I have no quarrel with anyone's favorite here, but "Who's That Woman?" was probably the number that most excited me. On the other hand, "Shall We Dance?" is the perfect blend of dialogue, song and dance as per the Hammerstein tradition.
But for sheer simplicity (and I don't know whether Prince or Bennett staged it), I have to vote for the original staging of "Too Many Mornings". We know Ben and Sally are singing in each others' arms, but it was staged with Ben embracing a showgirl "ghost" while Sally embraced and caressed empty air.
Absolutely chilling while simultaneously giving us all sorts of information.
Speaking of simplicity, I found every moment of MARCH OF THE FALSETTOS (performed off-Broadway with little more than a couple of chairs and four flashlights) so brilliantly staged I wanted to give up directing forever.
The opening and most of the numbers in Nine, Grand Hotel and Will Rogers Follies brilliantly staged by Tommy Tune. Most memorably, Anita Morris in her breathtaking provocatively staged in "A Call from the Vatican" from Nine.
"Anything you do, let it it come from you--then it will be new."
Sunday in the Park with George
Gower Champion's staging of THE HELLO DOLLY number is hands down the most exciting number I ever saw on a Broadway Stage. Just a thrilling, warm-hearted, piece of genius. If you never saw it live I pity you.
Funny, I never really think of Shall We Dance as a Robbins number... Did he stage the full sequence? I mean--the dancing is thrilling when it goes full out, but...
When I think of Robbins I tend to think of things like Cool, or other dance numbers--but when I saw the recreation of the original WSS in England 15 years back I thought the whole transition and staging going into Dance at the Gym was thrilling (as was the prologue.)
I do think The Montage/Hello Twelve in A Chorus Line is just masterfully staged. Having seen it live I feel I can comment more on it than great numbers I've only seen on bootlegs or other filmed versions--though there is a pretty good bootleg of the revival cast doing it on youtube. And it truly is about how it's staged--the lighting, the movement, everything combined--it truly is, to use an overused term when it comes to stage musicals, cinematic in the way all the sequences dissolve into each other, etc.
Here's the clip--for a 210 minute sequence, even not so well filmed by an audience membet--the actual staging in every sense of the word is pretty flawless https://www.youtube.com/watch?v=AqQAPcuuiP0
I've only recently been in a position to be able to see a lot of professional theatre, so i don't presume to know what the best in theatre history is, but here are some of my favorites that i've seen either on Broadway or a touring production or in regional productions, with most of the examples being quite recent.
Three categories that i tend to love the most - wonderful tap dancing numbers always move me tremendously, and also emotionally-powerful scenes, and i also love quirky/comedic dance numbers.
In the wonderful tap dancing category:
42nd St: Audition, We're in the Money, and Go Into Your Dance (several regional productions) Newsies: King of New York Anything Goes: title song (Kathleen Marshall staging) Aladdin: Friend Like Me A Christmas Story: You'll Shoot Your Eye Out (tap dancing part)
Quirky/comedic stagings that i love:
A Christmas Story - slow-motion run during Ralphie to the Rescue Nice Work If You Can Get It - the bathtub scene Sister Act - I Could Be That Guy - a genius combination of song/costumes/staging for a scene that is both funny and moving - perfection! Pippin - Magic To Do, No Time At All, and finale scene (2013 revival)
Dramatic/emotional stagings:
Les Miserables - One Day More Wicked - Defying Gravity
Next to Normal - There's a World and I've Been: Michael Greif's staging during those two songs rips my heart out, throws it on the floor, and stomps all over it (in a good way). It leaves me emotionally devastated. Similarly Aftershocks.
Carousel - If I Loved You (The Goodspeed 2012 production staged this scene better than any other Carousel production i've seen - very effective).
