The Cake, Della lives in Winston, North Carolina where her bakery is filled with the sweetest treats.
THE CLINIC To Be Presented Across The United States In Readings To Raise Funds For Reproductive Rights
by A.A. Cristi - May 17, 2019
THE CLINIC, a Eugene O'Neill National Playwrights Conference Semi-Finalist written by Will Brumley, will be staged in cities across the United States as part of a fundraising effort for awareness, attention, and access. In reaction to the recent abortion bans in Georgia and Alabama, Brumley put out a call on Facebook, offering the script free of royalty to anyone who wanted to put up a benefit reading, house party, or gathering. 'All you need are some tablets, a group of friends willing to donate to the Yellowhammer Fund, ACLU, the Center for Reproductive Rights or independent clinics in need.' The post can be seen here: https://bit.ly/2JJqRPm
Photo Flash: Long Wharf Theatre Presents MILLER, MISSISSIPPI
by A.A. Cristi - Jan 10, 2019
Long Wharf Theatre, under the leadership of Artistic Director Jacob G. Padron and Managing Director Joshua Borenstein, presents Miller, Mississippi, by Boo Killebrew, directed by Lee Sunday Evans, from January 9 through February 2, 2019.
Long Wharf Theatre Presents Boo Killebrew's MILLER, MISSISSIPPI
by BWW
News Desk - Jan 9, 2019
Long Wharf Theatre, under the leadership of Artistic Director Jacob G. Padron and Managing Director Joshua Borenstein, presents Miller, Mississippi, by Boo Killebrew, directed by Lee Sunday Evans, from January 9 through February 2, 2019.
Long Wharf Theatre Presents Boo Killebrew's MILLER, MISSISSIPPI
by A.A. Cristi - Dec 20, 2018
Long Wharf Theatre, under the leadership of Artistic Director Jacob G. Padron and Managing Director Joshua Borenstein, presents Miller, Mississippi, by Boo Killebrew, directed by Lee Sunday Evans, from January 9 through February 2, 2019.
Judith Ivey Enjoyably Gives Us CAT ON A HOT TIN ROOF As A Love Story at Center Stage
by Jack L. B. Gohn - Sep 22, 2018
Because Williams has so successfully gotten us cheering for Maggie, we in the audience would very much like to see Maggie triumphantly dragging Brick into bed in the final frame, and an interpretation like director Judith Ivey's, which all but promises that, is bound to be a crowd-pleaser. But if a director chooses to make that easy initial choice, that will be about the last easy thing the director will find in this play.
BWW Review: THE HUMANS Gets Weird on Multiple Levels at Pittsburgh Public
by Greg Kerestan - Nov 20, 2017
If you want to discuss mystery, and I think we need to at this point, there are two essential tropes that must be considered. First, we have Chekhov's gun- if a seemingly important thing is brought up, even casually, near the beginning, it will prove to be important by the end. (Case in point: Chekhov introduces a gun early in Hedda Gabler, and somebody gets shot by the end of the evening.) Second, we have the opposite of Chekhov's gun, the red herring- sometimes, a seemingly important thing is brought up, even casually, to divert attention and create misdirection from what is truly important. (Case in point, Sigmund Freud stated that anything longer than it is wide represented a phallic icon, but justified his own smoking by stating 'sometimes, a cigar can be just a cigar,' not emblematic of anything else.)