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LOS ANGELES THEATER REVIEWS

The latest reviews and critic recommendations from Los Angeles
BWW Review: South Coast Repertory Presents Engaging World Premiere Play CURVE OF DEPA

BWW Review: South Coast Repertory Presents Engaging World Premiere Play CURVE OF DEPARTURE

by Michael Quintos — October 16, 2017
In Rachel Bonds' beautifully-acted and cleverly written new play CURVE OF DEPARTURE---now finishing up its too-brief World Premiere run at Orange County's South Coast Repertory in Costa Mesa through October 15---characters are confronted with unexpected events that forces them to make such choices f...
BWW Review: THE KAIDAN PROJECT Immerses its Audience in an Epic Ghost Story

BWW Review: THE KAIDAN PROJECT Immerses its Audience in an Epic Ghost Story

by Ellen Dostal — October 16, 2017
Horror houses are not my thing. Knott's Scary Farm, Reign of Terror, Universal's Halloween Horror Nights...you can keep them. But tell me a good ghost story and I'm in. Put me in the middle of an immersive theatrical ghost story as artistically beautiful and complex as it is otherworldly and I'm in ...
BWW Review: NABUCCO at Dorothy Chandler Pavilion

BWW Review: NABUCCO at Dorothy Chandler Pavilion

by Maria Nockin — October 15, 2017
On Oct 14, 2017, Los Angeles Opera presented Giuseppe Verdi's third opera, NABUCCO in a new and extremely well detailed production by Thaddeus Strassberger....
BWW Review: The Actors' Gang's Regaling Political Commentary CAPTAIN GREEDY'S CARNIVA

BWW Review: The Actors' Gang's Regaling Political Commentary CAPTAIN GREEDY'S CARNIVAL Hits Home

by Gil Kaan — October 13, 2017
If you like your entertainment sprinkled with a generous dose of politics, The Actors' Gang's world premiere of Jack Pinter's CAPTAIN GREEDY'S CARNIVAL will definitely be right up your alley. Set in the 1930s, during the heyday of traveling carnival sideshows, Pinter uses the carney swindling Captai...
BWW Review: OC's Chance Theater presents Thought-Provoking Play TRIBES

BWW Review: OC's Chance Theater presents Thought-Provoking Play TRIBES

by Michael Quintos — October 9, 2017
In its admirable Orange County premiere production directed by Marya Mazor, Chance Theater presents an intimately-staged version of Nina Raine's thoughtful, award-winning 2010 play TRIBES, now playing through October 22, 2017. This comedic drama which centers around a young deaf man caught between h...
BWW Review: WITH LOVE AND A MAJOR ORGAN - Witty Quips Connected By Stunning Tech

BWW Review: WITH LOVE AND A MAJOR ORGAN - Witty Quips Connected By Stunning Tech

by Gil Kaan — October 9, 2017
Playwright Julia Lederer's WITH LOVE AND A MAJOR ORGAN focuses on the novel conceit of utilizing the actual organ of the heart in all references to the heart as love - actually breaking your heart, physically stealing your heart, a weak heart as the product of two broken-hearted parents, a heart mad...
BWW Review: THE PEARL FISHERS at Dorothy Chandler Pavilion

BWW Review: THE PEARL FISHERS at Dorothy Chandler Pavilion

by Maria Nockin — October 8, 2017
On October 7, 2017, Los Angeles Opera presented Georges Bizet's THE PEARL FISHERS starring sweet-voiced Mexican star tenor Javier Camarena as Nadir. Steel-voiced Mexican baritone Alfredo Daza, was Zurga, his rival for the hand of Leila, a beautiful priestess who had taken a vow of chastity....
Review: LA Ballet's PUSHING DANCE BOUNDARIES Presents Avant-Garde Works From 3 Remark

Review: LA Ballet's PUSHING DANCE BOUNDARIES Presents Avant-Garde Works From 3 Remarkable Choreographers

by Shari Barrett — October 8, 2017
As its first offering of its 2017/2018 season, LA Ballet is treating audiences to a mixed bill Director's Choice program entitled PUSHING DANCE BOUNDARIES, a compilation of four modern dance suites with contemporary choreography. There's no elaborate costumes or sets; just brilliantly talented danc...
BWW Review: Riotous GROUNDLINGS OF THE CORN - Well-Oiled For a Dee-lish Weekend Laugh

