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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Review: AFTER at 59E59 Theaters is a Riveting and Important Drama

BWW Review: AFTER at 59E59 Theaters is a Riveting and Important Drama

by Marina Kennedy — March 22, 2019
After, a powerful and profound drama, is now being performed at 59E59 Theaters through April 14. Written by Michael McKeever and superbly directed by Joe Brancato, the show features five exceptional actors. The story shines a light on bullying, its victims, and the effects that it has on families....
BWW Review: John Larroquette Takes The Mad Excursion of John Guare's NANTUCKET SLEIGH

BWW Review: John Larroquette Takes The Mad Excursion of John Guare's NANTUCKET SLEIGH RIDE

by Michael Dale — March 19, 2019
Sturdy, richly-voiced and subtly droll, John Larroquette is one of those actors with a wonderful talent for creating enormously funny moments by taking in the madness surrounding him and cutting it down with a look or an utterance....
BWW Review:  Duncan Sheik, Steven Sater and Jessie Nelson's ALICE BY HEART Turns Blit

BWW Review: Duncan Sheik, Steven Sater and Jessie Nelson's ALICE BY HEART Turns Blitz-Ravaged London into Wonderland

by Michael Dale — March 17, 2019
According to this reviewer's admittedly casual bit of Googling, the first Broadway production based on Lewis Carroll's 'Alice's Adventures in Wonderland' was playwright Alice Gerstenberg's version, which opened at the Booth in 1915. But undoubtedly there were many other variations before then....
BWW Review: Steve Cohen and CHAMBER MAGIC at Lotte NY Palace Fascinates Guests from N

BWW Review: Steve Cohen and CHAMBER MAGIC at Lotte NY Palace Fascinates Guests from Near and Far

by Marina Kennedy — March 13, 2019
Find out what over a half million people have already discovered. Steve Cohen, the ever- talented magician and illusionist continues to fascinate his guests with his critically acclaimed, Chamber Magic Show that is performed at the Lotte New York Palace Hotel on Madison Avenue at 50th Street....
BWW Review: That Which Defines and Divides in FIERCELY INDEPENDENT

BWW Review: That Which Defines and Divides in FIERCELY INDEPENDENT

by Kristen Morale — March 12, 2019
When love feels so fleeting, the push and pull of harsh words and wild emotions is no longer about keeping someone; it becomes more about lingering long enough until we are prepared to fully acknowledge our defeat. That is what makes Fiercely Independent so wonderful, even though also so sad: it pul...
BWW Review: Isabelle Huppert Extraordinary as Depression-Stricken Woman in Florian Ze

BWW Review: Isabelle Huppert Extraordinary as Depression-Stricken Woman in Florian Zeller's THE MOTHER

by Michael Dale — March 12, 2019
It was three seasons ago that French playwright Florian Zeller's Moliere Award winning THE FATHER came to Broadway from London in an English translation by Christopher Hampton. Frank Langella earn a Tony playing an aging dementia-stricken man whose faltering memory causes his perceptions of his past...
BWW Review: Suzy Conn's CHICK FLICK, THE MUSICAL Celebrates Friendships and Film Fant

BWW Review: Suzy Conn's CHICK FLICK, THE MUSICAL Celebrates Friendships and Film Fantasies

by Michael Dale — March 8, 2019
While this reviewer is always up for a tub of popcorn and a screening of 'Crossing Delancey' or 'Muriel's Wedding,' Suzy Conn's spirited CHICK FLICK, THE MUSICAL is more accurately aimed at connoisseurs of the genre; those whose everyday conversation is packed with quotes from Nora Ephron screenplay...
BWW Review: IMAGINING MADOFF is an Excellent and Intriguing Play

BWW Review: IMAGINING MADOFF is an Excellent and Intriguing Play

by Marina Kennedy — March 8, 2019
'Imagining Madoff,' written by Deb Margolin and directed by Jerry Heymann is now on stage at 59E59 Street Theaters. It is an intense and fascinating fictionalized view of Bernie Madoff, the man behind the Ponzi scheme that devastated countless people's financial fortunes....
BWW Review: Bekah Brunstetter's Sweet, Provocative and Multi-Layered THE CAKE

