Review: MOVEMENT AT THE STILL POINT: AN EVENING OF DANCE at The Joyce Theater
World-renowned photographer Mark Mann threw an incredible party Monday night.
The latest reviews and critic recommendations from Dance.
World-renowned photographer Mark Mann threw an incredible party Monday night.
What did our critic think of PNB REP 4: “BOUNDLESS”, A TITILLATING TRIPLE BILL at McCaw Hall?
The National Ballet of Canada has returned to New York City Center for the first time in 15 years and we give the troupe an enthusiastic welcome.
Silence whispers over the seats of The Joyce Theater as Atamira Dance Company's Artistic Director Jack Gray and Executive Producer Marama Lloydd greet the audience in Māori, the Austronesian language spoken primarily by Maōri people; the indigenous population of mainland New Zealand.
The art of Flamenco dance has been around since the 15th century.
Opening nights tend to be special.
Do you remember the first dance performance you ever saw? What did you feel? What moved you? That natural love for dance and movement served as inspiration for American Repertory Ballet’s program, Movin’ + Groovin’ on March 25th at the Kaye Playhouse.
Alvin Ailey’s roster of classic performances is long because it has never shied away from leveraging its foundational strengths to try something new.
What did our critic think of THE COLORS OF DANCE at San Francisco Ballet? BroadwayWorld reviews SFB's 'The Colors of Dance,' a gorgeous new program of 3 contemporary ballets running through March 19th at the War Memorial Opera House.
As much as I admire the art of ballet, I have never seen a new, professional ballet performance, one that no one else has seen before.
The 2023 return to the Open-Air Festival at Maynardville ends with a captivating double-bill production presented by Cape Town City Ballet.
It's a little surprising that the Red Sky Performance company of Canada is just now making its debut at the Kennedy Center for Performing Arts.
What did our critic think of GISELLE at San Francisco Ballet? BroadwayWorld reviews SFB's stunning production of 'Giselle,' a classic ballet that still has the power to startle and move us, running through March 5th at the War Memorial Opera House.
What did our critic think of PNB’S HAUNTINGLY MESMERIZING “GISELLE” RETURNS FOR THE THIRD TIME at McCaw Hall?
The star-crossed story of Romeo and Juliet has certainly kept is relevance in the 426 years since William Shakespeare premiered his enduring play.
What did our critic think of ALVIN AILEY AMERICAN DANCE THEATER at The Kennedy Center?
Rennie Harris and his company, Puremovement are performing the choreographer’s influential work, 'Rennie Harris presents: Rome & Jewels' at the Joyce Theater in celebration of the company’s 30th Anniversary.
The New Works series for the Philadelphia Ballet brings Forward Motion to the stage with three new conceptualizations by highly respected choreographers.
What did our critic think of ROMEO AND JULIET at Ottawa's National Arts Centre?
What did our critic think of NEXT@90 CANIPAROLI / BREINER / OISHI PREMIERES at San Francisco Ballet? BroadwayWorld reviews the 2nd program of San Francisco Ballet's 'next@90' festival featuring immensely rewarding world premieres by Val Caniparoli, Bridget Breiner & Yuka Oishi.
Read BroadwayWorld's review of Donna McKechnie in Take Me To The World: The Songs of Stephen Sondheim at Catalina Jazz Club.
After a long, hard run of Nutcracker, both London’s premier ballet companies are providing somewhat of a Tchiakovsky exhibition with English National Ballet offering Swan Lake and now the Royal Ballet giving one of their signature works, The Sleeping Beauty, an extended run until June.
'Opening night of any show is an invitation for more.
In 2021, Festival Ballet Providence announced a brand new version of the holiday staple, THE NUTCRACKER, fully reimagined by the company's Artistic Curator, Yury Yanowsky, and Company Director Kathleen Breen Combs.