BWW Review: Brenda Pressley Ponders Infidelity and Classism in Chisa Hutchinson's PROOF OF LOVE
Playwright Chisa Hutchinson, describes Constance Daley, the character who voices her solo play, Proof of Love, as 'close as you can get to a WASP while being black.'...
BWW Review: In THE PINK UNICORN a Texas mom wrestles with her daugher's gender neutrality
Playwright Elise Forier Edie is often asked how much of The Pink Unicorn is true. She answers 'all of it' and 'none of it.' All of the events depicted happened to someone, including herself. A high school refused to allow the formation of a Gay and Straight Alliance Club. Transgender childre...
BWW Review: Well-Off Predators Feast On The Poor in Sam Shepard's CURSE OF THE STARVING CLASS
Latecomers to director Terry Kinney's finely-acted Signature Theatre revival of Sam Shepard's 1977 dysfunctional family drama, Curse of the Starving Class, will miss the showstopping bit of stagecraft that opens the production, as set designer Julian Crouch's kitchen interior of a worse-for-wear Cal...
BWW Preview/Interview: Manga and Macbeth Merge in KPR's ASHITA NO MA-JOE at Japan Society May 15-18
While even savvy New York theatregoers aren't able to keep up with everything in the city that never sleeps, hopefully after five opportunities to enter the ring with the wildly innovative and imaginative Japanese Theatre Company Kaimaku Pennant Race (KPR) from May 15-18th at Japan Society, they wil...
BWW Review: THE BUFFALO PLAY Roams Rogue at The Tank
At its core, The Buffalo Play is a unique contemporary centering of human folly set among flora and fauna, pitting Woman (apologetic and naive) against Buffalo (snorting and skeptical). They engage in a primal tete-a-tete that explores what it means to be an outsider, to be human, and the repercussi...
BWW Review: Cirque du Soleil's Glorious New Showpiece LUZIA: A WAKING DREAM OF MEXICO
Though the world-famous 35-year-old Montreal-based entertainment troupe Cirque du Soleil has never been known for making political statements with their extravaganzas of culture and athleticism - and while the timing is undoubtedly just coincidental - one can't help at least a passing thought of how...
BWW Review: Encores! Has Michael Urie and Kevin Chamberlin As A Pair of Clowning Con Men in HIGH BUTTON SHOES
That crazy cacophony of choreographic chaos that careens across the City Center stage shortly after the commencement of Act II is the main reason for Encores! to bring back the smash hit 1947 musical comedy High Button Shoes....
BWW Review: Isabella Rossellini's LINK LINK CIRCUS Delves Into The Minds of Animals
Don't let the abundance of cuteness fool you. Isabella Rossellini's LINK LINK CIRCUS is one of the brainiest shows in town....
BWW Review: Director Laurie Woolery Casts Shakespeare's THE TEMPEST With An Eye Toward Establishing a Non-Patriarchal Paradise
Though Shakespeare's The Tempest commences with a spectacular act of revenge, director Laurie Woolery stresses in her program notes for Mobile Unit's thoroughly enrapturing new production her intention to highlight the play's moments of forgiveness, leaving audiences to ponder 'what it means to use ...
BWW Review: TALES REAL & IMAGINED is an Imaginative Look at the Life of HANS CHRISTIAN ANDERSON
The Little Mermaid. Thumbalina. The Ugly Duckling. The Princess and the Pea. The Little Match Girl. It's hard to overestimate just how much the prolific writer Hans Christian Anderson contributed to our childhoods and to our current pop culture. The Ensemble for the Romantic Century's HANS CHRISTIAN...
BWW Review: THE BIGOT play tries optimism as a strategy to crack intolerance
There are two apartments across the hall from each other in The Bigot. In the messy one on the right, Bill O'Reilly's book Killing Reagan is perched on the couch. Bottles of pills are sitting on a tray. On the left is a much neater, more modern home. Two young lesbians have just moved in aft...
BWW Review: Halley Feiffer Finds Symbolism In Her Real-Life Ailment With THE PAIN OF MY BELLIGERENCE
If you're like this male theatre critic, you'll spend the first twenty minutes or so of Halley Feiffer's The Pain of My Belligerence wondering why the woman at the center of the story is putting up with the atrocious immature behavior of the guy who's her arrogant and disrespectful dinner date. If y...
