Click below to access all the Broadway grosses from all the shows for the week ending 3/10/2024 in BroadwayWorld's grosses section.
Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.
Rob said: "Down for the week by attendance (% of capacity) was: WICKED (-93.6%)"
I know it's a typo, but could you imagine?
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Notebook has been holding seats for critics leading up to Thursday's opening, so the numbers are down a bit for them. Expect the same thing to happen next week with Elephants.
I continue to be blown away by how well Hadestown is faring through the tough winter months. It was truly a brilliant move for them to bring in Lola Tung and Ani DiFranco during this particular time of year.
Nice to see so much GREEN! All but 5 shows had attendance in the 90th percentile, with 3 of those remaining in the 80s.
I can't imagine how much it sucks to play to an AVERAGE of 50%....knowing their weekends have to be more full, weekday performance of 30% must hurt. Esp for a show like W&R - to work so hard emotionally for so few people.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
WATER FOR ELEPHANTS’ ATP is a little concerning for a musical of that scale. Much like BAD CINDERELLA, if it doesn’t get that up in the coming weeks/months, it may be looking toward an early closing, especially when the April rush happens.
Its also now depressingly clear why DAYS OF WINE AND ROSES pulled the plug.
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BETTY22 said: "Notebook is giving away a lot of press tickets - but after opening night it will need to get those weekly grosses up, up, up.
Weekly running costs are in the high mid 900,000.
It's expensive......"
I'm not sure where you got these numbers from, but having seen the offering docs, the running costs are not nearly that high. Even allowing for cost overruns, it's in a smaller theater and isn't that large a show. It has one of the lower capitalizations for a new musical this season as well.
Bobster159 said: "BETTY22 said: "Notebook is giving away a lot of press tickets - but after opening night it will need to get those weekly grosses up, up, up.
Weekly running costs are in the high mid 900,000.
It's expensive......"
I'm not sure where you got these numbers from, but having seen the offering docs, the running costs are not nearlythat high. Even allowing for cost overruns, it's in a smaller theater and isn't that large a show.Ithas one of the lowercapitalizations for a new musicalthis season as well.
"
I would think they are when you actually add in 1) theatre rent percentage and 2) minimum royalties. These are typically shown on separate lines below the weekly operating cost figure. Then 900k doesn’t sound off. Why does everyone forget to add those figures in when looking at “weekly operating costs”? Anyway, hoping it fares better.
BdwyFan said: "Bobster159 said: "BETTY22 said: "Notebook is giving away a lot of press tickets - but after opening night it will need to get those weekly grosses up, up, up.
Weekly running costs are in the high mid 900,000.
It's expensive......"
I'm not sure where you got these numbers from, but having seen the offering docs, the running costs are not nearlythat high. Even allowing for cost overruns, it's in a smaller theater and isn't that large a show.Ithas one of the lowercapitalizations for a new musicalthis season as well.
"
I would think they are when you actually add in 1) theatre rent percentage and 2) minimum royalties. These are typically shown on separate lines below the weekly operating cost figure. Then 900k doesn’t sound off. Why does everyone forget to add those figures in when looking at “weekly operating costs”? Anyway, hoping it fares better."
In general, I agree with you. In this particular case, I am including them when I say the breakeven is quite a bit less than $900K.
How heartbreaking for days of wine and roses. The best musical of the season. I really hope they get nominated for best musical and a win for score. With Sweeney making 1.3 million a week, it’s crazy that they’re closing. Why not just find new broadway stars and keep it going??
Why does it have to keep going? Sometimes even if it's making money, sometimes it's just the shows decision,. producers decision, etc. Maybe they want to go out on a high note. Even if there are capable people who could be waiting in the wings, maybe they don't want to, maybe that theater has a new tenant coming in.
The recoupment schedule offered in Broadway operating papers takes into consideration all finances the production is responsible for. There aren’t hidden expenses not accounted for in the weekly running costs.
“I knew who I was this morning, but I've changed a few times since then.”
QueenAlice said: "The recoupment schedule offered in Broadway operating papers takes into consideration all finances the production is responsible for. There aren’t hidden expenses not accounted for in the weekly running costs."
They aren't hidden, but BdwyFan is correct that people here frequently quote the break even cost as the fixed weekly cost. In reality, there's the theatre percentage, royalties, and ticket fees on top, which generally add about 20% to give the actual sales gross needed to break even.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
Broadway Flash said: "Someone on the sweeney closing thread said the producers wanted it to keep running but ran out of town to get replacements. It’s sad"
Nah because now other audiences around the country will be able to experience it when the tour happens in 2025-2026 :)
Bobster159 said: "QueenAlice said: "The recoupment schedule offered in Broadway operating papers takes into consideration all finances the production is responsible for. There aren’t hidden expenses not accounted for in the weekly running costs."
They aren't hidden, butBdwyFan is correct that people here frequently quote the break evencostasthe fixed weekly cost. In reality, there's the theatre percentage, royalties, and ticket fees on top, which generally add about 20% to give the actual sales grossneeded to break even."
There are also expenses that just pop up time to time. Sort of like how if you as a person follow a budget, some weeks you'll spend more or less than others. Positions also get added sometimes (you realize you need to hire an additional Swing or another Wardrobe person), more put-in rehearsals than anticipated, an increase in advertising dollars, a new costume needs to be built, painting touchups, etc etc etc. Especially as a show continues its run, there's inflation to account for.
What's in the offering papers is a goal, but sometimes even the most fiscally-responsible producers can't stick to that goal.