The latest reviews and critic recommendations from Off-Broadway.
Like a sad, lonely island, depleted of its bounty, a single floor of the offices of Lehman Brothers is revealed, isolated, lofted above the endless business of a bustling Manhattan.
Judy Holliday, the iconic star of stage and screen, comes alive at 59E59 Theaters in show that will keep you enthralled from the first minute to the last.
'Today, we give to the dirt of the earth, our beloved brother and friend, Brother Righttocomplain,' Father Freeman announces to the audience at commencement of Jordan E.
'I should let you know I am not okay,' playwright/performer Maddie Corman advises the audience at the outset of her completely absorbing solo piece ACCIDENTALLY BRAVE.
'These words might be more offensive now than they were back then,' ponders playwright/actor Ronnie Marmo in the guise of one of 20th Century America's most controversial artists in his (mostly) solo performance, I'M NOT A COMEDIAN.
One of the quirky charms of the musicals that packed Broadway houses during early decades of the 20th Century, was the practice of allowing a stray remark that has nothing to do with anything that's going on to serve as the cue for a novelty song that has nothing to do with anything that's going on.
And as we look out at what the country has become in recent years, and how social media has illuminated what we have always been, it's necessary to have artists like Suzan-Lori Parks around to keep us thinking, and talking, about what we can aspire to.
After, a powerful and profound drama, is now being performed at 59E59 Theaters through April 14.
Sturdy, richly-voiced and subtly droll, John Larroquette is one of those actors with a wonderful talent for creating enormously funny moments by taking in the madness surrounding him and cutting it down with a look or an utterance.
According to this reviewer's admittedly casual bit of Googling, the first Broadway production based on Lewis Carroll's 'Alice's Adventures in Wonderland' was playwright Alice Gerstenberg's version, which opened at the Booth in 1915.
Find out what over a half million people have already discovered.
When love feels so fleeting, the push and pull of harsh words and wild emotions is no longer about keeping someone; it becomes more about lingering long enough until we are prepared to fully acknowledge our defeat.
It was three seasons ago that French playwright Florian Zeller's Moliere Award winning THE FATHER came to Broadway from London in an English translation by Christopher Hampton.
While this reviewer is always up for a tub of popcorn and a screening of 'Crossing Delancey' or 'Muriel's Wedding,' Suzy Conn's spirited CHICK FLICK, THE MUSICAL is more accurately aimed at connoisseurs of the genre; those whose everyday conversation is packed with quotes from Nora Ephron screenplay
'Imagining Madoff,' written by Deb Margolin and directed by Jerry Heymann is now on stage at 59E59 Street Theaters.
The conflict between seeing multiple sides of an issue and the insistence that there is only one correct side is the power that fuels Bekah Brunstetter's sweet and provocative multi-layered comedy/drama The Cake, a fictional story that offers evenly sliced arguments regarding the news-making debates
With the exception of those specifically dedicated to making it their mission, there isn't a theatre company in New York whose output contains such a high percentage of productions by women playwrights as The Mint.
If a contemporary Hollywood screenwriter pitched the plot of Sean O'Casey's classic 1923 drama, The Shadow of a Gunman to a movie producer ('A struggling poet gets in over his head when he allows his neighbors to believe he's an IRA gunman in order to impress an attractive young woman.
Over 160 years after she first gained fame tending to wounded British soldiers during the Crimean War, the name Florence Nightingale is still recognized as a symbol of selfless caregiving and she is often regarded as the founder of modern nursing.
The soft clanging of pots and pans gently hitting each other is the first indication that the title characters of South African playwright Athol Fugard's 1969 indictment of Apartheid segregation, Boesman and Lena have arrived.
In his indispensable history of Broadway's less-successful musical ventures, 'Not Since Carrie,' Ken Mandelbaum famously wrote that bookwriter/lyricist Alan Jay Lerner and composer John Barry's effort to bring Vladimir Nabokov's controversial novel 'Lolita' to the stage 'has the singular distinction
Pulitzer finalist Madeleine George describes the title character of her decidedly weird little comedy about the threat of global warming, Hurricane Diane, as 'a butch charm factory.
'You keep talking about these false allegations,' a woman survivor firmly explains.
The word 'meshugge' seemed to really pop out for the audience, receiving a big laugh when uttered by Tevye the night this reviewer thoroughly enjoyed the beautifully acted and sung National Yiddish Theatre Folksbiene's production of Jerry Bock, Sheldon Harnick and Joseph Stein's classic 1964 musical
A real curious thing is happening at Theater 80 St Marks.
Videos
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THE DEATH CHRONICLES (portraits)|S&F Summer Season at Marist Marist University Symphonic Hall (8/01-8/01) |
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WHISTLE DOWN THE WIND | Stage & Film Summer Season at the Bardavon Bardavon 1869 Opera House (8/01-8/02) |
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PAPER MENAGERIE | Stage & Film Summer Season at the Bardavon Bardavon 1869 Opera House (7/19-7/19) |
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WHISTLE DOWN THE WIND | Stage & Film Summer Season at Bardavon Bardavon 1869 Opera House (7/31-7/31) |
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LAGNIAPPE | Stage & Film Summer Season at Marist University Marist University Symphonic Hall (7/11-7/11) |
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UNMOORED | Stage & Film Summer Season at Marist University Marist University Symphonic Hall (7/12-7/12) |
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LA GRINGA Repertorio (2/08-12/31) |
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Butoh: Into the Depth New York Butoh Institute/Vangeline (7/08-7/31) |
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bala.fruta./bullet.fruit | Stage & Film Summer Season at Marist Marist University Symphonic Hall (7/11-7/11) |
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TRIP AROUND THE SUN | Stage & Film Summer Season at Marist University Marist University Symphonic Hall (7/26-7/26) |
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