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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$875,176 | $875,176 | $122 $324 |
7,157 | 8,208 | 8 | 87.20% |
|
A WONDERFUL WORLD: THE LOUIS ARMSTRONG MUSICAL (STUDIO 54) |
$661,380 | $661,380 | $90 $287 |
7,313 | 7,976 | 8 | 91.70% |
|
ALADDIN (NEW AMSTERDAM) |
$1,072,232 | $1,072,232 | $83 $226 |
12,942 | 13,816 | 8 | 93.70% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$674,276 | $674,276 | $83 $223 |
8,083 | 11,824 | 8 | 68.40% |
|
CABARET AT THE KIT KAT CLUB (AUGUST WILSON) |
$1,038,851 | $1,038,851 | $134 $594 |
7,746 | 8,560 | 8 | 90.50% |
|
CHICAGO (AMBASSADOR) |
$516,233 | $516,233 | $97 $237 |
5,331 | 8,640 | 8 | 61.70% |
|
DEATH BECOMES HER (LUNT-FONTANNE) |
$1,121,395 | $1,121,395 | $98 $299 |
11,457 | 11,928 | 8 | 96.10% |
|
ELF (MARQUIS) |
$510,047 | $510,047 | $51 $249 |
10,084 | 11,200 | 7 | 90.00% |
|
HADESTOWN (WALTER KERR) |
$729,978 | $729,978 | $104 $249 |
6,999 | 7,344 | 8 | 95.30% |
|
HAMILTON (RICHARD RODGERS) |
$1,632,449 | $1,632,449 | $161 $299 |
10,151 | 10,592 | 8 | 95.80% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$900,528 | $900,528 | $89 $249 |
10,117 | 11,354 | 7 | 89.10% |
|
HELL'S KITCHEN (SHUBERT) |
$1,358,818 | $1,358,818 | $126 $323 |
10,790 | 11,656 | 8 | 92.60% |
|
LEFT ON TENTH (JAMES EARL JONES) |
$590,522 | $590,522 | $108 $267 |
5,467 | 8,520 | 8 | 64.20% |
|
MAYBE HAPPY ENDING (BELASCO) |
$458,827 | $458,827 | $65 $297 |
7,043 | 7,904 | 8 | 89.10% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MCNEAL (VIVIAN BEAUMONT) |
$1,388,653 | $1,388,653 | $181 $349 |
7,665 | 7,665 | 7 | 100.00% |
|
MJ (NEIL SIMON) |
$1,277,496 | $1,277,496 | $139 $329 |
9,168 | 11,096 | 8 | 82.60% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$955,554 | $955,554 | $101 $329 |
9,424 | 10,400 | 8 | 90.60% |
|
OH, MARY! (LYCEUM) |
$1,153,352 | $1,153,352 | $161 $331 |
7,160 | 7,160 | 8 | 100.00% |
|
ONCE UPON A MATTRESS (HUDSON) |
$763,368 | $763,368 | $114 $299 |
6,719 | 7,744 | 8 | 86.80% |
|
OUR TOWN (ETHEL BARRYMORE) |
$831,976 | $831,976 | $121 $297 |
6,852 | 8,480 | 8 | 80.80% |
|
ROMEO + JULIET (CIRCLE IN THE SQUARE) |
$1,022,028 | $1,022,028 | $157 $575 |
6,505 | 6,352 | 8 | 102.40% |
|
SIX: THE MUSICAL (LENA HORNE) |
$757,914 | $757,914 | $105 $269 |
7,250 | 8,248 | 8 | 87.90% |
|
STEREOPHONIC (GOLDEN) |
$810,982 | $810,982 | $134 $348 |
6,031 | 6,224 | 8 | 96.90% |
|
SUFFS (MUSIC BOX) |
$906,572 | $906,572 | $121 $278 |
7,510 | 7,784 | 8 | 96.50% |
|
SUNSET BLVD. (ST. JAMES) |
$1,902,072 | $1,902,072 | $156 $499 |
12,156 | 12,848 | 8 | 94.60% |
|
SWEPT AWAY (LONGACRE) |
$426,788 | $426,788 | $65 $248 |
6,569 | 8,144 | 8 | 80.70% |
|
TAMMY FAYE (PALACE) |
$374,370 | $374,370 | $65 $299 |
5,732 | 9,142 | 7 | 62.70% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$901,794 | $901,794 | $113 $429 |
8,011 | 8,528 | 8 | 93.90% |
|
THE GREAT GATSBY (BROADWAY) |
$1,044,130 | $1,044,130 | $109 $325 |
9,593 | 11,880 | 8 | 80.70% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE HILLS OF CALIFORNIA (BROADHURST) |
$474,266 | $474,266 | $84 $327 |
5,630 | 9,400 | 8 | 59.90% |
|
THE LION KING (MINSKOFF) |
$1,798,468 | $1,798,468 | $141 $227 |
12,782 | 13,568 | 8 | 94.20% |
|
THE NOTEBOOK (SCHOENFELD) |
$609,619 | $609,619 | $93 $247 |
6,551 | 8,136 | 8 | 80.50% |
|
THE OUTSIDERS (JACOBS) |
$1,422,144 | $1,422,144 | $171 $358 |
8,296 | 8,192 | 8 | 101.30% |
|
THE ROOMMATE (BOOTH) |
$492,644 | $492,644 | $95 $297 |
5,162 | 6,176 | 8 | 83.60% |
|
WATER FOR ELEPHANTS (IMPERIAL) |
$790,352 | $790,352 | $97 $278 |
8,161 | 11,080 | 8 | 73.70% |
|
WICKED (GERSHWIN) |
$2,445,380 | $2,445,380 | $159 $275 |
15,408 | 15,408 | 8 | 100.00% |
|
YELLOW FACE (TODD HAIMES) |
$414,163 | $414,163 | $77 $313 |
5,353 | 5,824 | 8 | 91.90% |
| TOTAL | $35,104,796 | $948,778 | $115.34 $314.81 |
304,368 | 349,001 | 292 | 87.21% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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