According to Variety, Junkyard Dog Prods. will bring the new musical FIRST DATE to Broadway this summer. The show will begin performances at the Longacre Theatre on July 9 and open on August 4.
The musical, which played Seattle's 5th Avenue Theatre last spring, will feature direction by Bill Berry and choreography by Josh Rhodes. Casting has not yet been annouced, but the Seattle cast included: Eric Ankrim, Kelly Karbacz, Benjamin Harris, Vicki Noon, Brandon O'Neill, Rich Gray, Greg McCormick Allen, and Sonya Meyer, in roles including old boyfriends, ex-fiancées, best friends, and pushy relatives, not to mention fellow diners who intrude on the couple's blind date.
I know nothing of this show but it seems to have gotten some excellent notices. Granted it seems more like it might be more suited to Off-Broadway but I'm not writing it off yet.
Also saw it in Seattle and found it massively overrated. A lot of cliches with b-grade sitcom dialogue and a mostly forgettable score (I remember the "This is your bailout calling" riff 'cuz it showed up so much). As a small off-Broadway show, it'd probably do OK, but it's going to flop when it has to churn a Broadway sized audience.
normally I'd be happy that another theater is booked, but I just don't see this lasting that long and could even be closed by Labor Day.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I saw this in Seattle, and it really should have opened up off-Broadway. With some clever marketing, this could have been another "Tony & Tina's Wedding" type of show (well, not interactive like that show, but similar in vein, marketing towards a date night type of situation), but the show is too slight to be really big on Broadway, at Broadway prices. It's cute, and mostly harmless, and nothing more, and will probably be evicerated by NY critics. Memphis (also by the same producing team) was way more ready for Broadway, which is saying a lot!
Good for someone taking a chance on a title with no name value, with assumably no stars, and authors with no major credits, but seriously, who do they think is going to pay $140 or so to see this? Not tourists. And from the above comments, not regular theatregoers either. Are the hoping for bachelorette parties or something? I'm trying in vain to understand the logic here. Or is the show just that brilliant that it deserves this sort of trajectory?
I saw it twice in Seattle and loved it. I thought the concept was great, most of the songs were witty and catchy, and the direction and acting were outstanding. I agree that it seems to small for Broadway, but I'm glad that this show is going to have a future.
This reminds me of the situation with Glory Days. A show that's too small and slight, but not egregiously awful and without any known actors (if the cast transfers). It's a recipe for coming and going without anyone even knowing it played a single performance.
Opening in the middle of summer is a deadly decision and will do it in more than anything else though.
It reminds me of a show The York brought in from Chicago a few years ago called Tomorrow Morning that they ran for a month or two. That seems like a better and safer track for this show.
Marie: Don't be in such a hurry about that pretty little chippy in Frisco.
Tony: Eh, she's a no chip!
Agreed. It actually sounds like it could make quite a fortune doing the "Menopause: The Musical" and "Midlife Crisis: the Musical" dinner-theater routes.