BWW Review: Bekah Brunstetter's Sweet, Provocative and Multi-Layered THE CAKE

by Michael Dale — March 6, 2019
The conflict between seeing multiple sides of an issue and the insistence that there is only one correct side is the power that fuels Bekah Brunstetter's sweet and provocative multi-layered comedy/drama The Cake, a fictional story that offers evenly sliced arguments regarding the news-making debates...
BWW Review:  The Mint Commences It's Rediscovery of Playwright Elizabeth Baker With T

BWW Review: The Mint Commences It's Rediscovery of Playwright Elizabeth Baker With THE PRICE OF THOMAS SCOTT

by Michael Dale — March 3, 2019
With the exception of those specifically dedicated to making it their mission, there isn't a theatre company in New York whose output contains such a high percentage of productions by women playwrights as The Mint....
BWW Review: Irish Rep's Richly-Flavored Mounting of Sean O'Casey's THE SHADOW OF A GU

BWW Review: Irish Rep's Richly-Flavored Mounting of Sean O'Casey's THE SHADOW OF A GUNMAN

by Michael Dale — March 3, 2019
If a contemporary Hollywood screenwriter pitched the plot of Sean O'Casey's classic 1923 drama, The Shadow of a Gunman to a movie producer ('A struggling poet gets in over his head when he allows his neighbors to believe he's an IRA gunman in order to impress an attractive young woman.') it might ge...
BWW Review:  Jackie Sibblies Drury's MARYS SEACOLE Honors a Pioneering Nurse and Thos

BWW Review: Jackie Sibblies Drury's MARYS SEACOLE Honors a Pioneering Nurse and Those Who Carry On Her Legacy

by Michael Dale — February 28, 2019
Over 160 years after she first gained fame tending to wounded British soldiers during the Crimean War, the name Florence Nightingale is still recognized as a symbol of selfless caregiving and she is often regarded as the founder of modern nursing. But there was another woman who was just as beloved ...
BWW Review: Athol Fugard's BOESMAN AND LENA and The Need To Be Seen Through Another's

BWW Review: Athol Fugard's BOESMAN AND LENA and The Need To Be Seen Through Another's Eyes

by Michael Dale — February 27, 2019
The soft clanging of pots and pans gently hitting each other is the first indication that the title characters of South African playwright Athol Fugard's 1969 indictment of Apartheid segregation, Boesman and Lena have arrived....
BWW Review:  Decades After Pre-Broadway Closing, The York Brings Alan Jay Lerner and

BWW Review: Decades After Pre-Broadway Closing, The York Brings Alan Jay Lerner and John Barry's Controversial LOLITA, MY LOVE To New York

by Michael Dale — February 26, 2019
In his indispensable history of Broadway's less-successful musical ventures, 'Not Since Carrie,' Ken Mandelbaum famously wrote that bookwriter/lyricist Alan Jay Lerner and composer John Barry's effort to bring Vladimir Nabokov's controversial novel 'Lolita' to the stage 'has the singular distinction...
BWW Review: A Godly Intervention To Stop Climate Change In Madeleine George's Comedy

BWW Review: A Godly Intervention To Stop Climate Change In Madeleine George's Comedy HURRICANE DIANE

by Michael Dale — February 25, 2019
Pulitzer finalist Madeleine George describes the title character of her decidedly weird little comedy about the threat of global warming, Hurricane Diane, as 'a butch charm factory.' Becca Blackwell sure fits that bill perfectly, delivering the 90-minute play's exposition monologue with the engaging...
BWW Review:  Loy A. Webb's Tense and Topical THE LIGHT Discusses The Privilege of Bei

BWW Review: Loy A. Webb's Tense and Topical THE LIGHT Discusses The Privilege of Being Believed

by Michael Dale — February 24, 2019
'You keep talking about these false allegations,' a woman survivor firmly explains. 'Let me make this clear. For rape, which is what we're talking about, that percentage is super small.' 'And in that percentage, however small, are innocent men,' answers her firefighter boyfriend, whose dreams of ...
BWW Review: Joel Grey-Directed Yiddish FIDDLER ON THE ROOF Moves Uptown

