BWW Review: MCGREGOR + MUGLER MIXED BILL, London Coliseum
Manfred Thierry Mugler and Wayne McGregor are such renowned names in their respective fields, a collaboration between them need only be eponymously titled.
Vikki Jane Vile - Page 5
BWW Review: SVETLANA ZAKHAROVA - MODANSE, London Coliseum
Continuing a series of personal projects away from the mainstay of the Bolshoi repertoire, Svetlana Zakharova returns to the London Coliseum once more with Modanse, a chic double bill of UK premieres with high calibre support from a range of Bolshoi Principals and Soloists.
BWW Review: COPPELIA, Royal Opera House
There's a lot riding on this revival of Ninette de Valois' production of Coppélia.
BWW Review: ACOSTA DANZA - EVOLUTION, Sadler's Wells
In their second visit to London's dance house, Acosta Danza return with a varied bill, following a successful debut in 2017.
BWW Review: THE SLEEPING BEAUTY, Royal Opera House
A stalwart of the classical repertoire, there's much to admire in The Sleeping Beauty; glittering, colourful costumes, enchanting storytelling and opportunities for the whole company to shine.
BWW Review: BIRMINGHAM ROYAL BALLET & BALLET BLACK MIXED BILL, Sadler's Wells
It's a particular treat when a triple bill allows programme space to showcase not one but two exciting companies.
BWW Review: NATALIA OSIPOVA - PURE DANCE, Sadler's Wells
Just over a year ago Natalia Osipova premiered her own curated programme of work, Pure Dance, to mixed reviews.
BWW Review: CONCERTO/ENIGMA VARIATIONS/RAYMONDA ACT III, Royal Opera House
The first mixed bill of the season sees the Royal Ballet celebrate a diverse cross-section of 1960s productions - from the clean and tightly choreographed Concerto, to the luscious opulence of Raymonda Act III (so commonly seen as a standalone piece).
BWW Review: RUSSELL MALIPHANT DANCE COMPANY - SILENT LINES, Sadler's Wells
Sadler's Wells associate artist Russell Maliphant is renowned for his work studying the intricacies of the human body.
BWW Review: MANON, Royal Opera House
The Royal Ballet's 19/20 season is opened in confident style with Kenneth MacMillan's 1974 production of Manon.
BWW Review: BIANCA DEL RIO: IT'S JESTER JOKE, Wembley Arena
Accurately reviewing Bianca del Rio's It's Jester Joke tour is perhaps one of the most challenging reports I've ever had to write.
BWW Review: AKRAM KHAN'S GISELLE, Sadler's Wells
Akram Khan's Giselle is only three years old, but it already has a weighty reputation, as a powerful contemporary reworking of a classic, done with the choreographer's impressive sense of intensity and drama.
BWW Review: ALVIN AILEY AMERICAN DANCE THEATRE, Sadler's Wells
Thriving dance troupe Alvin Ailey American Dance Theatre return to Sadler's Wells for the first time in three years with a varied set of programmes, contrasting challenging themes of new work with joyful signature piece Revelations.
BWW Review: MATTHEW BOURNE'S ROMEO AND JULIET, Sadler's Wells
Friday's press night performance of Matthew Bourne's Romeo and Juliet was one of the most breathtaking nights at the theatre in a long time, and that's without including a live show stop.
BWW Review: FLAMENCO MEETS JAZZ, Sadler's Wells
Sadler's Wells' annual Flamenco Festival is repeatedly one of the most exciting and flamboyant displays of the season, offering colourful, vibrant (often improvised) one-off performances.
BWW Review: BALLET SHOES, Peacock Theatre
2019 marks the 25th anniversary of London Children's Ballet.
BWW Review: SOMNIUM: A DANCER'S DREAM, Sadler's Wells
Trust me, dishing out two stars as a fully fledged member of the Strictly Come Dancing superfans is a painful choice, but after seeing Somnium: A Dancer's Dream, this colourful and vibrant show's flaws unfortunately cannot be ignored.
BWW Review: YOUNG TALENT FESTIVAL: BALLETT ZURICH JUNIOR COMPANY, Linbury Theatre, Royal Opera House
Now in wind-down mode for the summer, programmers at the Royal Opera House are treating audiences to a host of performances from young dancers, overseas companies and, of course, later on in July, a short residency from the Bolshoi.
BWW Review: ENGLISH NATIONAL BALLET'S CINDERELLA, Royal Albert Hall
Swapping the Coliseum for the vastness of the unique space at London's Royal Albert Hall, English National Ballet's Summer blockbuster is billed as their 'biggest production to date'.
BWW Review: THE FIREBIRD/A MONTH IN THE COUNTRY/SYMPHONY IN C at Royal Opera House
A mixed bill of true contrasts is served up by the Royal Ballet for the last run of performances of the 18/19 season.
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