my guess is "Mormon" will be the first show to have half the mezz. as premium seating. That'll be the $250 seats, the $350-$500 will be the entire orchestra and the $150 seats will now be the rear mezz except for the last two rows which they'll keep at $69. Still surprised they haven't upped the price of lottery seats & SRO. West Side Story had SRO at $40 I believe and some shows' rush/lottery seats are near $40 as well.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I think that this show absolutely justifies the need for 'premium prices' because otherwise the scalping would be INSANE (I imagine it is insane as it is).
But I just hope that the people paying $475 to see this show (which appears to be happening every week)) are indeed the "1%" who can afford it, and not people blowing all their savings. This is not going to encourage regular theatre going for those that can barely afford to pay...
I'm glad that people are choosing to spend their money on this original American musical and not say Mamma Mia...but it cannot be healthy for the 'Broadway economy' :P for one show to be taking so much of the share of $$$.
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I am SO SORRY you were forced to pay so much for tickets to Mormon. It's appalling. Wait- who forced you? Want to be outraged I've got a hospital bill here that would frost your uterus. Theater is a luxury.
A long time ago, in a galaxy far, far away I was able to walk up to the SRO line at 5:45pm and have a ticket in my hand at 6:10 for $27. Long ago in April.
I bought two front row centre Mezz seats for $84 each (including taxes) back in the day. It's pretty funny. (waiting for someone to one-up me and say they were comped).
"You can't overrate Bernadette Peters. She is such a genius. There's a moment in "Too Many Mornings" and Bernadette doing 'I wore green the last time' - It's a voice that is just already given up - it is so sorrowful. Tragic. You can see from that moment the show is going to be headed into such dark territory and it hinges on this tiny throwaway moment of the voice." - Ben Brantley (2022)
"Bernadette's whole, stunning performance [as Rose in Gypsy] galvanized the actors capable of letting loose with her. Bernadette's Rose did take its rightful place, but too late, and unseen by too many who should have seen it" Arthur Laurents (2009)
"Sondheim's own favorite star performances? [Bernadette] Peters in ''Sunday in the Park,'' Lansbury in ''Sweeney Todd'' and ''obviously, Ethel was thrilling in 'Gypsy.'' Nytimes, 2000
I've seen it twice....once for 137 and once for 27 sro. BOTH were worth it. I guess I got lucky that I wasn't there the day they held a gun to your head forcing you to buy premium seats.
If NO ONE purchased tix at those prices, they wouldn't keep selling them at that price.
If we're not having fun, then why are we doing it?
These are DISCUSSION boards, not mutual admiration boards. Discussion only occurs when we are willing to hear what others are thinking, regardless of whether it is alignment to our own thoughts.
I have the same story as dramamama. It was worth it both times, 137 and 27. It's a great show, and we should be happy that a Broadway show is getting this much hype. No one's forcing people to buy the most expensive tickets, and there are even cheaper options. There will come a day when it starts going on TKTS.
We should all be outraged that so many people have $500 to spend on a theater ticket.
I'm not blaming the MORMON producers; the prices they are able to charge are just a symptom.
The appalling part is that people who have a grand to throw at a couple of tickets aren't spending some of that money on higher taxes. Yes, I'd rather they spend the money on theater than on, say, sports cars, but that doesn't change the principle.
And let's don't pretend that premium pricing doesn't affect what we actually see on Broadway. As a rule, people who spend that kind of money are expecting spectacle--falling chandeliers, helicopters and the like--not thoughtful works of art.
I don't think "spectacle" is the right word. They are paying premiums to get into the shows of the moment That no one else can get into because they are priced out. It's also the prestige factor. They can say that they got into one of the hardest to see shows in NYC, because money is not an issue for them. "The Producers" was one of the first, if not THE first to have a high premium price, and there were no helicopters or chanderliers in that. Same with The Odd Couple. The draw was the actors, not special effects. Mormon is also not a spectacle, just a show of the moment, which will eventually fade and the next show will come along and take it's place.
In the meantime, hardly anyone is paying premiums for an actual spectacle show, Spiderman.
"I'm an American, Damnit!!! And if it's three things I don't believe in, it's quitting and math."
well I paid 1/2 price for the fifth preview and then $27 for SRO about a month later. Will never pay full price under my current financial situation.
A Chorus Line revival played its final Broadway performance on August 17, 2008. The tour played its final performance on August 21, 2011. A new non-equity tour started in October 2012 played its final performance on March 23, 2013. Another non-equity tour launched on January 20, 2018. The tour ended its US run in Kansas City and then toured throughout Japan August & September 2018.
I paid about 50 bucks for the rear mezz when it was in previews, and I'm glad I only paid that much. I didn't think it was the second coming, but it was fun. I don't think it's anything really to write home about though.
Pippin, I was speaking in general and of course you are right that there are other appeals, including star power. But ticket inflation really began in the 1980s; I don't think it's a coincidence that as prices soared, Broadway came to be dominated by spectacle-based poperettas.
Of course, a show with big stars can forego the spectacle (and not every show with special effects is a hit), but as I'm sure you know, there are only a few stars with true box-office draw in any season (even if we count shows such as MORMON, where the writers are the stars).
And, yes, WISH YOU WERE HERE was famous for its on-stage swimming pool 60 years ago, but as I said, I was speaking in general.
Pippin, I also agree with your point about the prestige afforded the "show of the moment". But do we really want houses full of rich people who attend just because it's the "thing to do" that season? (My point is not that rich people are bad, but that theater is best when it plays to a cross-section of the community. Yes, I know posters here are experts at finding discounts, but they aren't the general public.)