BWW Review: Riotous GROUNDLINGS OF THE CORN - Well-Oiled For a Dee-lish Weekend Laugh Attack

by Gil Kaan — October 7, 2017
The Groundlings never cease to rock your funny bones. Their current laugh-packed Friday & Saturday night show GROUNDLINGS OF THE CORN keeps the hilarity charging right at you. Groundlings' ever stalwart director Deanna Oliver's takes tight, confident directorial reins over her comically gifted ensem...
Theatre in Historic Places: No Rest for the Wicked in WICKED LIT at Mountain View Mau

Theatre in Historic Places: No Rest for the Wicked in WICKED LIT at Mountain View Mausoleum

by Ellen Dostal — October 5, 2017
Thousands of souls have their final resting place in Altadena's Mountain View Mausoleum and Cemetery but, once a year in the fall, the living invade the domain of the dead. That's when Unbound Productions' WICKED LIT takes over the grounds and creates a site-specific theatrical experience based on c...
BWW Review: Time Passes and Life Goes On in Deaf West Theatre's OUR TOWN at Pasadena

BWW Review: Time Passes and Life Goes On in Deaf West Theatre's OUR TOWN at Pasadena Playhouse

by Ellen Dostal — October 3, 2017
OUR TOWN is Wilder's most well-known work, a classic of the American theatre that presents the cyclical nature of life in three acts and a town called Grover's Corners, where birth, death, love, and marriage, are shown in their most mundane glory. The brilliant simplicity of the work cannot be overs...
Review: West Coast premiere of PLEASE EXCUSE MY DEAR AUNT SALLY Told from a Unique Po

Review: West Coast premiere of PLEASE EXCUSE MY DEAR AUNT SALLY Told from a Unique Point of View

by Shari Barrett — September 30, 2017
The highly original coming of age story PLEASE EXCUSE MY DEAR AUNT SALLY from emerging playwright Kevin Armento features an unconventional narrator: the cell phone belonging to a 15-year-old Red McCray, a troubled teen enduring the break-up of his parents and moving to a new town. Audience members ...
BWW Review: THE DANCE OF DEATH - A Not Quite Balanced Partnering

BWW Review: THE DANCE OF DEATH - A Not Quite Balanced Partnering

by Gil Kaan — September 30, 2017
Promoted as a precursor to Edward Albee's WHO'S AFRAID OF VIRGINIA WOOLF?, comparisons to Albee's masterpiece does August Strindberg's THE DANCE OF DEATH, here adapted by Conor McPherson, a disservice. Having seen Dame Diana Rigg and David Suchet battle it out as Martha and George in 1996 at the Alm...
Review: World Premiere FREDDY Pays Tribute to the Life and Death of an Avant-Garde Da

Review: World Premiere FREDDY Pays Tribute to the Life and Death of an Avant-Garde Dance Icon

by Shari Barrett — September 29, 2017
Raised in an upstate New York blue-collar family, Fred Herko showed much promise as a concert pianist, going on to attend Julliard. But at age 20 after seeing a performance of Giselle, he announced his intention to give up the piano and become a ballet dancer. The resulting severe beating by his fa...
Review: The West Coast Premiere of VINO VERITAS Arrives at Theatre 40 Just in Time fo

Review: The West Coast Premiere of VINO VERITAS Arrives at Theatre 40 Just in Time for Halloween

by Shari Barrett — September 26, 2017
VINO VERITAS by David MacGregor debuted in Michigan in 2008 and won the state's Purple Rose for Best New Play. The current Theatre 40 production is being presented as the second show of its 2017-2018 season, arriving as a perfect comedy for the Halloween season. Taking its title from a Latin proverb...
BWW Review: MASTER CLASS at Garry Marshall Theatre, or What Becomes a Legend Most?

