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OFF-BROADWAY THEATER REVIEWS

The latest reviews and critic recommendations from Off-Broadway
BWW Review: Encores! Off-Center Turns WORKING Into A Tribute To New York City Center'

BWW Review: Encores! Off-Center Turns WORKING Into A Tribute To New York City Center's Employees

by Michael Dale — June 29, 2019
Unlike the vast majority of musicals granted concert productions by City Center's Encores! Off-Center, the collaborate effort known as WORKING did not play an Off-Broadway run before hitting Times Square. Instead, Chicago's Goodman Theatre production transferred to the 46th Street Theatre in 1978, w...
BWW Review: Lydia R. Diamond's TONI STONE, Inspired By The Story of a Baseball Pionee

BWW Review: Lydia R. Diamond's TONI STONE, Inspired By The Story of a Baseball Pioneer

by Michael Dale — June 28, 2019
From the epic poetry of Ernest Lawrence Thayer's 'Casey At The Bat' to the sharp-edged vernacular of Ring Lardner's newspaper columns and the nostalgic innocence of Roger Kahn's 'The Boys of Summer,' baseball has been inspiring great literary flourishes for well over a century....
BWW Review: Aaron Posner's LIFE SUCKS. Urges Chekhov and His Characters To Get To The

BWW Review: Aaron Posner's LIFE SUCKS. Urges Chekhov and His Characters To Get To The Point

by Michael Dale — June 23, 2019
'How many of you would just... pretty much like to have sex with me?', a character asks audience members in the middle of a play....
BWW Review: Stage Treasure Everett Quinton is Classically Ridiculous in Charles Ludla

BWW Review: Stage Treasure Everett Quinton is Classically Ridiculous in Charles Ludlam's Diva Spoof GALAS

by Michael Dale — June 20, 2019
'Only my dogs will not betray me,' confesses a world-renowned opera diva in Charles Ludlam's 1983 downtown triumph, GALAS....
BWW Review: Michael R. Jackson's Clever and Tuneful A STRANGE LOOP Zeros In On The Ex

BWW Review: Michael R. Jackson's Clever and Tuneful A STRANGE LOOP Zeros In On The Exclusive Side of Inclusiveness

by Michael Dale — June 18, 2019
'Don't roll your eyes at me,' a person of influence instructs a promising young musical theatre writer. 'I'm the chair of the Second-Coming-Of-Sondheim Award so I know what the f... I'm talking about!'...
BWW Review:  Captivating Aedín Moloney Portrays James Joyce's Free Spirit in YES! RE

BWW Review: Captivating Aedín Moloney Portrays James Joyce's Free Spirit in YES! REFLECTIONS OF MOLLY BLOOM

by Michael Dale — June 17, 2019
There's a rather highbrow gag in the long-ago Broadway musical TOVARICH, where a Gatsby-era gentleman asks an elegant lady if she's read James Joyce's new novel, 'Ulysses.' 'Just the final fifty pages,' she replies with a lustful wink in her voice....
BWW Review: World Premiere of Working Theater's DROPPING GUMBALLS ON LUKE WILSON

BWW Review: World Premiere of Working Theater's DROPPING GUMBALLS ON LUKE WILSON

by Derek McCracken — June 18, 2019
Dropped calls are the worst--unless you're Luke Wilson, and then dropped gumballs cause a bigger headache. Dropping Gumballs on Luke Wilson ricochets plenty of candy and themes, but in its 75 minutes, this thin workplace-humor production doesn't give us enough to chew on....
BWW Review: Lynn Nottage, Duncan Sheik and Susan Birkenhead's Beautiful and Thrilling

BWW Review: Lynn Nottage, Duncan Sheik and Susan Birkenhead's Beautiful and Thrilling THE SECRET LIFE OF BEES

by Michael Dale — June 14, 2019
A young African-American woman living in 1964 rural South Carolina is interrupted on her way to a voter registration rally by a pair of white men who not only rough her up until she's on the ground and bloody, but convince a police officer that it was her fault....
BWW Review: HANDBAGGED at 59E59 Presents a Fascinating Perspective of Recent British

