BALTIMORE THEATER REVIEWS

Chesapeake Shakespeare Company is an absolute treasure...

Phrases of praise like ‘tour de force’ and ‘vocal tsunami’ get bandied about so often that they can begin to lose their impact. In the case of Ms. Villanueva, they are not enough....

As the director says, this is a 'Black play that speaks to Black people and talks about Black shit.' But it allows larger audiences a chance to listen in to the conversation and laugh, if more gently, at the jokes. While not everything in the show is funny, much of it is irresistibly so....

In a tribute to Vaudeville, Happenstance Theater presents POCKET MOXIE. Structured as a Vaudeville show, it's also a show about Vaudevillians, a secret peek into their lives, and the arcs of their days. Infused with music and humor, artistic creativity and a dash of pathos, it's visually sumptuous, ...

You not only have to have the talent to do the technical side of costume drama well, and have actors who can emote convincingly and then (in this case) reverse gears convincingly, and then reverse gears again as many times as the script calls for. You need a script that doesn’t make them do it so ...

They sure don't write them like Holiday anymore. A play about the foibles of a family of rich White people that supplies no meaningful social or racial context, a critique of the world of wealth which is bafflingly superficial, and a romance almost lacking in visible courtship, playwright Philip Bar...

There’s so much to like in Chesapeake Shakespeare Company’s current revival of Twelfth Night, a production that succeeds in big things and small, that I can’t imagine any spectator walking away unsatisfied. What did our critic think of TWELFTH NIGHT at Chesapeake Shakespeare Company?...