VIDEO: Learn About The Musicality of LA Opera's OMAR
The LA Opera production is the West Coast premiere.
What was it like for Rhiannon Giddens to compose an opera as an opera singer herself? Hear from her and her co-composer, Michael Abels, about the unique musicality they each brought to their highly-anticipated work, "Omar."
In 1807, a 37-year-old scholar living in West Africa was captured and forced aboard a slave ship bound for Charleston, South Carolina. Omar Ibn Said's life and Muslim faith are remembered and retold in this inspirational West Coast premiere inspired by his remarkable 1831 autobiography (the only known surviving American slave narrative written in Arabic).
Set in the shifting darkness of memory and imagination, Omar follows his compelling journey from a peaceful life in his homeland to enslavement in a violent, foreign world. Lost in the wilderness of his thoughts and his stolen life, he's haunted by memories of his family and the people he encounters along the way. Through it all, he somehow remains true to himself and his faith, against all odds. The luminous score-composed by Rhiannon Giddens and Michael Abels-incorporates distinctive West African traditions with traditional opera instrumentation.
Tenor Jamez McCorkle makes his company debut in the title role, with bass-baritone Daniel Okulitch in a double role as two very different slave masters. Norman Garrett makes his company debut as Omar's brother, with Barry Banks as the auctioneer and Jacqueline Echols as Julie, an enslaved woman who gives Omar the key to a better life.
For tickets and more visit https://www.laopera.org/performances/202223-season/omar/
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