The latest reviews and critic recommendations from Dance.
The program features a highly anticipated world premiere collaboration with Krump artist Brian “HallowDreamz” Henry, along with favorites such as FROM (2019), SAMA (2019), No Ordinary Love (2022), state (2018), and a new arrangement of the full evening work, FOLD HERE (2013).
What did our critic think of REVIEW: BALLET HISPÁNICO at New York City Center?
In celebration of its founder Tina Ramirez, the ballet company’s latest installment at the New York City Center focuses on how dance can build community and celebrate the LatinX culture to make a difference.
What did our critic think of DANCE NATION at BlueBarn Theatre?
In Good Grief: Songs of the Moon and The Unbroken Circle creator Tariq Darrell O’Meally explores how we become more than what we’ve lost.
What did our critic think of THE CRUCIBLE at Eisenhower Theater? Choreographer Helen Pickett does in her ballet The Crucible just exactly what Arthur Miller attempted in his 1953 play, her source.
What did our critic think of FJK DANCE: RAISING THE ARAB VOICE IN CONTEMPORARY DANCE at New York Live Arts? For their ninth season, FJK Dance presents three company signature works by Artistic Director Fadi J.
Ballet Black is now in its 21st season, Cassa Pancho’s company entering somewhat of a new era after the retirement of company favourite, Cira Robinson and the addition of some junior members to its ranks.
A visit from Leeds-based Northern Ballet every Spring at Sadler’s Wells is always a highlight of the dance calendar, and never more so when at their glittering best with their unique dance interpretation of F.
It's really the perfect weekend for the Washington Ballet's revival of its grand 'The Sleeping Beauty.
Trisha Brown Dance Company pays tribute to its legacy and connects new artistic voices in a triple bill program at The Joyce Theater.
What did our critic think of PNB’S “A MIDSUMMER NIGHT’S DREAM” at McCaw Hall?
'40 years ago, Peridance was born,' says Igal Perry, Founder and Artistic Director of Peridance Center and Peridance Contemporary Dance Company.
What did our critic think of ROMEO & JULIET at San Francisco Ballet? BroadwayWorld reviews San Francisco Ballet's gloriously romantic 'Romeo & Juliet' running through April 30th.
Dance Theatre of Harlem is taking the stage at New York City Center for their annual homecoming season through Sunday, April 23.
The Martha Graham Dance Company opened their season at The Joyce Theater on Tuesday evening with Program A.
World-renowned photographer Mark Mann threw an incredible party Monday night.
What did our critic think of PNB REP 4: “BOUNDLESS”, A TITILLATING TRIPLE BILL at McCaw Hall?
The National Ballet of Canada has returned to New York City Center for the first time in 15 years and we give the troupe an enthusiastic welcome.
Silence whispers over the seats of The Joyce Theater as Atamira Dance Company's Artistic Director Jack Gray and Executive Producer Marama Lloydd greet the audience in Māori, the Austronesian language spoken primarily by Maōri people; the indigenous population of mainland New Zealand.
The art of Flamenco dance has been around since the 15th century.
Opening nights tend to be special.
Do you remember the first dance performance you ever saw? What did you feel? What moved you? That natural love for dance and movement served as inspiration for American Repertory Ballet’s program, Movin’ + Groovin’ on March 25th at the Kaye Playhouse.
Alvin Ailey’s roster of classic performances is long because it has never shied away from leveraging its foundational strengths to try something new.
What did our critic think of THE COLORS OF DANCE at San Francisco Ballet? BroadwayWorld reviews SFB's 'The Colors of Dance,' a gorgeous new program of 3 contemporary ballets running through March 19th at the War Memorial Opera House.
