Review: BITCH SLAP! at SF Oasis
What did our critic think of BITCH SLAP! at SF Oasis?
Steve Murray - Page 8
Review: FOREVER PLAID at 42nd Street Moon
Stuart Ross’ 1989 jukebox homage to boy bands of the 1950’s is a pleasant whiff of nostalgia sure to remove you from the stress of today’s less naïve and chaotic present.
Review: A STRANGE LOOP at American Conservatory Theatre
There was a considerable buzz of excitement at the West Coast premiere of Michael R.
Review: SWEATSHOP OVERLORD at A.C.T. Strand
It’s March 2020 and the country is shutdown by a new, mysterious virus called COVID-19.
Review: THE PRIDE OF LIONS at Theatre Rhino
What did our critic think of THE PRIDE OF LIONS at Theatre Rhino? The trans community is saying “enough is enough.
Review: San Francisco Gay Men's Chorus Presents DRAG ME TO THE MOVIES! at Davies Symphony Hall
What did our critic think of SAN FRANCISCO GAY MEN’S CHORUS PRESENTS DRAG ME TO THE MOVIES! at Davies Symphony Hall?
Review: VENETIAN EVENINGS - A MUSICAL TRIBUTE TO THE FAIRMONT'S VENETIAN ROOM At Venetian Room
What did our critic think of VENETIAN EVENINGS - A MUSICAL TRIBUTE TO THE FAIRMONT'S VENETIAN ROOM at Venetian Room?
Review: THE GREAT LEAP at Center Repertory Company
What did our critic think of THE GREAT LEAP at Center Repertory Company? Center Rep tackles Playwright Lauren Yee’s basketball/cultural drama and with a well-crafted staging of her 2017 powerhouse The Great Leap.
Broadway Bares San Francisco To Return To 1015 Folsom
Broadway Bares SF is coming back to the city with the highly anticipated return to stage on Sunday, June 16, 2024, at 1015 Folsom.
Review: THE 39 STEPS at SF Playhouse
What did our critic think of THE 39 STEPS at SF Playhouse? Director Susi Damilano and a superb cast spin comic gold out of Patrick Barlow’s parody of Hitchcock’s spy caper filled with chase scenes, female bombshells, and Nazi villains
Review: QUEEN at TheatreWorks Silicon Valley
What did our critic think of QUEEN at TheatreWorks Silicon Valley?
Review: BEES & HONEY at Marin Theatre Company
For two Dominican millennials in Washington Heights, the love of their cultural Bachata music draws them together and into a whirlwind romance and marriage.
Review: BIG DATA at American Conservatory Theatre
Artificial Intelligence (AI) is THE hot topic of the day, touted as the panacea for societies’ ills and capable of providing more leisure time and making life easier.
Review: MYSTIC PIZZA at Lesher Center For The Arts
What did our critic think of MYSTIC PIZZA at Lesher Center For The Arts?
Review: MAX VON ESSEN: CALL ME OLD FASHIONED: THE BROADWAY STANDARDS at Venetian Room
Almost four years after his COVID delayed Bay Area Cabaret appearance, Broadway star Max von Essen made it to the historic Venetian Room with selections from his 2019 CD of Broadway interpretations on which he was joined by Grammy winning composer and famed musical director, Billy Stritch who backs
Review: MY HOME ON THE MOON at SF Playhouse
The World Premiere of Mina Lee’s At Home on the Moon is much more than a touching perspective on the love of one’s ethnic food which is handled lovingly.
Review: MJ THE MUSICAL at Orpheum Theatre
Fifteen years after MJ’s sudden death and his legacy continues strong with MJ The Musical, winner of four Tony’s.
Review: CULT OF LOVE at Berkeley Repertory Theatre
A Christmas eve family get together turns into a didactic skirmish on many fronts; religious, familial guilts, gay equality, sibling rivalries and moral choices.
Review: San Francisco Gay Men's Chorus Presents DRAG ME TO THE MOVIES! at Davies Symphony Hall
The San Francisco Gay Men’s Chorus, the world’s premier queer chorus, heads to Hollywood and the silver screen with DRAG ME TO THE MOVIES!, a cinematic extravaganza that’s more dazzling than any Tinsel Town premiere.
Review: HOW I LEARNED WHAT I LEARNED at TheatreWorks Silicon Valley
TheatreWorks opens 2024 with a super trifecta winner with August Wilson’s deeply personal and revelatory How I Learned What I Learned: a brilliant, bravura performance by Bay Area legend Steven Anthony Jones, excellent direction by Wilson interpreter Tim Bond, and of course, the profoundly poetic
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