Review: INTO THE WOODS at City Theatre Austin
City Theatre Austin’s production of Into the Woods is a captivating exploration of fairy tales and human desires.
The latest reviews and critic recommendations from Austin.
City Theatre Austin’s production of Into the Woods is a captivating exploration of fairy tales and human desires.
The VORTEX Theatre, funded in part by the National Endowment for the Arts, Save Our Springs Alliance, Six Square-Austin’s Black Cultural District, the City of Austin Economic Development Department, and the Texas Commission on the Arts, presents the world premier of Reina Hardy’s SUNNY DAYS on t
For Shakespeare enthusiasts seeking a fresh and original take on his works, the Walking Shadow Shakespeare Project delivers unique experiences that make classic literature accessible without feeling overwhelming.
ART’s production of 'The Normal Heart' delivers the play’s message and invites audiences to consider our role in the ongoing fight for justice and compassion.
Cyrano de Bergerac is a monumental play, often challenging for theatrical companies to execute effectively.
City Theatre’s production of Calendar Girls was outrageously funny.
The Archive Theater gives the Austin theatre community a fun and lavish production with Jennifer Rose Davis’s compact and streamlined version of Alexandre Dumas’s THE THREE MUSKETEERS.
What did our critic think of NATIVE GARDENS at Sterling Stage Austin?
Playwright Antoinette Nwandu wrote PASS OVER as a response to the ongoing racial violence and systemic oppression experienced by Black people in the United States.
It’s Summer! It’s HOT! It’s that usual time of the year when, in other parts of the country, people are enjoying walks on the beach or picnicking.
City Theatre’s rendition of 'Long Day's Journey Into Night' is a compelling and masterfully executed production.
A remarkable celebration of 20 seasons at Impact Arts, honoring Ginger Morris and her dedicated team.
It’s a party like it’s 1595 at Gaslight-Baker Theatre in Lockhart this month with their production of Wayne Kirkpatrick, Karey Kirkpatrick, and John O’Farrell’s musical farce, SOMETHING ROTTEN! from July 12 - August 4.
Set against a full moon and reminiscent of variety shows, Jones, Hope and Wooten’s FUNNY LITTLE THING CALLED LOVE mixes comedy, folly, nearly absurd situations, a hint of slapstick, and a lot of heart in four wildly hilarious situations where “that four=letter word L-O-V-E” is at stake.
TexArts production of Anything Goes sails onto the stage with all the exuberance and charm of a luxury cruise liner, delivering a whirlwind of romance, comedy, and toe-tapping tunes #MusicalTheatre #BroadwayWorld
Delve into themes of sisterhood, empowerment, and self-acceptance with the heartwarming production of Disney’s Frozen.
Explore The Alchemy Theatre's production of King of Hearts at the Whisenhunt and enjoy its unique story, compelling visuals, and talented cast.
On a warm and joyful evening at Captain Quack’s, queer artists from Austin, TX shared personal stories about love, friendship, family, happiness, and heartbreak.
“Doubt: A Parable” is a masterfully crafted play that offers no easy answers.
These formerly incarcerated individuals working at an insignificant truck stop sandwich shop, grapple with their pasts and seek to rebuild their lives.
Bottle Alley Theatre is undoubtedly Austin’s most creative company.
The musicals of the 1920s-1940s are rich territory for parody since many imported the stylistic elements (vaudeville, dance hall style, revue, et al.
Choosing to perform a Tennessee (Thomas Lanier) Williams (1911-1983) play means genuinely committing to some of theater’s most salient aspects: in this case, a plot that must capture and then hold the audience in unfolding layers of tragedy, characters that are complex and often display less-than-
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