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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
A CHRISTMAS CAROL (LYCEUM) |
$257,525 | $257,525 | $61 $297 |
4,194 | 6,784 | 8 | 61.80% |
|
AIN'T TOO PROUD (IMPERIAL) |
$1,440,028 | $1,440,028 | $136 $323 |
10,572 | 11,392 | 8 | 92.80% |
|
ALADDIN (NEW AMSTERDAM) |
$1,114,007 | $1,114,007 | $87 $228 |
12,769 | 13,816 | 8 | 92.40% |
|
AMERICAN UTOPIA (HUDSON) |
$951,411 | $951,411 | $166 $329 |
5,726 | 5,766 | 6 | 99.30% |
|
BEETLEJUICE (WINTER GARDEN) |
$965,164 | $965,164 | $97 $323 |
9,996 | 11,944 | 8 | 83.70% |
|
BETRAYAL (JACOBS) |
$624,575 | $624,575 | $100 $248 |
6,243 | 8,288 | 8 | 75.30% |
|
CHICAGO (AMBASSADOR) |
$508,808 | $508,808 | $84 $197 |
6,068 | 8,640 | 8 | 70.20% |
|
COME FROM AWAY (SCHOENFELD) |
$952,193 | $952,193 | $112 $297 |
8,489 | 8,368 | 8 | 101.40% |
|
DEAR EVAN HANSEN (MUSIC BOX) |
$1,016,920 | $1,016,920 | $133 $297 |
7,628 | 7,872 | 8 | 96.90% |
|
DERREN BROWN: SECRET (CORT) |
$401,113 | $401,113 | $84 $297 |
4,750 | 7,112 | 7 | 66.80% |
|
FREESTYLE LOVE SUPREME (BOOTH) |
$720,234 | $720,234 | $133 $297 |
5,396 | 6,120 | 8 | 88.20% |
|
FROZEN (ST. JAMES) |
$958,449 | $958,449 | $80 $253 |
11,956 | 13,472 | 8 | 88.70% |
|
HADESTOWN (WALTER KERR) |
$1,313,225 | $1,313,225 | $179 $499 |
7,332 | 7,344 | 8 | 99.80% |
|
HAMILTON (RICHARD RODGERS) |
$2,765,850 | $2,765,850 | $258 $847 |
10,732 | 10,592 | 8 | 101.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HARRY POTTER AND THE CURSED CHILD, PARTS ONE AND TWO (LYRIC) |
$941,249 | $941,249 | $73 $297 |
12,976 | 12,976 | 8 | 100.00% |
|
JAGGED LITTLE PILL (BROADHURST) |
$1,000,046 | $1,000,046 | $113 $397 |
8,839 | 9,000 | 8 | 98.20% |
|
KRISTIN CHENOWETH: FOR THE GIRLS (NEDERLANDER) |
$969,894 | $969,894 | $101 $473 |
9,584 | 9,584 | 8 | 100.00% |
|
MEAN GIRLS (AUGUST WILSON) |
$782,779 | $782,779 | $95 $250 |
8,283 | 9,800 | 8 | 84.50% |
|
MOULIN ROUGE! (AL HIRSCHFELD) |
$2,155,182 | $2,155,182 | $206 $499 |
10,464 | 10,416 | 8 | 100.50% |
|
OKLAHOMA! (CIRCLE IN THE SQUARE) |
$379,069 | $379,069 | $93 $250 |
4,070 | 5,208 | 8 | 78.10% |
|
SLAVA'S SNOWSHOW (STEPHEN SONDHEIM) |
$279,547 | $279,547 | $41 $225 |
6,810 | 8,440 | 8 | 80.70% |
|
SLAVE PLAY (GOLDEN) |
$404,901 | $404,901 | $77 $247 |
5,283 | 6,344 | 8 | 83.30% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,033,721 | $1,033,721 | $126 $478 |
8,233 | 8,376 | 8 | 98.30% |
|
THE GREAT SOCIETY (VIVIAN BEAUMONT) |
$380,018 | $380,018 | $75 $225 |
5,059 | 8,480 | 8 | 59.70% |
|
THE HEIGHT OF THE STORM (FRIEDMAN) |
$251,376 | $251,376 | $68 $279 |
3,700 | 5,144 | 8 | 71.90% |
|
THE INHERITANCE (ETHEL BARRYMORE) |
$510,026 | $510,026 | $72 $347 |
7,130 | 8,384 | 8 | 85.00% |
|
THE LIGHTNING THIEF (LONGACRE) |
$255,064 | $255,064 | $63 $197 |
4,038 | 8,584 | 8 | 47.00% |
|
THE LION KING (MINSKOFF) |
$1,655,921 | $1,655,921 | $132 $252 |
12,511 | 13,568 | 8 | 92.20% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$768,233 | $768,233 | $85 $213 |
9,023 | 12,840 | 8 | 70.30% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE ROSE TATTOO (AMERICAN AIRLINES) |
$507,190 | $507,190 | $94 $297 |
5,387 | 5,768 | 8 | 93.40% |
|
THE SOUND INSIDE (STUDIO 54) |
$524,606 | $524,606 | $100 $275 |
5,231 | 7,984 | 8 | 65.50% |
|
TINA - THE TINA TURNER MUSICAL (LUNT-FONTANNE) |
$1,497,521 | $1,497,521 | $126 $297 |
11,901 | 11,824 | 8 | 100.70% |
|
TO KILL A MOCKINGBIRD (SHUBERT) |
$1,824,941 | $1,824,941 | $159 $497 |
11,509 | 11,480 | 8 | 100.30% |
|
TOOTSIE (MARQUIS) |
$726,702 | $726,702 | $83 $247 |
8,705 | 12,816 | 8 | 67.90% |
|
WAITRESS (BROOKS ATKINSON) |
$657,774 | $657,774 | $91 $297 |
7,216 | 8,360 | 8 | 86.30% |
|
WICKED (GERSHWIN) |
$1,324,358 | $1,324,358 | $110 $240 |
11,999 | 14,456 | 8 | 83.00% |
| TOTAL | $32,819,621 | $911,656 | $113.25 $319.67 |
289,802 | 337,342 | 285 | 85.91% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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