BALTIMORE THEATER REVIEWS

Here is wonderful dark magic at work. The wizarding workshop is Do Or Die Productions, its owner/ director/ writer, CJ Crowe, the magician, and her brainchild, POE'S LAST STANZA the spell. The magic of live theater, collective imagination, and audience-driven improvisation are the ingredients in Cro...

Scena Theatre productions are never mere theatrical comfort food; they generally have classical or European roots and, whether comic or tragic, they are always intellectually serious affairs, out to show us or make us think about interesting matters. And this show is no exception. With not only [Nob...

What did our critic think of FUNNY GIRL at The Hippodrome? When I was a kid, I wanted nothing so much as to be Barbara Streisand in Funny Girl. I mean, it literally shaped my career aspirations. And I desperately wanted to see the stage version, having practically worn out my LP of the Broadway musi...

SISTER ACT at Toby's in Columbia is a delightfully energetic show that is woman-driven and relationship-positive. Songwriter Alan Menken and lyricist Glenn Slater (of Disney fame) create numbers specifically for theatrical production of the movie-inspired script. Ear-pleasing harmonies abound in an ...

A Doll’s House, by Henrik Ibsen, translated, adapted, and directed by Joanie Schultz, runs through September 28, at Everyman Theatre. Read our review of A Doll's House here!...

Ten playwrights offer ten-minute plays performed by an ensemble of ten actors in the Fells Point Corner Theatre's annual 10x10x10 competition. Strong writing dominates the production, and each piece is different enough from its fellows that determining the “best” show is challenging, as the play...

Given the moat of terrible traffic that separates Baltimore theatergoers from Arlington, what can justify a visit there? Well, one answer for sure is Signature Theatre’s stunning production of the 2014 musical The Bridges of Madison County. With a timeless story, a lush, varied score, and riveting...

ESCAPE TO MARGARITAVILLE at Toby's in Columbia wearing flip-flops and a Hawaiian shirt. Each familiar Jimmy Buffett number is performed with signature Toby’s exuberance, as guests join in singing. A sea of audience-chosen tropical prints boosts atmosphere, and the live miniature orchestra is terri...

What did our critic think of FROZEN at Hippodrome Theatre?...

Get ready to rock with SIX THE MUSICAL - a high-octane, award-winning stage sensation, telling the tale of the wives of Henry VIII in a queenly concert experience. Don't miss this must-see production, full of bright, catchy tunes and excellent harmonies....

I think the minimalism and starkness is intended to be clarifying; we are meant to be focused on the hearts of the various intertwined stories Shakespeare presents, and perhaps less distracted by other things going on at the very large periphery the playwright has laid out. Whatever the purpose, we ...

So, by virtue of all of these elements this show is compleat in the senses fostered by the archaic spelling of the word, what Webster's renders as 'having all the necessary or desired elements or skills.' The characters, the music, the dancing, the lyrics, and the overall message are all new and dif...

What did our critic think of TO KILL A MOCKING BIRD at Hippodrome Theatre? Chances are, if you're a product of the American education system, you read Harper Lee's 1960 Pulitzer Prize-winning novel, TO KILL A MOCKINGBIRD, in high school or college. And if you didn't, you've likely seen the 1962 film...

The Sound Inside, by Adam Rapp, now gracing the boards at Baltimore's Everyman Theatre, is one of those all-too-rare plays that just bowls you over, even if, afterwards, you’re not quite sure where you’ve been during its bemusing 90 minutes....

The play doesn’t do either superficiality or depth well. And so a decent production like this (which Fells Point Corner Theatre provided) can still only go so far with it....

What did our critic think of DON'T BOTHER ME, I CAN'T COPE at Bmore Broadway Live? Dance and Bmore, one of the newer players on the Baltimore theatre scene, has launched its inaugural program, Bmore Broadway Live, with a production of Vinette Carroll's award winning musical, Don't Bother Me, I Can't...

Families, sisterly conflicts, alienation from parents, suicidal tendencies, dissociation, nostalgia for childhood mingled with mature reevaluation of it: all these themes and tropes are universal. And audiences of all backgrounds should find this show about them quite relatable, not to mention intri...

What did our critic think of THEATRE REVIEW: HURRICANE DIANE at Iron Crow?...

Go See It! Join the enthralled cult! It’s for anyone who was ever a theater or choir kid. It’s for anyone who ever had a sexuality of any flavor whatsoever, or just even an inner life. It’s for the frustrated amateur metaphysician in each of us. And it is certainly for the amateur detective in...

We do get a sort of happy ending, but not with a gratifying round of absolution for everyone. In the complicated interplay of transgression and victimization, and in the face of the realities of life in a patriarchal and heterosexist society, almost everyone ends up wishing they’d deserved and rec...

Chesapeake Shakespeare Company is an absolute treasure...

Phrases of praise like ‘tour de force’ and ‘vocal tsunami’ get bandied about so often that they can begin to lose their impact. In the case of Ms. Villanueva, they are not enough....

As the director says, this is a 'Black play that speaks to Black people and talks about Black shit.' But it allows larger audiences a chance to listen in to the conversation and laugh, if more gently, at the jokes. While not everything in the show is funny, much of it is irresistibly so....

In a tribute to Vaudeville, Happenstance Theater presents POCKET MOXIE. Structured as a Vaudeville show, it's also a show about Vaudevillians, a secret peek into their lives, and the arcs of their days. Infused with music and humor, artistic creativity and a dash of pathos, it's visually sumptuous, ...

You not only have to have the talent to do the technical side of costume drama well, and have actors who can emote convincingly and then (in this case) reverse gears convincingly, and then reverse gears again as many times as the script calls for. You need a script that doesn’t make them do it so ...