BWW Review: Truth As the Immoral Fibre of Being in HAVEL: THE PASSION OF THOUGHT at Atlantic Stage 2
Directed by Richard Romagnoli and presented by PTP/NYC for a run at Atlantic Stage 2, 'Havel: the Passion of Thought' has been delighting audiences since its July 9th start; it really is quite the addition to the group's thirty-third season. In a time when artists were silenced in Czechoslovakia bec...
BWW Review: NOT EVEN THE GOOD THINGS at Theatre Row Meditates on Loss in All its Forms
A small, young girl (Serena Parrish)-tattered and dirty-walks across the living room of a cabin. She's holding a candle, taking in her surroundings with laser focus. She's a whisper; a ghost living in the shadows. Then everything goes black....
BWW Review: Encores! Off-Center Brings Back Maria Irene Fornes and Rev. Al Carmines' Fresh and Vibrant PROMENADE
Through the leadership of Reverend Bernard Scott, Greenwich Village's Judson Memorial Church became a center for emerging artists during the 1950s, welcoming the experimental, the avant-garde and the political to have their work seen without fear of censorship....
BWW Review: The Wingless Beauty of BIRDS OF PARADISE at Theater For The New City
Written by Solnik, directed by Nikki Reed and presented by Executive Artistic Director Crystal Fields, "Birds of Paradise" is being performed in the East Village for a very limited run. With opening night this past Thursday and running only through July 14th, this show is definitely one I recommend ...
BWW Review: Gary Ferrar Presents Amazing Magic and Mentalism in NOTHING HERE IS REAL
People who love magic and many more will thoroughly enjoy mentalist and magician, Gary Ferrar who is presenting the show, 'NOTHING HERE IS REAL' in New York City....
BWW Review: Grace McLean's Intriguing Chamber Musical IN THE GREEN
Chamber musicals don't get much more chamber than composerlyricistbookwriter Grace McLean's In the Green, an intriguing new piece receiving its premiere at LCT3's Claire Tow Theater. Musically complex, dramatically abstract and, as presented by director Lee Sunday Evans, intensely intimate in style,...
BWW Review: David Cale's Survival Song, WE'RE ONLY ALIVE FOR A SHORT AMOUNT OF TIME
The last time a well-known actor not especially noted for singing graced a major New York stage with a one-person autobiographical musical that focused on personal tragedy, it was Suzanne Somer's unmissably jaw-dropping narcissistic spectacle, THE BLONDE IN THE THUNDERBIRD. But fear not, playgoers...
BWW Review: Encores! Off-Center Turns WORKING Into A Tribute To New York City Center's Employees
Unlike the vast majority of musicals granted concert productions by City Center's Encores! Off-Center, the collaborate effort known as WORKING did not play an Off-Broadway run before hitting Times Square. Instead, Chicago's Goodman Theatre production transferred to the 46th Street Theatre in 1978, w...
BWW Review: Lydia R. Diamond's TONI STONE, Inspired By The Story of a Baseball Pioneer
From the epic poetry of Ernest Lawrence Thayer's 'Casey At The Bat' to the sharp-edged vernacular of Ring Lardner's newspaper columns and the nostalgic innocence of Roger Kahn's 'The Boys of Summer,' baseball has been inspiring great literary flourishes for well over a century....
BWW Review: Aaron Posner's LIFE SUCKS. Urges Chekhov and His Characters To Get To The Point
'How many of you would just... pretty much like to have sex with me?', a character asks audience members in the middle of a play....
BWW Review: Stage Treasure Everett Quinton is Classically Ridiculous in Charles Ludlam's Diva Spoof GALAS
'Only my dogs will not betray me,' confesses a world-renowned opera diva in Charles Ludlam's 1983 downtown triumph, GALAS....
BWW Review: Michael R. Jackson's Clever and Tuneful A STRANGE LOOP Zeros In On The Exclusive Side of Inclusiveness
'Don't roll your eyes at me,' a person of influence instructs a promising young musical theatre writer. 'I'm the chair of the Second-Coming-Of-Sondheim Award so I know what the f... I'm talking about!'...
BWW Review: Captivating Aedín Moloney Portrays James Joyce's Free Spirit in YES! REFLECTIONS OF MOLLY BLOOM
There's a rather highbrow gag in the long-ago Broadway musical TOVARICH, where a Gatsby-era gentleman asks an elegant lady if she's read James Joyce's new novel, 'Ulysses.'
'Just the final fifty pages,' she replies with a lustful wink in her voice....
