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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A GENTLEMAN'S GUIDE TO LOVE AND MURDER (WALTER KERR) |
$497,751 | $497,751 | $81 $327 |
6,183 | 7,256 | 8 | 85.20% |
|
A VIEW FROM THE BRIDGE (LYCEUM) |
$440,691 | $440,691 | $60 $248 |
7,336 | 8,456 | 8 | 86.80% |
|
ALADDIN (NEW AMSTERDAM) |
$1,467,772 | $1,467,772 | $108 $228 |
13,534 | 13,816 | 8 | 98.00% |
|
ALLEGIANCE (LONGACRE) |
$571,750 | $571,750 | $81 $223 |
7,018 | 8,456 | 8 | 83.00% |
|
AN AMERICAN IN PARIS (PALACE) |
$1,284,817 | $1,284,817 | $113 $223 |
11,409 | 13,432 | 8 | 84.90% |
|
BEAUTIFUL (STEPHEN SONDHEIM) |
$1,059,126 | $1,059,126 | $131 $299 |
8,076 | 8,208 | 8 | 98.40% |
|
CHICAGO (AMBASSADOR) |
$546,286 | $546,286 | $83 $186 |
6,583 | 8,640 | 8 | 76.20% |
|
CHINA DOLL (SCHOENFELD) |
$1,202,149 | $1,202,149 | $164 $350 |
7,330 | 7,483 | 7 | 98.00% |
|
DAMES AT SEA (HELEN HAYES) |
$201,412 | $201,412 | $73 $227 |
2,777 | 4,664 | 8 | 59.50% |
|
FINDING NEVERLAND (LUNT-FONTANNE) |
$842,673 | $842,673 | $89 $225 |
9,519 | 12,032 | 8 | 79.10% |
|
FOOL FOR LOVE (FRIEDMAN) |
$351,306 | $351,306 | $83 $150 |
4,258 | 5,112 | 8 | 83.30% |
|
FUN HOME (CIRCLE IN THE SQUARE) |
$632,902 | $632,902 | $115 $250 |
5,501 | 5,920 | 8 | 92.90% |
|
HAMILTON (RICHARD RODGERS) |
$1,596,311 | $1,596,311 | $149 $475 |
10,738 | 10,568 | 8 | 101.60% |
|
HAND TO GOD (BOOTH) |
$221,229 | $221,229 | $67 $223 |
3,307 | 6,176 | 8 | 53.50% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
JERSEY BOYS (AUGUST WILSON) |
$636,002 | $636,002 | $99 $199 |
6,436 | 9,824 | 8 | 65.50% |
|
KING CHARLES III (MUSIC BOX) |
$677,842 | $677,842 | $109 $225 |
6,245 | 7,816 | 8 | 79.90% |
|
KINKY BOOTS (AL HIRSCHFELD) |
$908,831 | $908,831 | $102 $299 |
8,922 | 11,392 | 8 | 78.30% |
|
LES MISÉRABLES (IMPERIAL) |
$672,632 | $672,632 | $86 $225 |
7,833 | 11,272 | 8 | 69.50% |
|
LORD OF THE DANCE: DANGEROUS GAMES (LYRIC) |
$396,719 | $396,719 | $50 $225 |
7,942 | 15,168 | 8 | 52.40% |
|
MATILDA (SHUBERT) |
$735,997 | $735,997 | $83 $250 |
8,849 | 11,456 | 8 | 77.20% |
|
MISERY (BROADHURST) |
$822,637 | $822,637 | $96 $297 |
8,551 | 9,456 | 8 | 90.40% |
|
OLD TIMES (AMERICAN AIRLINES) |
$395,275 | $395,275 | $81 $139 |
4,875 | 5,920 | 8 | 82.30% |
|
ON YOUR FEET! (MARQUIS) |
$1,279,611 | $1,279,611 | $100 $199 |
12,740 | 13,104 | 8 | 97.20% |
|
SCHOOL OF ROCK (WINTER GARDEN) |
$928,596 | $928,596 | $87 $248 |
10,685 | 11,888 | 8 | 89.90% |
|
SOMETHING ROTTEN! (ST. JAMES) |
$852,711 | $852,711 | $90 $277 |
9,436 | 12,688 | 8 | 74.40% |
|
SPRING AWAKENING (BROOKS ATKINSON) |
$415,201 | $415,201 | $79 $247 |
5,237 | 8,208 | 8 | 63.80% |
|
SYLVIA (CORT) |
$364,084 | $364,084 | $71 $199 |
5,130 | 8,568 | 8 | 59.90% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,487,214 | $1,487,214 | $170 $477 |
8,728 | 8,528 | 8 | 102.30% |
|
THE COLOR PURPLE (JACOBS) |
$690,820 | $690,820 | $112 $193 |
6,186 | 6,306 | 6 | 98.10% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME (ETHEL BARRYMORE) |
$624,104 | $624,104 | $95 $233 |
6,559 | 8,144 | 8 | 80.50% |
|
THE GIN GAME (GOLDEN) |
$391,114 | $391,114 | $93 $223 |
4,194 | 5,614 | 7 | 74.70% |
|
THE KING AND I (VIVIAN BEAUMONT) |
$766,243 | $766,243 | $120 $297 |
6,393 | 8,376 | 8 | 76.30% |
|
THE LION KING (MINSKOFF) |
$1,633,344 | $1,633,344 | $120 $225 |
13,572 | 13,568 | 8 | 100.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$777,401 | $777,401 | $83 $200 |
9,337 | 12,840 | 8 | 72.70% |
|
THÉRÈSE RAQUIN (STUDIO 54) |
$456,892 | $456,892 | $80 $139 |
5,700 | 8,152 | 8 | 69.90% |
|
WICKED (GERSHWIN) |
$1,646,787 | $1,646,787 | $115 $240 |
14,312 | 14,456 | 8 | 99.00% |
| TOTAL | $28,476,232 | $791,006 | $101.18 $246.93 |
281,431 | 342,963 | 284 | 82.06% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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