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Jim Munson - Page 10

Jim Munson

Jim has been hooked on theater ever since being dazzled by a high school production of “Damn Yankees” in Wilmington, Delaware way back in 1972 featuring his older brother in a cameo role. Fortunately, his horizons have expanded just a bit since then. A recent Maui transplant after 40 years in San Francisco, Jim remains an avid theater- and dance-goer in Hawaii, the Bay Area and beyond. He loves nothing more than the 3-show days that can occasionally be scheduled in New York City. For the record, he holds a BA in Theater Arts from SUNY Buffalo, but happily learned long ago that his skills as a discerning audience member far exceed his skills as an actor.




LEARN MORE ABOUT Jim Munson

First Show:

Raisin

Favorite Show:

Angels in America: Perestroika, Broadway, New Year's Eve 1993, the cast was on fire!

Favorite Stories:

  • Interview: Laura Benanti at the Lesher Center for the Arts is a Golden-Age Star for Our Times - They say never meet your heroes, but Benanti was so approachable, honest and generous with her time that it felt like talking to an old friend. Among other things, we took a deep dive into her conception of the character of Eliza Doolittle, a role she'd longed to play since she was a kid. Easiest interview I've ever done, and after it was published her husband told her it was the best interview she'd ever given.
  • Feature: MANON at San Francisco Ballet Showed How Great Dancers Can Put Their Own Unique Imprint on the Same Story - I love dance as much as I love theater so it's always a pleasure to cover San Francisco Ballet, one of the top companies in the world. I also rarely get a chance to issue a mea culpa, and in this case I had underestimated a ballet on opening night, yet subsequent viewings revealed depths and nuances I hadn't grasped on initial exposure so I appreciated the chance to correct the record.
  • Interview: Khori Dastoor of THREE DECEMBERS at Opera San Jose Is Up to the Job of Making Art That Is Relevant for Our Times - I don't get to cover opera as often as theater and dance so this was the first time I got to talk to the leader of an opera company. I went in not knowing what to expect, plus it was the afternoon of election day 2020 and I was feeling very anxious about where our country was headed. I decided to fess up about that first thing and Dastoor told me she was feeling the same way and thanked me for giving her something else to think about for the next hour. We had a delightful conversation and I went away impressed with - 1) what a kind and down-to-earth person she was and 2) how incredibly smart she was. As soon as I got off the phone, I remember telling my husband, "That woman is amazing. I'm surprised a larger company hasn't already snapped her up." About a month later, she was announced as the new general manager for Houston Grand Opera.
  • nterview: Francis Jue of TIGER STYLE! at TheatreWorks Silicon Valley Hits His Stride by Being True to Himself - I had interviewed Jue 5 years earlier and he'd been so delightful and forthcoming that I couldn't wait to talk to him again. He did not disappoint - so kind and honest, and it is a pleasure talking with theater artists who've been around long enough to know who they are in this world and no longer feel a need to play games. After the interview, I saw the play "Tiger Style" and reviewed it for BwayWorld. He was so fabulous in it that I thought to myself, "Francis is such an amazing actor. Why can't a guy like him ever win a Tony?" Bingo!
  • Interview: Hershey Felder of GEORGE GERSHWIN ALONE at Mountain View Center For The Performing Arts Reprises the Role that First Brought Him International Acclaim - I've had the pleasure of interviewing Felder over a dozen times and I could have chosen any one of those here. He's always super interesting, coming up with interesting facts and funny stories. As the child of immigrants who grew up in Montreal, yet largely makes his career in the U.S. and has chosen to reside in Florence, Italy he's just an intrinsically fascinating guy. Plus he's super intelligent and has a mind like a steel trap so you he keeps me on my toes. I love that!


Interview: Ashley Cowl of ANYTHING GOES at 42nd Street Moon Straps on Her Tap Shoes to Play Reno Sweeney
Interview: Ashley Cowl of ANYTHING GOES at 42nd Street Moon Straps on Her Tap Shoes to Play Reno Sweeney
February 21, 2023

BroadwayWorld chats with Ashley Cowl, who is starring as Reno Sweeney in 42nd Street Moon's new production of Cole Porter's gloriously tuneful and riotously funny 'Anything Goes' in San Francisco February 23 to March 12.

Review: THE HEADLANDS at A.C.T. Tells a True Crime Tale That Hits Close to Home
Review: THE HEADLANDS at A.C.T. Tells a True Crime Tale That Hits Close to Home
February 17, 2023

What did our critic think of THE HEADLANDS at A.C.T.? BroadwayWorld Christopher Chen's beguiling true crime tale that also serves as a love letter to San Francisco, running now through March 5th.

Interview: Luis Alfaro of THE TRAVELERS at Magic Theatre Explores the Heartland, Our Migrant Roots & Lost Connections
Interview: Luis Alfaro of THE TRAVELERS at Magic Theatre Explores the Heartland, Our Migrant Roots & Lost Connections
February 15, 2023

BroadwayWorld talks to celebrated playwright Luis Alfaro about the world premiere production of his new play 'The Travelers' running at San Francisco's Magic Theatre February 15 to March 5. The play explores the heartland, our immigrant roots and lost connections.

