BWW Review: New Rep's OLIVER!: Singing and Dancing Orphans, But No Dog
New Repertory Theatre dusts off an old chestnut for a family-friendly, non-holiday, crowd-pleasing offering as their gift for the season.
Nancy Grossman - Page 2
.jpg?format=auto&width=200)
BWW Review: Moonbox Productions' PARADE: Attention Must Be Paid
As the year winds to a close, and the holiday hustle and bustle keeps us spinning our wheels, it can be a salve for the spirit and rest for the weary to sit in a darkened theater for a couple of hours.
BWW Review: MOBY DICK: The One That Got Away
The much-anticipated MOBY DICK (A Musical Reckoning), from the team that brought you NATASHA, PIERRE & THE GREAT COMET OF 1812 in 2015, has finally surfaced at the Loeb Drama Center of the American Repertory Theater in Cambridge.
BWW Review: TUCK EVERLASTING: If You Could Live Forever, Would You?
There's not a Christmas tree in sight, but there's plenty of uplifting, feel good spirit in the Umbrella Stage Company's TUCK EVERLASTING, the third production of their inaugural season in their gleaming new building in Concord.
BWW Review: CHRISTMAS ON URANUS: Gold Dust Orphans Launch Laughs In Space
Space, the final frontier, has finally been explored by Ryan Landry and the Gold Dust Orphans, and their little dog, too.
BWW Review: DOLLY PARTON'S SMOKY MOUNTAIN CHRISTMAS CAROL: Bah, Humbug!
DOLLY PARTON'S SMOKY MOUNTAIN CHRISTMAS CAROL delivers on the simplicity of its message of faith, family, and love, especially during the holiday season, and is a reflection of the heritage and values of its namesake.
BWW Review: THE WICKHAMS: CHRISTMAS AT PEMBERLEY: How The Downstairs Half Lives
Merrimack Repertory Theatre presents the second installment of what will become a trilogy co-written by Lauren Gunderson and Margot Melcon, about the close-knit sisters from Jane Austen's PRIDE AND PREJUDICE.
BWW Review: AGATHA CHRISTIE'S MURDER ON THE ORIENT EXPRESS: Rogues on the Rails
Producing Artistic Director Emeritus Spiro Veloudos is in the director's chair for AGATHA CHRISTIE'S MURDER ON THE ORIENT EXPRESS and stages Ken Ludwig's adaptation with distinct shadings of film noir and a who's who of Lyric Stage Company veterans (and a couple of newbies) on board to play the rogu
BWW Review: RUTHLESS! THE MUSICAL: Spawn of Eve Harrington
What do you get when you mix aspects of GYPSY, THE BAD SEED, and ALL ABOUT EVE with a heavy dose of camp and a soupçon of soap opera? RUTHLESS! THE MUSICAL, an all-female homage to overly-ambitious child actors, sleazy agents, poison pen critics, and jealous understudies that is a star vehicle for
BWW Review: QUIXOTE NUEVO: Tilting At Balloons
A septuagenarian suffering from Alzheimer's may seem an unlikely hero, but in QUIXOTE NUEVO, playwright Octavio Solis' adaptation of Miguel Cervantes' DON QUIXOTE, a retired Mexican-American college professor fearlessly takes on the Border Patrol, aids migrants, and models the importance of resilien
BWW Review: Arlekin Players' THE SEAGULL: A Long, Strange Trip
a?oeUnlike any THE SEAGULL you can ever imaginea?? sums up the Arlekin Players Theatre production of Anton Chekhov's classic.
BWW Review: THE LAST DAYS OF JUDAS ISCARIOT Asks the Question: WWJD?
Hub Theatre Company of Boston concludes its seventh season with an ambitious undertaking, the time-bending, courtroom dramatic comedy, THE LAST DAYS OF JUDAS ISCARIOT by Pulitzer Prize winning and Tony Award nominated playwright Stephen Adly Guirgis.
BWW Review: New England Premiere of THE SMUGGLER: Of Immigrants and the American Dream
Ronán Noone is an Irish-American playwright, an immigrant, who writes about what he knows and what he has lived.
BWW Review: ADMISSIONS: Biting Comedy Asks You to Check Your Privilege
It's probably just a coincidence, but two fine plays currently running at two award-winning regional theaters share an unusual commonality.
BWW Review: THE THANKSGIVING PLAY: Pardon Our Political Correctness
Get in the mood for the rapidly approaching holiday season by going to the Lyric Stage Company of Boston's production of THE THANKSGIVING PLAY, a sharp and funny satire by Native American playwright Larissa FastHorse that holds a mirror up to reflect the craziness of political correctness on steroid
BWW Review: SALTONSTALL'S TRIAL: THE SALEM WITCH TRIAL'S UNTOLD STORY at Larcom Theatre in Beverly
With the term a?oewitch hunta?? being bandied about ad nauseam in our national discourse, it seems an ideal moment to look back upon the actual witch hunt that occurred in Essex County, Massachusetts, at the end of the 17th century.
BWW Review: CAMBODIAN ROCK BAND: Feel the Beat at Merrimack Repertory Theatre
Merrimack Repertory Theatre, in a co-production with Victory Gardens Theatre in Chicago and City Theatre in Pittsburgh, presents Lauren Yee's CAMBODIAN ROCK BAND, a play that fuses history, family legacy, and rock concert to illustrate the power and importance of music.
BWW Review: THE ROCKY HORROR SHOW: Moonbox Productions Brings It Back to Harvard Square
THE ROCKY HORROR PICTURE SHOW was a staple of the Harvard Square entertainment scene from 1984 through 2012, enjoying an astounding 28-year run of Saturday midnight screenings at the late AMC Loews Theater.
BWW Review: THE SPONGEBOB MUSICAL: A Sunny Outlook Under the Sea
The National (non-equity) Tour of THE SPONGEBOB MUSICAL settled in at the Boch Center's Wang Theatre this week and brought out families and children raised on the beloved Nickelodeon series.
BWW Review: New England Premiere of TRAYF: You Don't Have To Be Jewish
Playwright Lindsay Joelle introduces us to the unique world of the Rebbe's loyal foot soldiers who travel around Manhattan in a Mitzvah Tank, performing good deeds and spreading the gospel of the Chabad-Lubavitch to non-observant and alienated Jews.
Tickets From $77
Tickets From $192
Tickets From $159
Tickets From $59