BWW Review: HANDBAGGED at 59E59 Presents a Fascinating Perspective of Recent British History

by Marina Kennedy — June 14, 2019
The NYC premiere of 'Handbagged,' written by Moira Buffini and directed by Indhu Rubasingham, is now on stage at 59E59 Theaters as part of Brits Off-Broadway. This unique, fascinating play captures elements of history and the stark differences between Queen Elizabeth and Margaret Thatcher...
BWW Review: Kenny Leon Directs MUCH ADO ABOUT NOTHING With Georgia Politics On His Mi

BWW Review: Kenny Leon Directs MUCH ADO ABOUT NOTHING With Georgia Politics On His Mind

by Michael Dale — June 12, 2019
If, when the smoke clears on the Democratic Party's selection process, their next nominee for President of the United States turns out to be recent Georgia gubernatorial candidate Stacey Abrams, history might point to director Kenny Leon's fun and stylish Shakespeare In The Park production of Much A...
BWW Review: Clubbed Thumb Presents Zhu Yi's Chinese Gentrification Story YOU NEVER TO

BWW Review: Clubbed Thumb Presents Zhu Yi's Chinese Gentrification Story YOU NEVER TOUCHED THE DIRT

by Michael Dale — June 10, 2019
Though Zhu Yi's YOU NEVER TOUCHED THE DIRT is set in a large estate on the outskirts of Shanghai, New Yorkers will certainly recognize it as a gentrification story, where the homogeneous conveniences of the modern would come at the expense of a community's history and distinctive character....
BWW Review: Carla Ching's NOMAD MOTEL Explores Parent/Child Sacrifices and Expectatio

BWW Review: Carla Ching's NOMAD MOTEL Explores Parent/Child Sacrifices and Expectations

by Michael Dale — June 7, 2019
When the audience enters Atlantic Theater's Stage 2 for Carla Ching's Nomad Motel, presented as part of their New Play Development program, there's a very familiar type of character already hard at work on stage; a quiet young man, seriously at work composing music with his electric guitar....
BWW Review: Mary Elizabeth Winstead and Colin Woodell in Christopher Shinn's DYING CI

BWW Review: Mary Elizabeth Winstead and Colin Woodell in Christopher Shinn's DYING CITY

by Michael Dale — June 4, 2019
Playwright Christopher Shinn, who directs Second Stage's new production of his 2008 Pulitzer finalist Dying City, places a large black void at the upstage wall as part of designer Dane Laffrey's otherwise realistic depiction of rather non-descript Manhattan apartment. Don't, like this reviewer did, ...
BWW Review: Erica Schmidt's MAC BETH Explores Shared Adolescent Delusions Through Sha

BWW Review: Erica Schmidt's MAC BETH Explores Shared Adolescent Delusions Through Shakespeare

by Michael Dale — June 3, 2019
It's the players, more so than the play, that's the thing in director Erica Schmidt's psychologically intriguing Shakespeare adaptation titled Mac Beth. As with the current Daniel Fish-directed Broadway production of OKLAHOMA!, the focus of the evening is not so much on the text, but on the characte...
BWW Review: Marin Ireland and Susan Sarandon in Jesse Eisenberg's Tale of Immigration

BWW Review: Marin Ireland and Susan Sarandon in Jesse Eisenberg's Tale of Immigration and Codependency, HAPPY TALK

by Michael Dale — May 27, 2019
One of the many skills of the extraordinary, detail-oriented stage actor Marin Ireland is a habit of being so good that she can lift the audience's perception of a play that isn't quite there. For example, a year ago at this time, as she was making Tennessee Williams' SUMMER AND SMOKE, generally reg...
BWW Review: Based on Carl Reiner's Classic, Hilarious ENTER LAUGHING, THE MUSICAL Ret

BWW Review: Based on Carl Reiner's Classic, Hilarious ENTER LAUGHING, THE MUSICAL Returns To The York

by Michael Dale — May 24, 2019
Though the 1976 musical SO LONG, 174th STREET didn't even last a fortnight on Broadway, it wouldn't be surprising to see the York Theater Company's completely delightful revised version, ENTER LAUGHING, THE MUSICAL, return the Joseph Stein/Stan Daniels effort to the main stem someday, especially if ...
BWW Review: POSTING LETTERS TO THE MOON is Engaging at 59E59 Theaters