Some of my favourites: The Bench Scene - Carousel "Shall We Dance?" - The King and I "Who's That Woman?" and "Beautiful Girls" - Follies "Johanna Quartet" - Sweeney Todd "A Weekend in the Country" - A Little Night Music "Put On Your Sunday Clothes" - Hello, Dolly! "The Advantages of Floating in the Middle of the Sea" and "Chrysanthemum Tea" - Pacific Overtures "Sunday" - Sunday in the Park with George "Molasses to Rum" - 1776
The Bench Scene from which production? I mean it's a glorious piece of *writing* but, as much as I loved the Hytner production on tour as a teen, I can't even recall the staging of that number.
Impossible question though this is, if I had to pick from anything I've seen live, my first thought is I've Decided to Marry You from Gentleman's Guide. Every beat of the song is perfectly staged- it's a great song regardless, but the staging is what makes it work as beautifully as it does. I also really loved Joseph Smith American Moses in Book of Mormon, very clever staging.
I am a firm believer in serendipity- all the random pieces coming together in one wonderful moment, when suddenly you see what their purpose was all along.
Besides the brilliance of much of the original Follies (thanks Gaveston for putting in a word for "Too Many Mornings"!), the Act I Finale of Dreamgirls is pure genius. After ripping her heart out, Effie does not even get the applause she is rightfully due as the Dreams take the stage for the last 30 seconds of act one.
"Sticks and stones, sister. Here, have a Valium." - Patti LuPone, a Memoir
I would say Defying Gravity. I know that Wicked is a bit of a cliche, but there is a reason for that. The flying portion is incredibly creative and effective. I mean it when I say that no moment in any other show ever makes me feel the way Defying Gravity makes me feel. It petrifies me every time.
Who's that Woman? and the entire Loveland sequence- FOLLIES 1971 Honey Bun reprise- SOUTH PACIFIC 2008 Shall We Dance and Small House of Uncle Thomas- THE KING AND I Gym Dance- WEST SIDE STORY Hello Dolly!- HELLO DOLLY! 1964 It's Today and Mame- MAME 1966
We'll; Take a Glass Together from Grand Hotel. Who could ever forget the sheer joy of Michael Jeter's performance, from which the rest of the cast followed suit. Will never forget it.
I base mine on goosebump factors and production numbers (vs. solos) (and the last 50 years), in preferred order:
Hello Dolly -- Hello Dolly Mame -- Mame Who's That Woman -- (the original) Follies A New Argentina --(the original) Evita Circle of Life -- The Lion King A Weekend in the Country -- (the original) A Little Night Music The last 15 minutes of Nine (original production) At Charlie's Place -- Over Here End of Act 1 -- Les Miserables Ragtime -- Ragtime (Hate to put it this way) The Helicopter scene from Miss Saigon -- not because a set came down from the rafters, but because of the mix of staging and music / orchestration Wilkommen -- both versions of Cabaret The Party's on the House -- Half a Sixpence Anything Goes -- Lupone Anything Goes Not on You Nellie -- Darling of the Day The Lambeth Walk -- Me and My Girl The entire Lonely Town segment of (the current) On the Town Two Numbers from the Harold Prince / Susan Stroman Show Boat -- dances reflecting the passage of time
Smaler scale: The Phantom of the Opera number in the gondola -- the most goosebumps ever when (illogically) the candelabra came up through the underground lake Shall We Dance -- any King and I that I have seen Rose's Turn -- Lansbury Gypsy And I Am Telling You / Dreamgirls -- Dreamgirls Nowadays / Sweet Honey Rag(?) -- Chicago The Girls Upstairs -- (Original) Folies If They Could See Me Now -- (original) Sweet Charity Follies Bergere - (original) Nine The Music and the Mirror -- A Chorus Line Cabaret -- the original production of Cabaret Steam Heat -- Pajama Game Sylvia's Death Scene -- Finding Neverland Bosom Buddies -- Mame Hallelujah! Baby -- Hallelujah! Baby! A Little Priest -- Sweeney Todd Swan Lake -- Billy Elliott Betrayed -- The Producers
Probably things from West Side Story, but I am sooooooo sick of it. Also never loved the show Fiddler...one of the only cases ever where I liked the movie more
I know I'm going to get a bit of heat from this one but I don't recall enjoying a number more in recent years than "It's a Musical" from Something Rotten! Too new??