Danny Herman

 On Saturday, March 30th at 2:00PM, Point Park University Conservatory of Performing Arts (COPA) students will present ARTfully UPlifting, a new show developed and created for sensory-friendly audiences. 

Grease opens March 7th at the Byham Theater. See first look photos of the cast!

Pittsburgh Musical Theater will present the popular rock ‘n’ roll musical, Grease in March. Learn how to purchase tickets.

Pittsburgh Musical Theater (PMT), in collaboration with the CAPA orchestra, will perform the school edition of the international award-winning musical LES MISERABLES as this year's annual production that takes place at the Byham Theater in the Cultural District.

The winners have been announced for the 2022 BroadwayWorld Pittsburgh Awards, honoring the best in regional productions, touring shows, and more which had their first performance between October 1, 2021 through September 30, 2022.

The latest standings as of Monday, December 19th, have been released for the 2022 BroadwayWorld Pittsburgh Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 12th, have been released for the 2022 BroadwayWorld Pittsburgh Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The latest standings as of Monday, December 5th, have been released for the 2022 BroadwayWorld Pittsburgh Awards! Nominations were reader-submitted and now our readers get to vote for their favorites.

The New Hazlett is the perfect place for this sophisticated, wildly ambitious, almost overstuffed, musical soap opera.

A near sold-out crowd gathered at the Benedum Center as Pittsburgh CLO and The Michael J. Kara Family honored Allegheny County’s finest high school performers at the 31st Annual Pittsburgh CLO Gene Kelly Awards for Excellence in High School Musical Theater on Saturday, May 28, 2022. View the full list of winners

Pittsburgh Musical Theater is presenting Tim Rice and Andrew Lloyd Webber’s legendary rock opera, Jesus Christ Superstar April 7 – May 1 at the Gargaro Theater in the West End. View photos of the cast.

After a year of darkened theaters Downtown, Pittsburgh's performing artists are stepping out into the light. Thanks to a new mobile stage purchased by the Pittsburgh Ballet Theatre (PBT), they will debut an “Open Air” series of live, outdoor performances like no other on the lawn at Flagstaff Hill in Schenley Park this May.

Pittsburgh Musical Theater is starting off the new year with the American Tribal Love - Rock Musical, HAIR. The company's Founding Director, Dr. Ken Gargaro, will return to direct the show.

St. Edward's University's choice for their spring musical is aptly named. While the words 'spring awakening' invoke images of beautiful flowers or a warm spring day, this musical contains everything but, with central themes of sexuality, religion, abuse, suicide, guilt and repression. I'll be blunt: go see this production. The cast of St. Edwards University blesses the audience with their talent, capturing the heartbreak, hope, and surprising humor that's integral to SPRING AWAKENING, based on the 1891 German play of the same name by Frank Wedekind.

LUCKY STIFF is a musical farce with lyrics and libretto by Lynn Ahrens and music by Stephen Flaherty, that is notable historically for several things. To begin with, It was the first collaboration for the team whose later collaborations include Ragtime and Once On This Island. It was created and performed at Playwrights Horizons off-Broadway in 1988, and won the Richard Rodgers Award for that year. LUCKY STIFF is based on a 1983 novel The Man Who Broke the Bank at Monte Carlo by Michael Butterworth. It received a full production in London's West End in 1997 but, to date, has never had a Broadway production. In 2015, a film version was created but it has only been seen at film festivals.

GUYS AND DOLLS is presented by Austin Playhouse as part of their 2016-2017 season. Directed by Don Toner and with musical direction by Susan Finnigan, this musical theatre gem tells the story of rolling the dice and taking a gamble on love. The musical, based on two short stories by Damon Runyon, originally premiered on Broadway in 1950 with music and lyrics by Frank Loesser and book by Jo Swerling and Abe Burrows. It went on to win the Tony in 1950 for Best Musical and was later adapted into the 1955 film starring Frank Sinatra and Marlon Brando.

CABARET playing at the Mary Moody Northern Theater at St. Edward's University is a vibrant, poignant and heart breaking rendition that the department has tackled with a wonderful spirit.

NEVERMORE: The Imaginary Life and Mysterious Death of Edgar Allan Poe is a Canadian musical that was written and composed by Jonathan Christenson which follows the rather dismal life and internal struggles of Edgar Allan Poe that later on inspired his work as an author. The script contains references to both his poems and short stories. While most of the script dramatizes true events in his life, other aspects are entirely fictitious. The musical was originally produced at the Catalyst Theatre in Edmonton, Alberta and went on to be performed across Canada, and at the Barbican Theater in London, and the New Victory Theatre in NYC. The current production now playing at Austin Playhouse is a regional premiere.

Ladies and gentlemen, start your engines! The rubber will meet the road as the World Premiere of the hilarious new pop rock musical HELLDRIVERS OF DAYTONA takes the stage. With music by Berton Averre, lyrics by Rob Meurer, and book by Emmy Award-winner Mark Saltzman, these award-winning creative minds have put the pedal to the metal in this NASCAR-themed musical full of girls, cars, and rockin' guitars.

Chicago, fasten your seat belts-the world premiere musical HELLDRIVERS OF DAYTONA has parked at the Royal George Theatre...and it's a bumpy, messy ride. Billed as a spoof of 1960s racing films, composer Berton Averre (known for 'My Sharona'), lyricist Rob Meurer, and book writer Mark Saltzman have developed a show that's entirely too on the nose. HELLDRIVERS lacks the satirical tone it seeks; instead, the first act replaces the sexual repression common in those 1960s movies with blatant, unoriginal sexual innuendoes and jokes in poor taste. Though conceived as an ironic take on the movies of that era, HELLDRIVERS feels overall cringe-worthy in the first act. The show shifts gears in the second act to focus more on sending up a number of great American musicals (and one Billy Joel song). The overall experience is erratic.