BWW Review: POSTING LETTERS TO THE MOON is Engaging at 59E59 Theaters

by Marina Kennedy — May 20, 2019
'Posting Letters to the Moon' is now making its U.S. premiere at 59E59 Theaters. The show features correspondences written during WWII by British actress, Celia Johnson and her husband, writer Peter Fleming. Their beautifully written letters to each other are full of affection, longing, honesty, and...
BWW Review: Aziza Barnes' Fast and Furiously Funny BLKS Follows Three Friends on a Cr

BWW Review: Aziza Barnes' Fast and Furiously Funny BLKS Follows Three Friends on a Crazy Night

by Michael Dale — May 21, 2019
There's a scene in poet-turned-playwright Aziza Barnes' fast and furiously funny debut stage piece, BLKS, where the main characters, a trio of black Brooklyn women in their 20s 'out on a mission to resurrect our fly back' find themselves at the corner of Prince Street and Broadway, where the N,R sub...
BWW Review:  Brenda Pressley Ponders Infidelity and Classism in Chisa Hutchinson's PR

BWW Review: Brenda Pressley Ponders Infidelity and Classism in Chisa Hutchinson's PROOF OF LOVE

by Michael Dale — May 18, 2019
Playwright Chisa Hutchinson, describes Constance Daley, the character who voices her solo play, Proof of Love, as 'close as you can get to a WASP while being black.'...
BWW Review: In THE PINK UNICORN a Texas mom wrestles with her daugher's gender neutra

BWW Review: In THE PINK UNICORN a Texas mom wrestles with her daugher's gender neutrality

by Joe Lombardi — May 17, 2019
Playwright Elise Forier Edie is often asked how much of The Pink Unicorn is true.  She answers 'all of it' and 'none of it.'  All of the events depicted happened to someone, including herself.  A high school refused to allow the formation of a Gay and Straight Alliance Club.  Transgender childre...
BWW Review:  Well-Off Predators Feast On The Poor in Sam Shepard's CURSE OF THE STARV

BWW Review: Well-Off Predators Feast On The Poor in Sam Shepard's CURSE OF THE STARVING CLASS

by Michael Dale — May 14, 2019
Latecomers to director Terry Kinney's finely-acted Signature Theatre revival of Sam Shepard's 1977 dysfunctional family drama, Curse of the Starving Class, will miss the showstopping bit of stagecraft that opens the production, as set designer Julian Crouch's kitchen interior of a worse-for-wear Cal...
BWW Preview/Interview:  Manga and Macbeth Merge in KPR's ASHITA NO MA-JOE at Japan So

BWW Preview/Interview: Manga and Macbeth Merge in KPR's ASHITA NO MA-JOE at Japan Society May 15-18

by Cindy Sibilsky — May 14, 2019
While even savvy New York theatregoers aren't able to keep up with everything in the city that never sleeps, hopefully after five opportunities to enter the ring with the wildly innovative and imaginative Japanese Theatre Company Kaimaku Pennant Race (KPR) from May 15-18th at Japan Society, they wil...
BWW Review: THE BUFFALO PLAY Roams Rogue at The Tank

BWW Review: THE BUFFALO PLAY Roams Rogue at The Tank

by Derek McCracken — May 14, 2019
At its core, The Buffalo Play is a unique contemporary centering of human folly set among flora and fauna, pitting Woman (apologetic and naive) against Buffalo (snorting and skeptical). They engage in a primal tete-a-tete that explores what it means to be an outsider, to be human, and the repercussi...
BWW Review: Cirque du Soleil's Glorious New Showpiece LUZIA: A WAKING DREAM OF MEXICO

BWW Review: Cirque du Soleil's Glorious New Showpiece LUZIA: A WAKING DREAM OF MEXICO

by Michael Dale — May 13, 2019
Though the world-famous 35-year-old Montreal-based entertainment troupe Cirque du Soleil has never been known for making political statements with their extravaganzas of culture and athleticism - and while the timing is undoubtedly just coincidental - one can't help at least a passing thought of how...
BWW Review: Encores! Has Michael Urie and Kevin Chamberlin As A Pair of Clowning Con

BWW Review: Encores! Has Michael Urie and Kevin Chamberlin As A Pair of Clowning Con Men in HIGH BUTTON SHOES

by Michael Dale — May 10, 2019
That crazy cacophony of choreographic chaos that careens across the City Center stage shortly after the commencement of Act II is the main reason for Encores! to bring back the smash hit 1947 musical comedy High Button Shoes....
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