Nice Work If You Can Get It – A Cabaret Jubilee: Hamptons Summer Songbook By the Sea at LTV Studios

KT Sullivan became artistic director of The Mabel Mercer Foundation in March of 2012. She starred on Broadway in Gentlemen Prefer Blondes and at Irish Rep in “Love, Noël” with Steve Ross. For over two decades she headlined in the Oak Room of the Algonquin, and now performs regularly in NYC at Birdland, Don’t Tell Mama, Pangea, and at Crazy Coqs in London. Her show “Rhyme, Women, and Song” was filmed for PBS, as well as her Sondheim Show with Jeff Harnar. She recorded six albums for DRG Records and was married for 22 years to Stephen Downey, president of the Browning Society.

Mark Nadler is an internationally acclaimed singer, pianist, tap-dancer and comedian. He was the recipi-ent of the 2015 Broadway World Editor’s Choice Award for Entertainer of the Year. His off-Broadway hit, I’m a Stranger Here Myself, was been honored with the 2013 Nightlife Award and was nominated for a Drama Desk Award and two Broadway World Awards. The show was presented at The Adelaide Cabaret Festival in Adelaide, Australia, where it was nominated for the prestigious Help-mann Award. Additionally, Mark Nadler’s Broadway Hootenanny was a staple of the Adelaide Festival five years in a row. For his performance as Eugene in Gaby Deslys at the Théåtre de Passy in Paris, Mark was nominated for the prestigious Trophée de la Théâre Musicale. Mr. Nadler has performed at Carnegie Hall with the New York Pops Orchestra and has been a soloist with the Baltimore Symphony, Indianapolis Symphony, Oregon Symphony, National Arts Centre Sym-phony in Ottawa and others. At Philadelphia’s 14,000 seat Mann Center for the Performing Arts, Mark did a solo two-act evening with the New York Pops, as well as Three Singular Sensations with Marvin Hamlisch and Martin Short. He starred in and co-wrote the off-Broadway Gershwin revue, American Rhapsody, which was nomi-nated for a Drama Desk and two Lucille Lortel Awards and received the Manhattan Association of Caba-rets (MAC) Award for Outstanding Musical Revue. He also won that award for Almost Like Being In Love and Always: The Love Story of Irving Berlin. Additionally, he received the MAC Award three years in a row for outstanding Musical Comedy Performer. Additionally, Mark was given the MAC Award for his performance of five different interacting characters in his one man Opera in Honky-tonk, Red Light.

Marta was in the original Broadway production of “The Best Little Whorehouse In Texas” as Eloise. She has been awarded MAC and BISTRO Awards for “OUTSTANDING FEMALE VOCALIST,” a BISTRO Award for “CONSUMATE CABARET ARTIST," a MAC Award for “LIFETIME ACHIEVEMENT,” and a GRAMMY NOMINATED recording for “SONDHEIM UNPLUGGED.” Marta has sung in cabarets and night clubs around the world.

Natalie Douglas is a 21st century vocalist with a strong foundation in the traditional pop vocals of the American Songbook and an equally fierce devotion to the modern jazz, blues, rock & country influences of her childhood. Like her idol, Nina Simone, Natalie is drawn to lyrics that tell a compelling story no matter what genre. Douglas is a two-time Bistro, Nightlife, and fourteen-time MAC Award Winner, and BroadwayWorld Cabaret Best Vocalist Award winner, whose appearances include Birdland Jazz Club, Carnegie Hall, Cafe Carlyle, The Town Hall, The Kennedy Center, The Crazy Coqs & The Pheasantry in London, plus numerous Cabaret Conventions presented by The Mabel Mercer Foundation (which has honored her with the Margaret Whiting Award, the Donald F. Smith Award and the 2024 Mabel Mercer Award). She is also a 2024 recipient of the Gaudium Award presented by the Breukelein Institute. In May, Natalie will accept the VERA Award from The Voice Foundation alongside other 2025 honorees; Renée Fleming & Chandrika Tandon. Natalie’s portrait has joined the illustrious collection of legendary musicians on Birdland’s Wall of Fame.