BWW Review: BREAKING BREAD WITH BALANCHINE, a Guggenheim Works & Process Treat

BWW Review: BREAKING BREAD WITH BALANCHINE, a Guggenheim Works & Process Treat

Apr. 9, 2018  

BWW Review: BREAKING BREAD WITH BALANCHINE, a Guggenheim Works & Process Treat

The Works & Process series at the Guggenheim Museum on Fifth Avenue in NYC has been giving New Yorkers an up-close-and-personal chance to experience aspects of the creative process for over three decades. One recent installment, a fascinating retrospective entitled "Breaking Bread with Balanchine", explored Mr. B's passionate involvement with cooking and how his relationship to food influenced his choreography. Food scholar Dr. Meryl Rosofsky researched the "culinary biography" during her resident fellowship at NYU's The Center for Ballet and the Arts.

On the evening of April 8th 2018, I joined other balletomanes for a pre-show dinner at The Wright, an intimate restaurant inside the museum. The Balanchine-inspired menu, curated by Dr. Rosofsky in collaboration with Chef Alejandro Cortez, included kulich and paskha, which Balanchine made each year for his Russian Orthodox Easter feasts. The program was timed to coincide with Russian Orthodox Easter, and I can attest that the dishes were delicious.

After sharing the repast, we all trooped to the Rotunda where we were treated to a slide show of images from Mr. B's personal life and his career. Following that, Dr. Rosofsky delivered her intriguing narrative along with comments about more slides and some video clips. Next came remarks by a stellar panel as well as performance excerpts by members of the New York City Ballet. We heard charming food-related reminiscences from former NYCB principal Edward Villela; Dr. Jeanne Fuchs, an SAB alum, who tested Balanchine's recipes for The Ballet Cook Book by Tanaquil Le Clercq; and NYCB's longtime orthopedic consultant Dr. William Hamilton, who attended Balanchine's legendary Russian Orthodox Easter celebrations.

The interspersed excerpts from "Apollo", "Prodigal Son", and "Emeralds" were - not surprisingly - beautifully danced on the small stage. Kudos to Jared Angle, Adrian Danchig-Waring, Joseph Gordon, Ashley Laracey, and Miriam Miller.

I came away with a deeper appreciation for Mr. B. not only as an artist but as a person. Here, to whet your appetite, is the menu from The Wright:

Zakouskie (Starters)

Chilled Trio of Soups à la Jewels

English Pea Soup (Emeralds) & Ruby Beet Borscht (Rubies) & Vichyssoise (Diamonds)

Blini with Caviar

crème fraîche, caviar

ADD Vodka "hooker" cocktail$8

Salade Olivier

poached chicken, cucumber, potatoes, peas, hard-boiled eggs, olives, and capers dijon-mayonnaise dressing

Main

Grand Aioli Provençal

poached salmon, green beans, potatoes, spring onion, watermelon radish, saffron aioli

Mushroom Kasha "Risotto"

porcini mushrooms, fava beans, mushroom broth

Chicken Breast, Saratoga Green Sauce

red cabbage puree, assorted spring peas

Kotletki von Aroldingen

Russian meatballs with mushrooms-sour cream sauce, horseradish potatoes, eggplant tomatoes

Land of Sweets

Gogl-Mogl

Balanchine's childhood custard, strawberries & mint

Traditional Russian Easter Paskha and Kulich

Farmer's cheese cake, currants vanilla-almond cake, lemon icing

Chocolate "Mousse King" Marzipan Tart

Arabian coffee gelato

Cocktails - A Few of Balanchine's Favorites - $14

Southampton Strawberry Spring Daiquiri

Dill Infused Vodka, with a splash of soda

An upcoming event: NYCB Turnout's Culinary Choreography on April 23rd at the Institute of Culinary Education on 225 Liberty Street. The evening will include: 6:30-7 PM Cocktails and Hors d'oeuvres, 7-8 PM Hands-on-Cooking, and 8 PM Dinner. Hosted by Dr. Rosofsky and NYCB Board Member Stuart Coleman, the event will benefit NYCB's Dancer Wellness Fund. For tickets, visit nycballet.com/turnout or call 212.870.5677.

BALANCHINE is a trademark of the George Balanchine Trust.

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Sondra Forsyth Sondra Forsyth is Editor-in-Chief of Broadway World Dance. A National Magazine Award winner and a member of Dance Critics Association, she founded Ballet Ambassadors in New York City and was the Artistic Director for 16 years with support from the New York City Department of Cultural Affairs. Sondra has served as a guest teacher for the American Ballet Theatre open classes and on the faculty of The School at Steps on Broadway, the Harkness Dance Center of the 92nd Street Y, the Interlochen Center for the Arts, and Studio de Ballet Opera in Beirut, Lebanon. She was Co-Founder and Co-Artistic Director with Jan Hanniford Goetz of the Huntington School of Ballet and the Huntington Ballet Theatre on Long Island. Sondra is also Co-Editor-in-Chief of thirdAGE.com and formerly held the posts of Executive Editor at Ladies? Home Journal, Features Editor at Cosmopolitan, and Articles Editor at Bride?s. Sondra?s byline has appeared in Dance Magazine and Dance Teacher as well as many major publications. Sondra has a grown son and daughter, a son-in-law, and two grandsons. She is the author, co-author, or ghostwriter of twelve books and holds an M.A. from Harvard.


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