Interview: Darren Drone & Chanáe Curtis of FALSTAFF at Opera San José Represent the New Face of Opera
Interview: Darren Drone & Chanáe Curtis of FALSTAFF at Opera San José Represent the New Face of Opera
February 3, 2023

BroadwayWorld chats with baritone Darren Drone & soprano Chanae Curtis, stars of Verdi's comedic masterpiece 'Falstaff' at Opera San Jose February 11-26. The 2 up-and-coming singers represent the new face of opera.

Review: NEXT@90 FESTIVAL - BLANC / SCHREIER / POSSOKHOV PREMIERES at San Francisco Ballet Presents a Trio of Striking Dances Set to Glorious Music
Review: NEXT@90 FESTIVAL - BLANC / SCHREIER / POSSOKHOV PREMIERES at San Francisco Ballet Presents a Trio of Striking Dances Set to Glorious Music
January 27, 2023

What did our critic think of NEXT@90 FESTIVAL - BLANC / SCHREIER / POSSOKHOV PREMIERES at San Francisco Ballet? BroadwayWorld reviews the 3rd program of San Francisco Ballet's 'next@ 90 festival' of world premieres, running through February 7th. It's a consistently transporting evening of dance.

Interview: Claude Jackson, Jr. of CASHED OUT at San Francisco Playhouse Explores the Struggles and Triumphs of Battling Addiction within the Native American Community
Interview: Claude Jackson, Jr. of CASHED OUT at San Francisco Playhouse Explores the Struggles and Triumphs of Battling Addiction within the Native American Community
January 25, 2023

BroadwayWorld chats with Native American playwright Claude Jackson, Jr. about his play 'Cashed Out' enjoying its world premiere at San Francisco Playhouse January 26 to February 25.This frank and touching play tells the story of 3 generations of women living on the Gila River Indian Community Reservation in Arizona and their battles with addiction.

Review: NEXT@90 CANIPAROLI / BREINER / OISHI PREMIERES at San Francisco Ballet Shows Just How Thrillingly Relevant Ballet Can Be
Review: NEXT@90 CANIPAROLI / BREINER / OISHI PREMIERES at San Francisco Ballet Shows Just How Thrillingly Relevant Ballet Can Be
January 24, 2023

What did our critic think of NEXT@90 CANIPAROLI / BREINER / OISHI PREMIERES at San Francisco Ballet? BroadwayWorld reviews the 2nd program of San Francisco Ballet's 'next@90' festival featuring immensely rewarding world premieres by Val Caniparoli, Bridget Breiner & Yuka Oishi.

Review: NEXT@90 GARLAND / ROBERTS / ROWE PREMIERES at San Francisco Ballet Offers a Trio of World Premieres
Review: NEXT@90 GARLAND / ROBERTS / ROWE PREMIERES at San Francisco Ballet Offers a Trio of World Premieres
January 23, 2023

What did our critic think of NEXT@90 GARLAND / ROBERTS / ROWE PREMIERES at San Francisco Ballet? BroadwayWorld reviews the first program of San Francisco Ballet's 'next@90' festival featuring an eclectic lineup of world premieres by choreographers Robert Garland, Jamar Roberts & Danielle.

Interview: Michael Barakiva of IN EVERY GENERATION at TheatreWorks Silicon Valley Revisits His Own Family Memories of Passover in This Inherently Theatrical Play
Interview: Michael Barakiva of IN EVERY GENERATION at TheatreWorks Silicon Valley Revisits His Own Family Memories of Passover in This Inherently Theatrical Play
January 18, 2023

BroadwayWorld talks to acclaimed director Michael Barakiva about his new production of Ali Viterbi's award-winning 'In Every Generation' playing at TheatreWorks Silicon Valley through February 12th.

Review: AS YOU LIKE IT at San Francisco Playhouse Offers a Vision of a Truly Inclusive Community
Review: AS YOU LIKE IT at San Francisco Playhouse Offers a Vision of a Truly Inclusive Community
December 20, 2022

What did our critic think of AS YOU LIKE IT at San Francisco Playhouse? BroadwayWorld reviews Shaina Taub & Laurie Woolery's fanciful musical adaptation of Shakespeare's 'As You Like It' running through January 14 at San Francisco Playhouse.

Interview: Unique Derique of FOOL LA LA: HOLIDAY GIFT! at The Marsh Berkeley Is All About Joy & Gratitude
Interview: Unique Derique of FOOL LA LA: HOLIDAY GIFT! at The Marsh Berkeley Is All About Joy & Gratitude
December 19, 2022

BroadwayWorld chats with master clown Unique Derique (aka Lance McGee) about 'Fool La La: Holiday Gift!' his whimsical show combining vaudeville and African American hambone at The Marsh Berkeley December 21 to 30.

