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Juan Carlos Araujo

Theatre Critic Juan Carlos Araujo has written 49 articles for BroadwayWorld since 2026, covering Mexico Theatre.

Juan Carlos Araujo

He has a Degree in Dramatic Literature and Theatre with a specialization in playwriting from the  Mexican National University. He began his career as a theatre critic in 1994 in the magazine "En  Escena". Since then, he has collaborated with the newspaper Uno Más Uno, the magazine  Betún and the newspaper La Jornada. 

In 2013 he created Entretenia, a website which, in over 12 years, has managed to position itself  as one of the main references of specialized theater criticism in Mexico City and the country.  There, he has written over 1,700 reviews of all kinds of theatrical experiences, from big  Broadway musicals to underground, independent proposals.  

In 2017 he was invited by the Mexican National Theater Coordination to participate as a critic in the Mexican National Theatre Convention, event which showcases some of the best theatre  made in the country. This participation has continued every year since then.  

Also, in 2017 he joined the Association of Critics and Journalists of Mexico (ACPT), which gives out awards to the best in theatre in Mexico City every year. In 2023 he joined the Association’s  podcast as host in several episodes.  

He has taken a wide range of specialized courses on theater criticism with such Latin American experts such as Jorge Dubatti, Didanwy Kent, Ilina Goyeneche, and Luz Emilia Aguilar Zinzer,  among others.  

In 2022 he was invited to be part of the jury in the State Theatre Convention in La Paz, Baja  California.  

He has given multiple courses, lectures and talks on Theatre Criticism all over Mexico. 

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About Juan Carlos Araujo

First Show
Miss Saigon

Favorite Stories

  • Crítica: MR. GWYN en el Teatro Helénico - The director Alonso Íñiguez has succesfully transferred Alessandro Baricco's universe into a living piece of art that invites the audience to contemplate the beauty of the human body on stage.


Most Popular Articles

Latest Articles

Crítica: SIRENA Y PUNTO at LA TEATRERÍA

Crítica: SIRENA Y PUNTO at LA TEATRERÍA

October 7, 2026

Una hilarante y enternecedora travesía a través de la amistad y el amor incondicional que nos recuerdan que nada es más importante que la libertad de ser con absoluta libertad.

Crítica: POOL (NO WATER) at Teatro La Capilla

Crítica: POOL (NO WATER) at Teatro La Capilla

October 2, 2026

La envidia, la fama y la amistad se entrecruzan de forma grotesca en este montaje de una de las obras más representativas de Mark Ravenhill, bajo la dirección de Martín Acosta.

Artículo: PREMIOS ACPT 2026: EL TEATRO CELEBRÓ A SUS CREADORES

Artículo: PREMIOS ACPT 2026: EL TEATRO CELEBRÓ A SUS CREADORES

October 2, 2026

La Asociación de Críticos y Periodistas Teatrales (ACPT) celebró la noche del martes 29 de septiembre su ceremonia de premiación, en la que reconoció a intérpretes, directores, creativos, productores y profesionales que forman parte de la escena teatral.

Crítica: MASA MADRE at Teatro La Capilla

Crítica: MASA MADRE at Teatro La Capilla

September 11, 2026

Una hilarante farsa donde la gentrificación, junto con sus franquicias, tienen el poder de destruir la estabilidad de una familia, o de una excéntrica millonaria.

NOMINACIONES PREMIOS ACPT at Teatro del Pueblo

NOMINACIONES PREMIOS ACPT at Teatro del Pueblo

August 26, 2026

La Asociación de Críticos y Periodistas Teatrales, da a conocer sus nominaciones del periodo 2025 / 2026 rumbo a su ceremonia de entrega de premios por celebrarse el próximo 29 de septiembre.




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