BWW Interview: ALADDIN's Matthew Croke Discusses His Debut Album
Matthew Croke is currently starring in the title role of Aladdin in the West End.
Marianka Swain - Page 12
BWW Review: COST OF LIVING, Hampstead Theatre
Hampstead hosts the UK premiere of Polish-American playwright Martyna Majok's 2018 Pulitzer Prize-winning work, which explores - with thoughtful tenderness and a refreshing lack of schmaltz - the relationships between two people with disabilities and their carers.
BWW Review: WHEN WE HAVE SUFFICIENTLY TORTURED EACH OTHER, National Theatre
Step away from the returns queue.
BWW Review: PINTER FIVE and PINTER SIX, Harold Pinter Theatre
Jamie Lloyd's star-studded season of short Pinter plays continues with two more intriguing productions: one directed by Patrick Marber, the other by Lloyd himself.
ASPECTS OF LOVE Leads January's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings.
TRUE WEST Leads December's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings.
Book Review: DRAMATIC EXCHANGES, ed. Daniel Rosenthal
This fascinating tome offers an insider's history of the National Theatre, via some 800 letters exchanged between Artistic Directors, actors, directors, playwrights, politicians, agents, critics and more.
BWW Interview: Robert North Talks THE SNOWMAN
It's a record-breaking 21st year at the Peacock Theatre for The Snowman, based on Raymond Briggs' beloved creation, with music from Howard Blake (including the iconic 'Walking in the Air'), choreography from Robert North and direction from Bill Alexander.
BroadwayWorld's Top Christmas Picks For London Theatre
There are plenty of seasonal treats served up in the capital this year, from pantos and plays to opera and dance.
BWW Interview: Hayden Tee On Playing Miss Trunchbull in MATILDA THE MUSICAL
Hayden Tee's extensive musical theatre work includes playing both Marius and Javert in Les Miserables, as well as South Pacific, Titanic and Little Women.
BWW Review: PINTER THREE and PINTER FOUR, Harold Pinter Theatre
Jamie Lloyd's 10-anniversary season of Pinter (which kicked off in style earlier this autumn) continues with two more batches of miniatures - from familiar shorts like A Kind of Alaska to sketches and more obscure works - plus another tantalisingly starry company.
TV: Exclusive First Look at CAROLINE, OR CHANGE in the West End!
Caroline, or Change is headed to the West End's Playhouse Theatre, led by Olivier Award-winning actress Sharon D.
BWW Review: WHITE TEETH, Kiln Theatre
A few protestors might be doggedly hanging on outside the Kiln (was Tricycle) Theatre, but their complaints are firmly refuted by its current show: a vibrant adaptation of Zadie Smith's award-winning novel that is not just about but firmly rooted in the diverse, complex 'melting pot' of north-west L
BWW Interview: Actress Gugwana Dlamini Talks THE LION KING
South African actress Gugwana Dlamini has a long history with Disney's The Lion King, from the original animated movie through to performances in the stage show around the world.
BWW Interview: Andrew Burnap Talks THE INHERITANCE
American actor Andrew Burnap is currently starring in Matthew Lopez's acclaimed The Inheritance, which debuted at the Young Vic and is now playing at the Noel Coward Theatre.
HADESTOWN Leads November's Top 10 New London Shows
London is never short of temptations, whether splashy West End shows, epic dramas or bold fringe offerings.
BWW Review: A VERY VERY VERY DARK MATTER, Bridge Theatre
Hot off award-winning film Three Billboards Outside Ebbing, Missouri, and reunited with Matthew Dunster, who directed his hit Hangmen, Martin McDonagh brings his latest to the Bridge - quite a coup for Nick Hytner.
BWW Review: STORIES, National Theatre
Last year, Nina Raine had a National Theatre hit with Consent, which grilled deceit and empathy in both the legal system and relationships.
BWW Review: MEASURE FOR MEASURE, Donmar Warehouse
It's a #MeToo-era Measure for Measure over at the Donmar, with Josie Rourke conducting a fascinating experiment: abridging Shakespeare's problem play to just over an hour and running it twice, once in period, once in modern dress.
BWW Interview: Miranda Larson Talks LITTLE BABY BUM LIVE
Miranda Larson is a writer and director for children's TV and theatre.
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