BWW Review: MASTER CLASS at Garry Marshall Theatre, or What Becomes a Legend Most?

by Ellen Dostal — September 26, 2017
In 1970, Maria Callas posed for Blackglama's iconic What Becomes a Legend Most ad campaign. The famous black and white Richard Avedon photographs shot against a simple gray background captured the glamour and allure of black mink featuring some of the most iconic faces in the world. It was indeed ...
BWW Review: SUGAR at Alex Theatre

BWW Review: SUGAR at Alex Theatre

by Cary Ginell — September 25, 2017
The temptation to take a film classic and turn it into a Broadway musical is a road fraught with peril. How do you take something perfect and make it better? This was the question posed in 1972 when producer David Merrick decided to musicalize the uproarious 1959 farce Some Like It Hot. The result w...
BWW Review: Rousing Revival of AIN'T MISBEHAVIN' Roars at La Mirada

BWW Review: Rousing Revival of AIN'T MISBEHAVIN' Roars at La Mirada

by Michael Quintos — September 25, 2017
In a new, incredibly enjoyable regional revival of the Tony Award-winning AIN'T MISBEHAVIN' - THE FATS WALLER MUSICAL SHOW, La Mirada Theatre for the Performing Arts is presenting one of the most rousing, rip-roaring iterations of this musical treat, under the informed direction of one of the show's...
BWW Review: RUNAWAY HOME - An Always Intense,  Somewhat Touching Katrina Tale

BWW Review: RUNAWAY HOME - An Always Intense, Somewhat Touching Katrina Tale

by Gil Kaan — September 25, 2017
Much props must be given to Camille Spirlin for her unflinching, unapologetic portrayal of the unsympathetic, totally evil main character of Kali, of which RUNAWAY HOME revolves around. Runaway teenager Kali has no hesitation in blackmailing a Latino storekeeper, scaring an elderly neighbor with the...
BWW Review: BENNY AND JOON, A Breath of Fresh Air for your Musical Senses

BWW Review: BENNY AND JOON, A Breath of Fresh Air for your Musical Senses

by Ellen Dostal — September 24, 2017
The Old Globe has opened a window and let in a beautiful breath of fresh air in its latest world premiere musical, BENNY AND JOON, by bookwriter Kirsten Guenther, composer Nolan Gasser, and lyricist Mindi Dickstein. Based on the 1993 MGM film starring Johnny Depp, Mary Stuart Masterson and Aidan Qui...
BWW Review: History Revisited in THE VIEW UPSTAIRS

BWW Review: History Revisited in THE VIEW UPSTAIRS

by Gil Kaan — September 24, 2017
The west coast premiere of THE VIEW UPSTAIRS bursts with a high-energied hodge-podge of some great vocals, charming performances and wonderfully executed choreography. Playwright Max Vernon, through the eyes of a present-day electronically dependent fashion designer, retells the stories of victims...
BWW Review: South Coast Repertory Raises Hopeful, Exquisite New Production of ONCE

BWW Review: South Coast Repertory Raises Hopeful, Exquisite New Production of ONCE

by Michael Quintos — September 21, 2017
Though the Tony Award-winning musical adaptation of writer/director John Carney's well-liked indie film ONCE is a musical that this reviewer has liked quite a bit from past productions, it took seeing South Coast Repertory's brand new regional production---now on stage in Costa Mesa through Septembe...
BWW Review: BIG NIGHT Starts Humorously but Changes Direction After a Senseless Attac

BWW Review: BIG NIGHT Starts Humorously but Changes Direction After a Senseless Attack

by Shari Barrett — September 18, 2017
Master satirist Paul Rudnick blends a deep humanity with a honed sense of hilarity in this powerful and funny play about family and fame, the personal and the political, and the drive to stand up and speak out. But it is also one that promotes a very progressive political stance on human rights, es...
BWW Review: Rogue Machine Presents U.S. Premiere of DAYTONA

BWW Review: Rogue Machine Presents U.S. Premiere of DAYTONA

by George Brietigam — September 18, 2017
As you age, every wrinkle and liver spot on your face tells a story, and there are some stories you would rather just forget....
Review: Laughs Abound at THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE at the Norris The

Review: Laughs Abound at THE 25th ANNUAL PUTNAM COUNTY SPELLING BEE at the Norris Theatre

by Shari Barrett — September 16, 2017
THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE is a hip musical comedy which follows six young people in the throes of puberty, who are overseen by grown-ups who barely managed to escape childhood themselves, as they learn that winning isn't everything and that losing doesn't necessarily make you a lose...
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