Review: JIMMY BUFFETT'S ESCAPE TO MARGARITAVILLE Is Lighthearted Romance For Buffett Buffs at Toby's Dinner And Show
ESCAPE TO MARGARITAVILLE at Toby's in Columbia wearing flip-flops and a Hawaiian shirt.
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ESCAPE TO MARGARITAVILLE at Toby's in Columbia wearing flip-flops and a Hawaiian shirt.
What did our critic think of FROZEN at Hippodrome Theatre?
Get ready to rock with SIX THE MUSICAL - a high-octane, award-winning stage sensation, telling the tale of the wives of Henry VIII in a queenly concert experience.
I think the minimalism and starkness is intended to be clarifying; we are meant to be focused on the hearts of the various intertwined stories Shakespeare presents, and perhaps less distracted by other things going on at the very large periphery the playwright has laid out.
So, by virtue of all of these elements this show is compleat in the senses fostered by the archaic spelling of the word, what Webster's renders as 'having all the necessary or desired elements or skills.
What did our critic think of TO KILL A MOCKING BIRD at Hippodrome Theatre? Chances are, if you're a product of the American education system, you read Harper Lee's 1960 Pulitzer Prize-winning novel, TO KILL A MOCKINGBIRD, in high school or college.
The Sound Inside, by Adam Rapp, now gracing the boards at Baltimore's Everyman Theatre, is one of those all-too-rare plays that just bowls you over, even if, afterwards, you’re not quite sure where you’ve been during its bemusing 90 minutes.
The play doesn’t do either superficiality or depth well.
What did our critic think of DON'T BOTHER ME, I CAN'T COPE at Bmore Broadway Live? Dance and Bmore, one of the newer players on the Baltimore theatre scene, has launched its inaugural program, Bmore Broadway Live, with a production of Vinette Carroll's award winning musical, Don't Bother Me, I Can't
Families, sisterly conflicts, alienation from parents, suicidal tendencies, dissociation, nostalgia for childhood mingled with mature reevaluation of it: all these themes and tropes are universal.
What did our critic think of THEATRE REVIEW: HURRICANE DIANE at Iron Crow?
Go See It! Join the enthralled cult! It’s for anyone who was ever a theater or choir kid.
We do get a sort of happy ending, but not with a gratifying round of absolution for everyone.
Chesapeake Shakespeare Company is an absolute treasure
Phrases of praise like ‘tour de force’ and ‘vocal tsunami’ get bandied about so often that they can begin to lose their impact.
As the director says, this is a 'Black play that speaks to Black people and talks about Black shit.
In a tribute to Vaudeville, Happenstance Theater presents POCKET MOXIE.
You not only have to have the talent to do the technical side of costume drama well, and have actors who can emote convincingly and then (in this case) reverse gears convincingly, and then reverse gears again as many times as the script calls for.
They sure don't write them like Holiday anymore.
There’s so much to like in Chesapeake Shakespeare Company’s current revival of Twelfth Night, a production that succeeds in big things and small, that I can’t imagine any spectator walking away unsatisfied.
Funny, sharp, elegant and engaging--DINNER AND CAKE serves up an evening of original and uniquely entertaining theater.
Dated and flawed as I consider it, Sweet Charity is something of a landmark in the world of the American musical, and this rendition is admirable.
A well-made, stunning play, about racist mental hospital practices in the not very long-distant past, with four strongly-imagined characters and an explosive ending.
In the end, it is largely the combination of sensitively-selected detail and poetic diction on the one hand, and the big-picture view of various interlocked social problems that makes the show so extraordinary.
Babel, which invites us to contemplate a world, apparently in the near future, in which the human genome is so well understood that every person’s – and fetus’s – potential, including the potential for antisocial behavior – is determinable, and if a child cannot be “certified” while in
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La Sylphide Maryland Hall (10/16-10/18) |
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The Score Shakespeare Theatre Company (9/11-10/25) |
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Classic Theatre of Maryland presents "SCHOOL FOR WIVES" Classic Theatre of Maryland (6/01-8/31) |
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Dr. Seuss' How the Grinch Stole Christmas! The Musical Imagination Stage (11/21-1/03) |
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McDaniel for the Holidays McDaniel College (11/15-11/15) |
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Lighting Round Maryland Ensemble Theatre (10/30-10/30) |
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Chamber Music on the Hill: Gerdan: “Kaleidoscope of World Music” McDaniel College (11/08-11/08) |
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Oh Crit! Maryland Ensemble Theatre (10/16-10/16) |
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SIX (Boleyn Tour) Hippodrome Theatre- France-Merrick Performing Arts Center (10/25-11/01) |
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The Moors Maryland Ensemble Theatre (2/12-3/07) |