Skip to main content Skip to footer site map

Review: 3-D Theatricals Replicates a Sizzling MILLION DOLLAR QUARTET

Review: 3-D Theatricals Replicates a Sizzling MILLION DOLLAR QUARTET

Million Dollar Quartet/book by Colin Escott and Floyd Mutrux/original concept and direction by Floyd Mutrux/inspired by Elvis Presley, Johnny Cash, Carl Perkins and Jerry Lee Lewis/3-D Theatricals at Redondo Performing Arts Center through February 18/Cerritos Center for the Performing Arts: February 23 - March 4/musical direction by David Lamoureux/original direction recreated by David Lober

New York critics gave many unfavorable reviews to Million Dollar Quartet for what they called a dearth of dramatic tension onstage, but it went on to receive a Tony nomination for Book of a Musical in 2010 anyway, and based on the overly passionate delivery of the sizzling artists recreating the show for 3-D Theatricals, there's enough fervor to bring audiences to their feet and shakin' in Redondo through February 18 and then in Cerritos until March 4. On opening night there was indeed an extra long standing - and swaying - ovation to "Whole Lotta Shakin' Goin' On".

Review: 3-D Theatricals Replicates a Sizzling MILLION DOLLAR QUARTET

The story is based on a true event that occurred in 1956 in Memphis Tennessee at the small studio of the Sun Record Company where Jerry Lee Lewis (John Countryman), Carl Perkins (Michael Monroe Goodman), Johnny Cash (David Elkins) and Elvis Presley (Cole) unexpectedly came together. Sam Phillips (Zachary Ford), known as the Father of Rock and Roll, owned the studio and had requested Cash come by to sign a new contract. The brash country boy Jerry Lee Lewis was a new client that Phillips was trying to groom. Perkins' only hit song "Blue Suede Shoes" had been taken away from him by Elvis and became a chart-topper ... and that pitted the two against each other. Strangely, Elvis felt insecure at RCA and wanted back with Phillips where he felt more comfortable, whereas Cash had just signed with Columbia. He had a hard time relaying his decision to Phillips. who had given him his start, but he desperately wanted to segue from country to gospel. Phillips thought it unwise; Columbia guaranteed him success with this change of direction. Both Perkins and Cash bowed out of Sun Records, and Elvis decided to stay with RCA. Phillips initially felt betrayed and was left to catapult Lewis to stardom. The only female in the ensemble Dyanne (Adrienne Visnic) came as Elvis's date and sang a couple of solos including "Fever". Phillips recorded the session, but because of the rights to various studios, the recording was never released. This particular session with its joy and pain, is the core of the storyline for Million Dollar Quartet.

Review: 3-D Theatricals Replicates a Sizzling MILLION DOLLAR QUARTET

The entire cast is electric under David Lober's flashy direction. As with Sondheim's Follies, it is character that counts more than plot and each real life character is portrayed with a unique style down to the smallest detail, especially when they sing...which is a lot. Cole does well with the suave, sexy but boylike Elvis in looks and voice; Elkins remarkably reproduces Cash's deep velvety vocal sounds; Goodman plays a mean guitar, recreating Perkins as the dynamic musician that he was and Countryman is literally a 'Great Ball of Fire' as the redneck, rambunctious spitfire Jerry Lee Lewis. Each has a quiet moment or two, and slight, subtle reactions speak volumes. A few words about Zachary Ford as Sam Phillips: he has the big dramatic nonsinging role and shows remarkable skill bringing out the inner turmoil of his character. Visnic is stunning and supportive towards the boys and holds her own with a song. Musical director David Lamoureux (drummer) and Omar D. Brancato (bass player) complete the electrifying ensemble.

Songs, apart from those already mentioned, include: "Memories Are Made of This", "Down By the Riverside", "Sixteen Tons", "Long Tall Sally", a stunning "Peace in the Valley", "I Walk the Line", "I Hear You Knocking", "Hound Dog", "Ghostriders in the Sky", and "Who Do You Love?"

Review: 3-D Theatricals Replicates a Sizzling MILLION DOLLAR QUARTET

For fans, it's heaven; for the younger generation, what a way to experience 50s music! Derek McLane's original set of the studio is simple but appropriate to time and place, as are the costumes based on Jane Greenwood's original design. What stand out here, first and foremost, are the trail-blazing musical performances of four true legends. It's nostalgia plus, a replica of our culture that should never die.

Review: 3-D Theatricals Replicates a Sizzling MILLION DOLLAR QUARTET

(photo credit: Caught in the Moment Photography)

www.3dtheatricals.org




From This Author - Don Grigware

  Don Grigware was a writer for BroadwayWorld through December 2019.                             ... (read more about this author)


BWW Interview: Pop Singer Tiffany Bailey Talks About Her Projects for 2020
January 28, 2020

Actress/singer Tiffany Bailey has many talents. She also happens to be a behavioral therapist for children with autism. I laud her for that. Last spring 2019 she released an album entitled Jazz with Pop and her cabaret show was very well received. In this interview she updates our readers as to the success of the CD and talks about her other projects for 2020.

BWW Review: Megan Hilty and Cheyenne Jackson a Smash at the Wallis Annenberg
January 27, 2020

One of the most highly anticipated concerts of the season took place Saturday January 25 at the Bram Goldsmith Theater of the Wallis Annenberg in Beverly Hills. It co-starred Megan Hilty and Cheyenne Jackson. To say the least both performers were at the very top of their form and blew the roof off the Annenberg by just being their professional selves, singing sublimely separately and together and sharing stories about their career and personal lives.

BWW Interview: Alfred Molina Speaks About THE FATHER at Pasadena Playhouse
January 24, 2020

Florian Zeller's play The Father is so topical, for it deals with a father who is suffering from dimentia. It opens for previews on February 5 at the Pasadena Playhouse with the official opening night set for Tuesday February 11. Alfred Molina whose stage and film appearances are laudatory stars as the father Andre, a former tap dancer. He talks succinctly about the role as he settles in to a comfortable rehearsal period.

Candlelight Pavilion Presents a Sterling MAN OF LA MANCHA
January 22, 2020

Man of La Mancha /book by Dale Wasserman/music by Mitch Leigh and lyrics by Joe Darion/ directed by Chuck Ketter/choreographed by Daniel Solis/ music direction by Douglas Austin/Candlelight Pavilion Dinner Theatre/through February 22 This has to be my hundreth viewing of this show. As many times as I see Man of La Mancha, I relish the music and high dramatic moments of this classic piece of theatre. Such is the case when the production is top notch, with the perfect actors and highly skilled direction. Candlelight Pavilion's current revival is fantastic with artistic director John LaLonde stepping into the role of Cervantes for the sixth time. In spite of the entire cast's excellent performances, he is the main reason to see this fine production.

BWW Review: Suzy London Presents a Playful TATTOOS ON MY HEART
January 21, 2020

Actress Suzy London is a dynamite performer onstage. She really digs in deep to become the character she is playing. Her cabaret appearance - her second over the past year - on Sunday January 19 at Sterling's Upstairs at the Federal proved that she can conquer the cabaret scene with equal finesse. It takes a performer of versatility to grab hold of an audience and keep them riveted to you... as yourself. Here in cabaret, you are exposing a side of yourself that is covered over in a specific character role.