BWW Review: I'M NOT RUNNING, National Theatre
Britain's foremost political playwright David Hare returns with a new play examining the current state of the Labour Party.
Marianka Swain - Page 13
BWW Review: THE HEIGHT OF THE STORM, Wyndham's Theatre
French playwright Florian Zeller returns, with another compelling puzzle box of a play - the only thing definite about it being the trademark definite article in the title.
BWW Interview: Daniel Rigby Talks A MIDSUMMER NIGHT'S DREAM
Daniel Rigby's work includes Twelfth Night, One Man, Two Guvnors, and his BAFTA-winning performance as Eric Morecambe.
COMPANY Leads October's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings.
BWW Review: PINTER ONE and PINTER TWO, Harold Pinter Theatre
Jamie Lloyd is marking the 10th anniversary of Harold Pinter's death in remarkable style with his Pinter at the Pinter season, staging all the great man's 20 short plays, plus some sketches and poetry – grouped into seven productions – at the theatre which now bears his name.
BWW Interview: Lucas Rush Talks ROCK OF AGES
Lucas Rush's past work includes American Idiot, We Will Rock You, Grease and Les Miserables.
BWW Review: Tricycle Reopens as the Kiln Theatre
It's all change at the Kiln (was Tricycle) Theatre, with a £5.
BWW Review: DANCE NATION, Almeida Theatre
Wild, raw, hilarious and tender, Clare Barron's electrifying play - first seen in New York earlier this year - is a candid portrait of prepubescent girls, rare compared with the myriad male coming-of-age tales.
SYLVIA Leads September's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings.
TV Exclusive: Joanne Clifton Performs New EUGENIUS! Song 'Hands Up'
Get a first look at 'Hands Up', the brand new song addition to the much-loved Eugenius! score.
BWW Review: BRING IT ON: THE MUSICAL, Southwark Playhouse
There's an explosion of spirit and - yes - 'cheer face' at Southwark Playhouse, hosting the long-awaited UK premiere of this 2011 musical; last year's national tour was sadly postponed.
BWW Review: THE IMPORTANCE OF BEING EARNEST, Vaudeville Theatre
Classic Spring's year-long season ends with Wilde gone wild: a free love riot that yanks the homosexual subtext into text, with everyone from masters and servants to, er, the long-lost brothers sharing snogs and cigarettes.
BWW Interview: Jeremy Swift Talks THE IMPORTANCE OF BEING EARNEST
Jeremy Swift is well known to TV audiences as Septimus Spratt on Downton Abbey.
BWW Review: HOME, I'M DARLING, National Theatre
The first thing we see is Anna Fleischle's Fifties-tastic giant doll's-house set: each period-perfect room bathed in a different twinkling hue, flowers painted onto the brick wall, and jaunty music setting the tone.
OTHELLO Leads August's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings.
BWW Review: SPAMILTON, Menier Chocolate Factory
Gerard Alessandrini is not throwing away his shot.
BWW Review: ALLELUJAH!, Bridge Theatre
This highly anticipated new play from 84-year-old Alan Bennett premieres at the Bridge, continuing his long-standing relationship with Nicholas Hytner.
BWW Interview: Damian Humbley Talks SPAMILTON
Australian actor Damian Humbley's past work includes Merrily We Roll Along, The Woman in White and The Last 5 Years.
BWW Review: THE LEHMAN TRILOGY, National Theatre
Through one family and one company, Italian playwright Stefano Massini tackles big topics: the development of Western capitalism, the immigrant experience, the American Dream.
TV: First Look at RENT at the World's Oldest Paper Mill
A new video has been released, filmed during the cast's sitzprobe, of Vivo D'Arte's immersive promenade production of Jonathan Larson's cult classic musical RENT.
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