BWW Review: THE BATTLES OF RICHMOND HILL Plays a Serious Drinking Game at HERE
Playwright Penny Jackson packs generations of family drama into this one-act 90-minute "jukebox" play, which has some memorable moments, lots of laughs, but an all-too-familiar feel where love, loss and liquor seep into every scene of Irish turmoil....
BWW Review: KILLING TIME at 59E59 Theaters Intrigues
The US premiere of Killing Time, written by Zoe Mills and directed by Antony Eden is now on stage at 59E59 Theaters as part of the Brits Off Broadway festival of shows. This well-crafted dark comedy keenly addresses end of life issues. It stars the playwright, Zoe Mills and her mother, the acclaimed...
BWW Review: INSTRUCTIONS FOR AMERICAN SERVICEMEN IN BRITAIN is a Theatrical Treat
Have some fun and see the US premiere of 'Instructions for American Servicemen in Britain,' a hilarious and inventive play now being performed at 59E59 Theaters through Sunday, May 12....
BWW Review: Tim Blake Nelson's SOCRATES Honors The Philosopher Condemned For Encouraging Free Thought
'Would you rule justly?' the ancient Greek philosopher who serves as title character of Tim Blake Nelson's drama Socrates asks a fellow citizen who claims he would do a better job than the current political leaders. 'I'd rule to make Athens great,' answers the metal-craftsman, whose support of the c...
BWW Review: Company XIV's Sumptuous New Cavalcade, QUEEN OF HEARTS
For over a dozen years, the brilliant director/choreographer Austin McCormick and the intriguing troupe of artists he's gathered to create and expand Company XIV have been luring audiences to witness productions that evolve classic tales we've loved as children (The Nutcracker, Cinderella, Snow Whit...
BWW Review: Mara Nelson-Greenberg's DO YOU FEEL ANGER? Takes An Absurdist Look at Toxic Masculinity
An empathy coach is hired to hold workshops at a debt collection agency. Sounds like comedy gold to this reviewer, who has been on the receiving end of phone calls from high-pressure, goal-oriented professionals suggesting I try borrowing money from friends in order to not 'feel like a deadbeat.'...
BWW Review: THE DAY I BECAME BLACK at Soho Playhouse
Wake up! Bill Posley has a stunner of a story to tell, and although comedy may not resolve his existential crisis, it's a trip well worth taking with him at Soho Playhouse. Witty, fearless and 'woke as f***,' Posley describes (and often reenacts) parts of his lived experience as a biracial man in se...
BWW Review: I CARRY YOUR HEART at 59E59 Theaters Takes Audiences on Important Personal Journeys
The New York premiere of 'I Carry Your Heart,' written by Georgette Kelly and directed Cate Caplin is now being performed at 59E59 Street Theaters. This important show shines a light the subject of organ donation from multiple perspectives....
BWW Review: SINCERELY, OSCAR Resurrects the Source and His Material at Acorn Theatre
Sincerely, Oscar is a meandering mindbender where two's company, three's a crowd, and thirty songs take us on jazzed-up journey through Show Boat, Oklahoma!, Carousel, State Fair, Allegro, South Pacific, The King and I, and The Sound of Music. Intriguing conceptually but lopsided musically, the clun...
BWW Review: ACCIDENTALLY BRAVE at DR2 THEATRE
'A crisis is a terrible thing to waste,' says Paul Rober, Stanford Economist. I doubt he had Maddie Corman in mind, but his statement certainly applies to her one woman show 'Accidentally Brave.' Written and performed by Ms. Corman, this story is something no one would ever want to experience. She d...
BWW Review: Dynamic Tony Yazbeck, Steely David Garrison Lead CSC's Revival of Marc Blitzstein's THE CRADLE WILL ROCK
In June of 1937, the United States government padlocked New York's Maxine Elliot Theatre and sent security guards to prevent the performance of a new musical, but the unknown leading lady Olive Stanton courageously fought her fears and led an act of defiance that made headlines the morning after ope...
BWW Review: Director Louisa Proske Infuses John Webster's Blood-Soaked THE WHITE DEVIL With Contemporary Nihilistic Attitude
Perhaps if Jacobean playwright John Webster had access to hard-driving techno music and live-stream video technology, his blood-soaked revenge drama The White Devil might have had a successful 1612 premiere at London's Red Bull Theatre, as performed by the resident company, Queen Anne's Men....
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