Review: THE MIDNIGHT BELL, Sadler’s Wells
This sultry production from Matthew Bourne unfolds not as a single sweeping story, but as a mosaic of interwoven vignettes, each one a glimpse into the lives of the lonely, the hopeful and the heartbroken.
Alice Cope
Review: LETTERS LIVE, Royal Albert Hall
The seventh Letters Live performance at the Royal Albert Hall was, as always, an absolutely fantastic event.
Review: THE REST IS ENTERTAINMENT, Royal Albert Hall
This live show wasn’t without its chaotic moments, they only added to the charm of the evening.
Review: THE SNOWMAN, Peacock Theatre
Now in its 27th year in London, The Snowman returns to Sadler’s Wells Peacock Theatre, offering a festive treat for families.
Review: BUYER & CELLAR, King's Head Theatre
The wonderfully silly story tells of an out of work actor who is employed to work within the basement of Barbra Streisand’s Malibu property, where they form an unlikely relationship.
Review: BBC PROMS: PROM 34: 21ST-CENTURY SOUNDTRACKS, Royal Albert Hall
Robert Ames leads a superb performance from the London Contemporary Orchestra.
Review: KATHY AND STELLA SOLVE A MURDER!, Ambassador's Theatre
A delightful comedy murder mystery musical that expertly blends humour, intrigue, and heartfelt friendship.
Review: MOFFIE, Riverside Studios
The powerful story of a tender and gentle human forced into a brutal environment filled with hate and toxic masculinity.
Review: PIECES OF A WOMAN, Battersea Arts Centre
Pieces of a Woman from Writer Kata Wéber and Director Kornél Mundruczó is presented for the first time in UK, produced by TR Warszawa.
Review: MASTERCLASS, Southbank Centre
Masterclass is a powerful production which provides some genuine discussion on privilege and opportunity within theatre and arts.
Review: MACBETH IN CINEMAS, Filmed at Dock X
An intense and well filmed release of an atmospheric production of Macbeth.
Review: DIANA: THE UNTOLD AND UNTRUE STORY, King's Head Theatre
This is a fantastical and entertaining production and a great way to honour the icon herself.
Review: ROMEO AND JULIET, Globe Theatre
Shakespeare's classic tragedy Romeo and Juliet is currently being performed with an exciting and contemporary makeover at the iconic Globe Theatre, enchanting younger audiences with modern twists, an engaging diverse cast and daring BMX stunts.
Review: RAMBERT / BEN DUKE - DEATH TRAP, Sadler's Wells
Two very different performances, Cerberus and Goat, from Rambert, deliver a meta dance comedy exploring life, death and performance.
Review: BLACK SABBATH - THE BALLET, Sadler's Wells
A stunning celebration of the music of Birmingham legends Black Sabbath performed by the Birmingham Royal Ballet.
Review: FLOWERS FOR MRS HARRIS, Riverside Studios
Based on the 1958 book Mrs.
Review: CLOSE UP - THE TWIGGY MUSICAL, Menier Chocolate Factory
Written and directed by Ben Elton, Close Up: The Twiggy Musical is fast paced jukebox biopic of the iconic Twiggy is a moving but entirely relatable story; although she is an international superstar, her life portrayed within this show highlights some of the more personal moments.
Review: MIKE BIRBIGLIA: THE OLD MAN & THE POOL, Wyndham's Theatre
Returning to the stage with a splash, The Old Man & The Pool is his latest solo show, written and performed by Mike Birbiglia, it follows the success of his previous shows including My Girlfriend’s Boyfriend.
Review: THE WAY OLD FRIENDS DO, Criterion Theatre
Following a successful UK tour, The Way Old Friends Do, written and directed by Ian Hallard and Mark Gatiss respectively, is now open for a west end run at the Criterion Theatre.
Review: THE VERGE OF FOREVER, The Other Palace
The premise for this show is full of potential, and there is plenty of talent involved, but unfortunately a somewhat incoherent and not particularly compelling narrative mean that the show fails to deliver to be the showstopper performance which it could have been.
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