BWW Review: World Premiere of Working Theater's DROPPING GUMBALLS ON LUKE WILSON
Dropped calls are the worst--unless you're Luke Wilson, and then dropped gumballs cause a bigger headache. Dropping Gumballs on Luke Wilson ricochets plenty of candy and themes, but in its 75 minutes, this thin workplace-humor production doesn't give us enough to chew on....
BWW Review: Lynn Nottage, Duncan Sheik and Susan Birkenhead's Beautiful and Thrilling THE SECRET LIFE OF BEES
A young African-American woman living in 1964 rural South Carolina is interrupted on her way to a voter registration rally by a pair of white men who not only rough her up until she's on the ground and bloody, but convince a police officer that it was her fault....
BWW Review: HANDBAGGED at 59E59 Presents a Fascinating Perspective of Recent British History
The NYC premiere of 'Handbagged,' written by Moira Buffini and directed by Indhu Rubasingham, is now on stage at 59E59 Theaters as part of Brits Off-Broadway. This unique, fascinating play captures elements of history and the stark differences between Queen Elizabeth and Margaret Thatcher...
BWW Review: Kenny Leon Directs MUCH ADO ABOUT NOTHING With Georgia Politics On His Mind
If, when the smoke clears on the Democratic Party's selection process, their next nominee for President of the United States turns out to be recent Georgia gubernatorial candidate Stacey Abrams, history might point to director Kenny Leon's fun and stylish Shakespeare In The Park production of Much A...
BWW Review: Clubbed Thumb Presents Zhu Yi's Chinese Gentrification Story YOU NEVER TOUCHED THE DIRT
Though Zhu Yi's YOU NEVER TOUCHED THE DIRT is set in a large estate on the outskirts of Shanghai, New Yorkers will certainly recognize it as a gentrification story, where the homogeneous conveniences of the modern would come at the expense of a community's history and distinctive character....
BWW Review: Carla Ching's NOMAD MOTEL Explores Parent/Child Sacrifices and Expectations
When the audience enters Atlantic Theater's Stage 2 for Carla Ching's Nomad Motel, presented as part of their New Play Development program, there's a very familiar type of character already hard at work on stage; a quiet young man, seriously at work composing music with his electric guitar....
BWW Review: Mary Elizabeth Winstead and Colin Woodell in Christopher Shinn's DYING CITY
Playwright Christopher Shinn, who directs Second Stage's new production of his 2008 Pulitzer finalist Dying City, places a large black void at the upstage wall as part of designer Dane Laffrey's otherwise realistic depiction of rather non-descript Manhattan apartment. Don't, like this reviewer did, ...
BWW Review: Erica Schmidt's MAC BETH Explores Shared Adolescent Delusions Through Shakespeare
It's the players, more so than the play, that's the thing in director Erica Schmidt's psychologically intriguing Shakespeare adaptation titled Mac Beth. As with the current Daniel Fish-directed Broadway production of OKLAHOMA!, the focus of the evening is not so much on the text, but on the characte...
BWW Review: Marin Ireland and Susan Sarandon in Jesse Eisenberg's Tale of Immigration and Codependency, HAPPY TALK
One of the many skills of the extraordinary, detail-oriented stage actor Marin Ireland is a habit of being so good that she can lift the audience's perception of a play that isn't quite there. For example, a year ago at this time, as she was making Tennessee Williams' SUMMER AND SMOKE, generally reg...
BWW Review: Based on Carl Reiner's Classic, Hilarious ENTER LAUGHING, THE MUSICAL Returns To The York
Though the 1976 musical SO LONG, 174th STREET didn't even last a fortnight on Broadway, it wouldn't be surprising to see the York Theater Company's completely delightful revised version, ENTER LAUGHING, THE MUSICAL, return the Joseph Stein/Stan Daniels effort to the main stem someday, especially if ...
BWW Review: POSTING LETTERS TO THE MOON is Engaging at 59E59 Theaters
'Posting Letters to the Moon' is now making its U.S. premiere at 59E59 Theaters. The show features correspondences written during WWII by British actress, Celia Johnson and her husband, writer Peter Fleming. Their beautifully written letters to each other are full of affection, longing, honesty, and...
BWW Review: Aziza Barnes' Fast and Furiously Funny BLKS Follows Three Friends on a Crazy Night
There's a scene in poet-turned-playwright Aziza Barnes' fast and furiously funny debut stage piece, BLKS, where the main characters, a trio of black Brooklyn women in their 20s 'out on a mission to resurrect our fly back' find themselves at the corner of Prince Street and Broadway, where the N,R sub...
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