Vikki Jane Vile - Page 5

Vikki Jane Vile

Vikki Jane Vile has been reviewing dance for twelve years, specialising in classical dance and Ballroom, with a specific passion for Strictly. In 2018, she became a member of the Critics' Circle for Dance.

Vikki also wrote for Dancing Times from 2010 until the magazine's closure in 2022, as well as CultureWhisper and LondonDance.com. She currently also regularly reviews for Bachtrack.com and Dance for You magazine.

She is currently based in Germany, but that doesn't stop her making frequent flying visits to London for "essential" performances. 






BWW Review: ENGLISH NATIONAL BALLET'S CINDERELLA, Royal Albert Hall
BWW Review: ENGLISH NATIONAL BALLET'S CINDERELLA, Royal Albert Hall
June 8, 2019

Swapping the Coliseum for the vastness of the unique space at London's Royal Albert Hall, English National Ballet's Summer blockbuster is billed as their 'biggest production to date'. Christopher Wheeldon's Cinderella was first created for Dutch National Ballet in 2012 and first seen in the UK in 2015, now a restaged version made especially for the distinctive in-the-round space sees it meet new demands.

BWW Review: THE FIREBIRD/A MONTH IN THE COUNTRY/SYMPHONY IN C at Royal Opera House
BWW Review: THE FIREBIRD/A MONTH IN THE COUNTRY/SYMPHONY IN C at Royal Opera House
June 6, 2019

A mixed bill of true contrasts is served up by the Royal Ballet for the last run of performances of the 18/19 season. From the tempestuous Firebird set to Igor Stravinsky's seminal score, Ashton's quaint and quietly heartbreaking A Month in the Country, to the bold and technically exposing masterclass of Balanchine's Symphony in C.

BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Apollo Theatre
BWW Review: EVERYBODY'S TALKING ABOUT JAMIE, Apollo Theatre
May 16, 2019

Drag Star Bianca Del Rio and Steps singer Faye Tozer officially joined the cast of Everybody's Talking About Jamie this week at a special Gala night. Amongst the attendees was the original 'Jamie' who inspired the story, Jamie Campbell, and Faye's fellow bandmates, Ian 'H' Watkins and Lee Latchford-Evans.

BWW Review: EMERGING DANCER 2019, Sadler's Wells
BWW Review: EMERGING DANCER 2019, Sadler's Wells
May 10, 2019

Now in its 10th year, English National Ballet's Emerging Dancer competition returned to Sadler's Wells on 7 May 7 with six finalists, all members of ENB's corps de ballet, competing for the title.

BWW Review: ROMEO AND JULIET, Royal Opera House
BWW Review: ROMEO AND JULIET, Royal Opera House
April 13, 2019

Sir Kenneth MacMillan's Romeo and Juliet has been performed no less than 400 times by the Royal Ballet and with a lengthy run this season from the end of March to mid-June, the popularity of perhaps the most famous love story of all time shows no signs of subsiding.

BWW Review: AGAINST THE STREAM, London Coliseum
BWW Review: AGAINST THE STREAM, London Coliseum
April 9, 2019

Former Royal Ballet Principal Ivan Putrov has been curating regular galas in London in recent years with hit and miss results. 2017's Men in Motion fell into the latter category however, returning now with Against the Stream, the result is an engaging evening of dance from some of ballet's most starry names.

BWW Review: ENGLISH NATIONAL BALLET - SHE PERSISTED, Sadler's Wells
BWW Review: ENGLISH NATIONAL BALLET - SHE PERSISTED, Sadler's Wells
April 6, 2019

Three years ago, English National Ballet presented an evening of work all by female choreographers, She Said. It was an uneven programme but a brave artistic choice, and those courageous female voices are finally fully realised in the sequel, She Persisted.

BWW Review: RUSSIAN BALLET ICONS GALA, London Coliseum
BWW Review: RUSSIAN BALLET ICONS GALA, London Coliseum
April 2, 2019

The annual Russian Ballet Icons Gala always delivers with a host of superstar names from the dance world, presenting a somewhat haphazard selection of classical and modern snippets of choreography. The evening offers up a varied mix of virtuoso pas de deux - the beating heart of the classical repertoire - to moody and abstract contemporary pieces that leave more to the imagination.

BWW Review: GIOVANNI PERNICE: DANCE IS LIFE, Shaw Theatre
BWW Review: GIOVANNI PERNICE: DANCE IS LIFE, Shaw Theatre
March 17, 2019

Giovanni Pernice is now somewhat of a stalwart amongst the professional dancer gang on BBC's Strictly Come Dancing. With four seasons under his belt and a fifth to follow, he is one of the show's most recognisable faces, and now returns to local theatres for the third year running with Dance is Life, first seen in 2017, but with a largely new army of supporting dancers.

