It's a REALLY lazy move to end the play with Sas performing Rose's Turn in full. After that, they hug, and the play ends. I was hoping we'd at least get a scene post-Rose's turn where they have a final conversation and reconciliation. Not nailing the ending brings down the rest of the play for me.
Sas's character is lacking backstory. Weirdly, Evan Todd's character gets the most. We don't really know Sas's character as a person beyond her being a failed actor-turned-realtor. We don't know WHY she is the way she is. There are both despicable and lovable elements of all 3 of the main characters...but that's human nature. Some of the "observations" are pretty on-the-nose, even if they're worth calling out.
It's a very binary portrayal of gender (which makes sense for a period piece –– it's set in 2015), so cue the discourse in 3...2... But some of the other conversations feel VERY 2022, so there's a bit of dissonance.