BWW Review: NATIONAL YOUTH BALLET GALA - BRIGHT YOUNG THINGS, Sadler's Wells
National Youth Ballet has been providing opportunities for young dancers to perform as a company since 1988.
Vikki Jane Vile - Page 7
BWW Review: SWAN LAKE, London Coliseum
London dance fans are still reeling from the glorious opulence of Liam Scarlett's new Swan Lake for the Royal Ballet.
BWW Review: EMERGING DANCER 2018, London Coliseum
English National Ballet's Emerging Dancer Award is now in its ninth year.
BWW Review: RAMBERT'S LIFE IS A DREAM, Sadler's Wells
Life is a Dream is Rambert's first full-length work is over 40 years.
BWW Review: SWAN LAKE, Royal Opera House
There is no greater anticipation in the ballet world than that for a new Swan Lake.
BWW Review: OBSIDIAN TEAR/MARGUERITE & ARMAND/ELITE SYNCOPATIONS, Royal Opera House
The Royal Ballet's latest offering is a rather curious mixed bill containing contemporary, classical and carnivalesque works from three of its resident choreographers.
BWW Review: English National Ballet's VOICES OF AMERICA, Sadler's Wells
Emerging from a winter of traditional crowd-pleasers featuring Nutcracker and La Sylphide, the dancers of English National Ballet were finally allowed to cut loose in this new mixed bill - thanks to some eerie swamp monsters and a new and unexpected club banger from William Forsythe.
BWW Review: BERNSTEIN CENTENARY, Royal Opera House
Following on from the Royal Ballet's popular story ballets such as Giselle and The Winter's Tale, the company now turn their attention to work of Leonard Bernstein to mark a century since his birth.
BWW Review: BALLET BLACK, Barbican
Ballet Black is a diverse company, comprised of black and Asian dancers, that has been annually performing their charismatic brand of dance in London since 2001.
BWW Review: ISABEL BAYON COMPAÑÍA - DJU-DJU, Sadler's Wells
Sadler's Wells' annual season of flamenco is now in its 15th year.
BWW Review: THE WINTER'S TALE, Royal Opera House
Wheeldon's popular retelling of The Winter's Tale returns to the Royal Opera House stage for the third time in four years.
BWW Review: GISELLE, Royal Opera House
Marianela Nu ez celebrates her 20th year with the Royal Ballet this year.
BWW Review: MATTHEW BOURNE'S CINDERELLA, Sadler's Wells
Thanks to Matthew Bourne, now Christmas in London doesn't only mean endless Nutcrackers (as lovely as they are) but for over fifteen years dance fans have been treated to his theatrical mix of gothic grit and fairytale charm transporting the audience to a bygone era.
BWW Review: SYLVIA, Royal Opera House
Frederick Ashton's Sylvia was last seen as part of the Royal Ballet's repertoire back in 2010.
BWW Review: BALLET BLACK TRIPLE BILL, Theatre Royal Stratford East
Ballet Black continue to move from strength to strength.
BWW Review: BIRMINGHAM ROYAL BALLET'S ALADDIN, Sadler's Wells
Fresh from taking part in the dazzling nationwide celebration of Kenneth MacMillan's work, a severe change of gear is required as Birmingham Royal Ballet now turn their attention to Aladdin, for a brief run at Sadler's Wells.
BWW Review: KENNETH MACMILLAN - A NATIONAL CELEBRATION, Royal Opera House
The Opera House's new season continues with a joyful celebration of Kenneth MacMillan, seeing the Royal Ballet joined by the country's other top companies for a rare spectacle.
BWW Review: Paco Pena's FLAMENCURA at Sadler's Wells
A flamenco show is always easy to spot when you take your seat at the theatre.
BWW Review: TANGUERA, Sadler's Wells
Tango sensation, Tanguera first premiered fifteen years ago in Buenos Aires promising an authentic take on the provocative and sensual spectacle with a thirty strong ensemble cast.
BWW Review: FREDERICK ASHTON TRIPLE BILL, Royal Opera House
After recent performances of new choreography from Crystal Pite, Wayne McGregor and Liam Scarlett, one could be forgiven for believing the Royal Ballet has dragged itself reluctantly into the 21st Century.
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