Review: POOR YELLA REDNECKS, VIETGONE 2 at A.C.T. Strand
What did our critic think of POOR YELLA REDNECKS, VIETGONE 2 at A.
Steve Murray - Page 11
Review: COME FROM AWAY at Golden Gate Theatre
What did our critic think of COME FROM AWAY at Golden Gate Theatre? War, mass shootings, transphobia, book banning, persistent antisemitism.
Review: A DISTINCT SOCIETY at TheatreWorks Silicon Valley
What did our critic think of A DISTINCT SOCIETY at TheatreWorks Silicon Valley?
Review: SWEAT at Center Rep
What did our critic think of SWEAT at Center Rep? In 2008, two recent parolees dread meeting each other on the outside.
Review: ENGLISH at Berkeley Repertory Theatre
What did our critic think of ENGLISH at Berkeley Repertory Theatre?
Review: TRIUMPH OF LOVE at Shotgun Players
What did our critic think of TRIUMPH OF LOVE at Shotgun Players? Founding Artistic Director Patrick Dooley has a huge hit on his hands with a superb production of Pierre De Marivaux's 18th century three-act romantic comedy.
Review: MERRILY WE ROLL ALONG at 42nd Street Moon
What did our critic think of MERRILY WE ROLL ALONG at 42nd Street Moon? Kudos to 42nd Street Moon for tackling Sondheim's challenging Merrily We Roll Along, a flop when introduced in 1981 but consistently reworked through the years to its present popularity (a Broadway run and film in the works).
Review: FIDDLER ON THE ROOF at Golden Gate Theatre
What did our critic think of FIDDLER ON THE ROOF at Golden Gate Theatre? By the time this review posts, this phenomenal touring production of ten-time Tony award winning Fiddler on the Roof will have packed up the shtetl and hit the road after a too brief 8-show run.
Review: FANNIE - THE MUSIC AND LIFE OF FANNIE LOU HAMER at TheatreWorks Silicon Valley
What did our critic think of FANNIE - THE MUSIC AND LIFE OF FANNIE LOU HAMER at TheatreWorks Silicon Valley?
Review: CLUE at SF Playhouse
What did our critic think of CLUE at SF Playhouse?
Review: SIX at Orpheum Theatre
What did our critic think of SIX at Orpheum Theatre? Six wives, six women, six individual stories all bonded by marriage to Henry VIII.
Review: THE HEADLANDS at American Conservatory Theatre
What did our critic think of THE HEADLANDS at American Conservatory Theatre?
Review: MEAN GIRLS at BroadwaySF
What did our critic think of MEAN GIRLS at Golden Gate Theatre? When her mother gets a new job in Chicago, Cady must leave the wilds of Kenya for High School in yet another type of jungle, where the power cliques prey on the weaker links.
Review: CASHED OUT at SF Playhouse
What did our critic think of CASHED OUT at SF Playhouse? Cashed Out, an SF Playhouse commission two and a half years in the making, delivers on its portrayal of the bleak realities of reservation life including domestic violence, alcoholism, drug addiction, loss of culture and the casino culture and
Review: GETTING THERE at New Conservatory Theatre Center
What did our critic think of GETTING THERE at New Conservatory Theatre Center?
Review: Sam Gravitte Stars In SONGS THAT RAISED ME at Orinda Theatre
What did our critic think of SONGS THAT RAISED ME at Orinda Theatre?
Review: CLYDE'S at Berkeley Rep
What did our critic think of CLYDE'S at Berkeley Rep?
Review: DEAR EVAN HANSEN at Orpheum Theatre
What did our critic think of DEAR EVAN HANSEN at Orpheum Theatre?
Review: IN EVERY GENERATION at TheatreWorks Silicon Valley
What did our critic think of IN EVERY GENERATION at TheatreWorks Silicon Valley? The traditions of the Passover seder are the jumping off point for the West Coast premiere of Ali Viterbi's thoughtful time-hopping reflection on the Jewish experience.
Review: WUTHERING HEIGHTS at Berkeley Repertory Theatre
What did our critic think of WUTHERING HEIGHTS at Berkeley Repertory Theatre?
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