BWW Review: Joel Grey-Directed Yiddish FIDDLER ON THE ROOF Moves Uptown

by Michael Dale — February 22, 2019
The word 'meshugge' seemed to really pop out for the audience, receiving a big laugh when uttered by Tevye the night this reviewer thoroughly enjoyed the beautifully acted and sung National Yiddish Theatre Folksbiene's production of Jerry Bock, Sheldon Harnick and Joseph Stein's classic 1964 musical...
BWW Review: WE ARE THE TIGERS Fumbles But Is Still F-U-N

BWW Review: WE ARE THE TIGERS Fumbles But Is Still F-U-N

by David Clarke — February 21, 2019
A real curious thing is happening at Theater 80 St Marks. And, oddly, it may be the off-beat, quirky must-see Off-Broadway event of the winter. Not because the show is amazing, nor because it is so terrible that it has to be seen to be believed. Truthfully, Preston Max Allen's WE ARE THE TIGERS make...
BWW Review:   Broadway Hit THE PLAY THAT GOES WRONG Moves To Off-Broadway

BWW Review: Broadway Hit THE PLAY THAT GOES WRONG Moves To Off-Broadway

by Michael Dale — February 21, 2019
Having recently completed 700+ performances at the Lyceum, Britain's Mischief Theatre's The Play That Goes Wrong, the 2015 Olivier Award winner for Best New Comedy, follows a trail blazed less than ten years ago by AVENUE Q, to become the sixth production to follow a hit Broadway run with a move to ...
BWW Review: Lynn Nottage's Show-Biz Social Satire BY THE WAY, MEET VERA STARK Gets a

BWW Review: Lynn Nottage's Show-Biz Social Satire BY THE WAY, MEET VERA STARK Gets a Terrific Revival

by Michael Dale — February 20, 2019
It was only eight years ago when two-time Pulitzer winner Lynn Nottage's terrific show-biz social satire, By the Way, Meet Vera Stark was first seen Off-Broadway, but director Kamilah Forbes' crackling good new mounting for Signature Theatre is a welcome return....
BWW Review: SWITZERLAND at 59E59 Theaters is an Intriguing and Thrilling Two-Hander

BWW Review: SWITZERLAND at 59E59 Theaters is an Intriguing and Thrilling Two-Hander

by Marina Kennedy — February 15, 2019
The NYC premiere of 'Switzerland' written by Joanna Murray-Smith and directed by Dan Foster is being performed at 59E59 Theaters now through. With incisive dialogue, excellent staging and outstanding performances, the two-hander is an intense thriller that is captivating audiences....
BWW Review: Tom Sturridge and Jake Gyllenhaal Beautifully Tell of Personal Tragedies

BWW Review: Tom Sturridge and Jake Gyllenhaal Beautifully Tell of Personal Tragedies in SEA WALL/A LIFE

by Michael Dale — February 15, 2019
'As terrifying as anything I've seen,' is how a young fellow describes the natural phenomenon that gives playwright Simon Stephens' solo piece Sea Wall its title....
BWW Review: The York Reconstructs and Revives Lerner and Loewe Obscurity THE DAY BEFO

BWW Review: The York Reconstructs and Revives Lerner and Loewe Obscurity THE DAY BEFORE SPRING

by Michael Dale — February 17, 2019
Opening in November of 1945 and closing up shop less than four months later, the sophomore Broadway effort of the team of Alan Jay Lerner and Frederick Loewe, THE DAY BEFORE SPRING, would be the last musical by the composer of sumptuous melodies and the scribe of urbane wit that would lapse into obs...
BWW Review: Hip-Hop Improv FREESTYLE LOVE SUPREME Dazzles With Verbal Dexterity

BWW Review: Hip-Hop Improv FREESTYLE LOVE SUPREME Dazzles With Verbal Dexterity

by Michael Dale — February 13, 2019
The only part of FREESTYLE LOVE SUPREME that doesn't bounce off an audience response comes at the very beginning when four voices announce a 'mic check' and standard phrases like 'mic one check' and 'this is microphone two' get extended into a frenetic off-the-cuff mixture of words, rhythms and beat...
BWW Review: Yael Farber Sets A Strindberg Classic in Post-Apartheid South Africa in M

BWW Review: Yael Farber Sets A Strindberg Classic in Post-Apartheid South Africa in MIES JULIE

by Michael Dale — February 13, 2019
You can pass laws, spread the wealth and educate the masses all you want, but perhaps the quickest way to dissolve the barriers between established classes is simply through giving in to raw passion....
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