BWW Review: DON QUIXOTE, Royal Opera House
BWW Review: DON QUIXOTE, Royal Opera House
February 17, 2019

Carlos Acosta's vibrant production of Don Quixote offers an all-thriller, no-filler evening complete with exuberant staging, grand and detailed sets fit for a West End musical, luxurious costuming, and a stellar cast in which there is not a single weak link.

BWW Review: THE CUNNING LITTLE VIXEN/THE TWO PIGEONS, Royal Opera House
BWW Review: THE CUNNING LITTLE VIXEN/THE TWO PIGEONS, Royal Opera House
February 14, 2019

In a rare piece of programming from the Royal Opera House, audiences have the opportunity, for a limited run, to watch the Royal Ballet School's talent of tomorrow and the main company's talent of today together in a mixed programme of animal-based stories. It features new work from Artist in Residence Liam Scarlett and Frederick Ashton's popular Two Pigeons, seen previously this year alongside Scarlett's Asphodel Meadows. The former First Artist certainly seems to be making his mark on the company repertoire.

BWW Review: SADLER'S WELLS SAMPLED, Sadler's Wells
BWW Review: SADLER'S WELLS SAMPLED, Sadler's Wells
February 10, 2019

Sadler's Wells annual pick 'n' mix buffet of dance offerings return again for a selection of live performances and interactive front of house experiences.

BWW Review: ASPHODEL MEADOWS/THE TWO PIGEONS, Royal Opera House
BWW Review: ASPHODEL MEADOWS/THE TWO PIGEONS, Royal Opera House
January 20, 2019

With the last remains of glittery Nutcracker magic now behind us for another year, just two days after the end of the run of the festive classic, the Royal Ballet return with a fun, bright and uplifting mixed bill to ease us through January.

BWW Review: MATTHEW BOURNE'S SWAN LAKE, Sadler's Wells
BWW Review: MATTHEW BOURNE'S SWAN LAKE, Sadler's Wells
December 15, 2018

Christmas for dance fans doesn't just mean Nutcracker these days - it means another one of Matthew Bourne's characterful and atmospheric productions is rolling into town.

BWW Review: THE NUTCRACKER, Royal Opera House
BWW Review: THE NUTCRACKER, Royal Opera House
December 5, 2018

Lucky Londoners have the opportunity to catch three different productions of The Nutcracker over the festive period this year. But having viewed Sir Peter Wright's 1984 production for the Royal Ballet multiple times, and once again now, it unmistakably offers the most gloriously opulent and satisfying experience that sets it apart from other interpretations.

BWW Review: THE UNKNOWN SOLDIER - TRIPLE BILL, Royal Opera House
BWW Review: THE UNKNOWN SOLDIER - TRIPLE BILL, Royal Opera House
November 21, 2018

The centenary of the end of the First World War had been marked widely in dance, now the Royal Ballet present their tribute within this latest triple bill, headlined by Alastair Marriot's new work The Unknown Soldier.

BWW Review: PRINCIPAL DANCER, Regent Street Cinema
BWW Review: PRINCIPAL DANCER, Regent Street Cinema
November 9, 2018

Director Felipe Braga is a much-celebrated talent in Latin America, with his past work including a documentary of the life of Brazilian footballer Neymar (Jr) and other professional athletes. He now turns his attention to Royal Ballet Principal Thiago Soares for his new docu-film Principal Dancer.

BWW Review: LA BAYADÈRE, Royal Opera House
BWW Review: LA BAYADÈRE, Royal Opera House
November 3, 2018

Ballet narratives have always used their artistic license rather liberally, and stories don't come much sillier than that of La Bayadere - or Swan Lake with ghosts as I prefer to think of it. Neither do casts come more starry than the powerhouse line-up of Marianela Nunez (Nikiya), Vadim Muntagirov (Solor) and Natalia Osipova (Gamzatti).

BWW Review: MAYERLING, Royal Opera House
BWW Review: MAYERLING, Royal Opera House
October 15, 2018

t's never easy to debut in a role when half the audience bought tickets to see someone else, but this was the situation Ryoichi Hirano faced last week as announcement of Edward Watson's injury was made. Watson is known for his compelling portrayal of the multifaceted role of Crown Prince Rudolf of Austria (1858-1889). Nonetheless Hirano makes a honourable go of the challenge, assisted ably by a stellar female lineup in MacMillan's now 40 year old ballet. 

BWW Review: CARLOS ACOSTA: A CELEBRATION, Royal Albert Hall
BWW Review: CARLOS ACOSTA: A CELEBRATION, Royal Albert Hall
October 4, 2018

Nearly two years ago to the day, Carlos Acosta presented A Classical Farewell at London's Royal Albert Hall, a mix of solos and pas de deux with his esteemed Royal Ballet colleagues to celebrate his career . Fast forward to 2018, and he's still saying farewell but now with a focus on the future, through his dynamic Cuban company, Acosta Danza.



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