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Shari Barrett - Page 22

Shari Barrett

Shari Barrett, a Los Angeles native, has been active in the theater world since the age of six - acting, singing, and dancing her way across the boards all over town. After teaching in secondary schools, working in marketing for several studios, writing, directing, producing, and performing in productions for several non-profit theaters, Shari now dedicates her time and focuses her skills as a theater reviewer, entertainment columnist, and publicist to "get the word out" about theaters of all sizes throughout the Los Angeles area.

As a 20-year member of the Board of Directors for Kentwood Players at the Westchester Playhouse, one of the thriving community theater groups in Los Angeles, as well as writing for Broadway World LA, Stage and Cineme, and as the Stage Page columnist with Lan Newspapers, Shari is dedicated to promoting theaters of all sizes in the city. Shari has received recognition from the City of Los Angeles for her dedication of heart and hand to the needs of friends, neighbors and fellow members of society for her devotion of service to the people of Los Angeles, and is honored to serve the theater world in her hometown.

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First Show

South Pacific

Favorite Show

Man of La Mancha

Favorite Stories



Review: Anzu Lawson Opens Her Heart and Shares Her Soul in DEAR YOKO

Review: Anzu Lawson Opens Her Heart and Shares Her Soul in DEAR YOKO

August 27, 2019

I was unaware of how Anzu's personal history inspired Ono's spirit to speak so directly to her until I was in the audience at her World Premiere solo show, DEAR YOKO, in which Anzu opened her heart and soul as she revealed how her personal history of non-acceptance as an Asian woman and her overwhel

BWW Review: Surreal Dramedy FEFU AND HER FRIENDS Invades the Odyssey Theatre

BWW Review: Surreal Dramedy FEFU AND HER FRIENDS Invades the Odyssey Theatre

August 13, 2019

FEFU AND HER FRIENDS, a surreal dramedy by Maria Irene Fornés, known as an early feminist giant of the avant-garde, challenges modern audiences in that the play is plotless except for the fact eight women with very different agendas, personalities, and sexual orientations have gathered in the count




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