I only got to see Ripley right at the end of the tour when her voice was shot before she called out for the rest of the two weekend performances - so I can't say I can rave about her like some can. I thought Ben Platt one-upped playing the crazy angst and being able to deliver it vocally. Ripley's performance is still special to me though.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
Probably a tie between Patti LuPone in Gypsy and Jessica Lange in Long Day's Journey Into Night - I might give the slight edge to Patti since despite that it's been almost 9 years since I saw it (I was 12 at the time), it's still clear as day in my head.
The Other One said: "willep said: "The first two that come to mind for me are Mark Rylance in Jerusalem and James Corden in One Man, Two Guvnors."
Good choices, though oddly I would have given Rylance the Tony for the same season's La Bete. I liked the play so much more. Corden? Perfection. Sheer perfection. "
I did LOVE La Bete as well. In fact, that was my introduction to Mark Rylance, and he absolutely blew my mind, so I have a soft spot for that show.
Extremely hard to pick between Patti in Gypsy, Cynthia in Color Purple, and Laurie in Doll's House.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Hands down, the best-ever Tony-winning performance was the lightning bolt that shot across the stage of the Imperial in the form of Hugh Jackman in THE BOY FROM OZ.
Natasha Richardson in Cabaret (at the Kit Kat Klub/Henry Miller's Theatre before the move to Studio 54). Almost 20 years now since I've seen it and I still can't get her performance out of my head. The expression on her face at the end of the show as she entered to deliver the title number was absolutely haunting.
Neil Patrick Harris, Hedwig I saw him 13 times. I am NOT an NPH fan and I went in with very low expectations. Mesmerizing.
Katie Finneran, Promises, Promises It's one of those performances that you lean over to your theatre-going partner and say, "she just won a Tony"
Patina Miller, Pippin Again, low expectations because I did not enjoy her work in Sister Act and I was sceptical it would pale in comparison to Ben Vereen.
I loved Christine Ebersole in Grey Gardens but then I saw Rachel York in the LA production and I found her performance to be even more touching and inspired. It stayed with me for a long time after.