Review: LITTLE SHOP OF HORRORS at TheatreWorks Silicon Valley Takes a New Look at the Campy Cautionary Musical Tale
Review: LITTLE SHOP OF HORRORS at TheatreWorks Silicon Valley Takes a New Look at the Campy Cautionary Musical Tale
December 14, 2022

What did our critic think of LITTLE SHOP OF HORRORS at TheatreWorks Silicon Valley? BroadwayWorld reviews TheatreWorks Silicon Valley's new production of Howard Ashman and Alan Menken's 'Little Shop of Horrors' reset in San Francisco's Chinatown.

Review: NUTCRACKER at San Francisco Ballet Delivers a Flurry of Holiday Cheer
Review: NUTCRACKER at San Francisco Ballet Delivers a Flurry of Holiday Cheer
December 12, 2022

What did our critic think of NUTCRACKER at San Francisco Ballet? BroadwayWorld reviews San Francisco Ballet's wondrous production of the classic Tchaikovsky holiday balletr.

Interview: Jeffrey Lo of LITTLE SHOP OF HORRORS at TheatreWorks Silicon Valley Offers a Fresh Take on the Beloved Musical
Interview: Jeffrey Lo of LITTLE SHOP OF HORRORS at TheatreWorks Silicon Valley Offers a Fresh Take on the Beloved Musical
December 12, 2022

BroadwayWorld chats with Jeffrey Lo about TheatreWorks Silicon Valley's new production of 'Little Shop of Horrors' that he is directing. Lo has reset the action to San Francisco's Chinatown to explore the musical's underlying themes of cross-cultural community.

Interview: Bill English of AS YOU LIKE IT at San Francisco Playhouse Loves Everything That Theatre Can Do
Interview: Bill English of AS YOU LIKE IT at San Francisco Playhouse Loves Everything That Theatre Can Do
November 22, 2022

BroadwayWorld talks to Bill English, Artistic Director & Co-Founder of San Francisco Playhouse, about his new production of the musical adaptation of Shakespeare's 'As You Like It' featuring an rollicking folk-pop score by Shaina Taub running November 17 to January 14.

Interview: Sheldon Epps of MY OWN DIRECTIONS: A BLACK MAN'S JOURNEY IN THE AMERICAN THEATRE Recounts the Highs & Lows of His Amazing Career
Interview: Sheldon Epps of MY OWN DIRECTIONS: A BLACK MAN'S JOURNEY IN THE AMERICAN THEATRE Recounts the Highs & Lows of His Amazing Career
November 17, 2022

BroadwayWorld talks to Sheldon Epps about his new memoir 'My Own Directions: A Black Man's Journey in the American Theatre' that recounts his struggles and successes leading the Pasadena Playhouse for two decades and directing the Tony-nominated musicals 'Blues in the Night' and 'Play On!' on Broadway and beyond.

Interview: Alma Deutscher of CINDERELLA at Opera San José Knows the Score - Because She Wrote It
Interview: Alma Deutscher of CINDERELLA at Opera San José Knows the Score - Because She Wrote It
November 2, 2022

BroadwayWorld chats with 17-year-old classical music phenom about her opera 'Cinderella' which she will be conducting in Opera San Jose's lavish production November 12 to 27.

Interview: Christopher Chen of THEATREWORKS NEW WORKS FESTIVAL at Montalvo Arts Center Delights in the Element of Surprise
Interview: Christopher Chen of THEATREWORKS NEW WORKS FESTIVAL at Montalvo Arts Center Delights in the Element of Surprise
October 26, 2022

BroadwayWorld chats with OBIE-winning playwright Christopher Chen about his incendiary new play 'The Motion' which will be part of the TheatreWorks New Works Festival at Montalvo Arts Center in Saratoga November 6 to 13. The Festival offers a first look at three intriguing and wonderfully different new plays.

Review: ON BECKETT at A.C.T. Serves Up Bill Irwin's Enthralling Take on the Iconic Writer's Work
Review: ON BECKETT at A.C.T. Serves Up Bill Irwin's Enthralling Take on the Iconic Writer's Work
October 20, 2022

What did our critic think of ON BECKETT at A.C.T.? Master clown Bill Irwin is the perfect guide through the world of Samuel Beckett in this beguiling and exceedingly entertaining show that excavates the humor in the great master's work while still honoring its underlying existential angst.

Review: GRANDMA & ME: AN ODE TO SINGLE PARENTS at The Marsh Brims with Humor and Humanity
Review: GRANDMA & ME: AN ODE TO SINGLE PARENTS at The Marsh Brims with Humor and Humanity
October 13, 2022

What did our critic think of GRANDMA & ME: AN ODE TO SINGLE PARENTS at The Marsh? Brian Copeland's funny and moving new solo show runs at The Marsh in San Francisco through November 19th.



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