BWW Interviews: Tanya Burka Talks Being an International Circus Performer, Her Career, Aerial Silks, and QUIDAM

Related: Houston, Cirque du Soleil, Quidam, Interview, Tanya Burka, Aerial Silks, National Tour, Circus

QUIDAM is internationally acclaimed Cirque du Soleil's ninth stage show. The production had its World Premiere on April 23, 1996; however, in 2010 it was converted from its original big top format into an arena format so that it could tour across North America and the world. It introduces audiences to a young, bored girl named Zoé, who is neglected and ignored by her parents. She imagines the entire show of QUIDAM to escape the monotony of her life. As the tour was preparing to open in Laredo, Texas, I got to speak to Tanya Burka who performs the aerial silks act in the show. We discussed her transition from MIT trained Nuclear Engineer to International Circus Performer, her career, and QUIDAM.

Me: You began to dream of performing in acrobatics during high school. What sparked that dream?

Tanya Burka: I was actually very lucky to go to a school where they kicked you out the last month of your senior year and said, "Go do something. We pretty much don't care what. You don't want to be here anymore and the teachers don't want to put up with you." So, I went off for a month and did a work trade at a circus school. I'd never really done any kind of performing before that. I had done gymnastics for years, and it was just like everything I had done acrobatically but without the competition aspect of it. It really just a lit a bulb up in my brain of like "Hey, this would be really fun!"

Me: While earning your degree in Nuclear Engineering at MIT you decided to apply to circus school. What motivated that decision?

Tanya Burka: My parents always thought I was going to go off and get a degree in some kind of, you know, physics or whatever and work for NASA. While I was getting my degree, I was lucky enough to be working at my university's research reactor, so I got work a bit in the field and gain some experience in Nuclear Engineering. I loved it, but it was a desk job, a really fascinating desk job. I was like, "I don't know that I'm ready for this." So I figured, you know, "I'll apply for this circus school and if nothing happens, then I go on my merry way as a engineer, and, if they decide to take me then, I guess, I'll see where this journey takes me."

Me: What was it like training at École Nationale de Cirque in Montreal, Quebec?

Tanya Burka: Wonderful. Dreaming. [Pauses] Challenging. It was one of the most formative experiences of my life, equal to, if not surpassing, getting a degree in engineering at MIT. You leave there loving every person that you've worked with for those three years and ready not to step foot in there for another year or two thereafter, just to get a little detox time. I mean, every part of yourself is up for criticism there because they're making you a complete package. It's not just "can you do the flips," it's "can you captivate an audience? Can you dance? Can you juggle?" It's really intense to put yourself out there on that level and to leave every part of yourself vulnerable.

Me: At École Nationale de Cirque you trained in acrobatics and aerial silks? How did you get interested and involved in aerial silks?

Tanya Burka: Funny enough, the first time I ever saw aerial silks was in QUIDAM, in this very show. It was just so beautiful, so moving. The part I always like about gymnastics, as I wasn't a very great competitor because I was very tall for a gymnast, is being up high and being upside down. So when I auditioned for the National Circus School, I said, you know, "I'd like to do aerial silks." And I was lucky enough that they said, "That sounds like a good idea."

Me: Aerial silks have become vastly popular to study and for exercise classes. What do you think is so alluring about the art?

Tanya Burka: There's just so many possibilities. It's amazing the amount of diversity that exists in the art form and even in just the recreational practice. It's two pieces of fabric hanging from the ceiling, and really anything you can think up that will work becomes something new that's added to the art form. So it's something that everyone can do differently. Everyone can express themselves through the art form because it's so versatile.

Me: Before joining the cast of QUIDAM you performed at many prestigious events and locations, including the opening ceremonies of 2010 Winter Olympics in Vancouver, British Columbia. What have been your favorite aspects of those performances?

Tanya Burka: Performing for the opening ceremonies in Vancouver, it was such a trip. I was relatively new as a Canadian permanent resident at the time. I went there in 2008, so to get the opportunity to represent Vancouver and Canada in front of the world was just so personally rewarding for me. I felt so welcomed there, so to be able to stand up on a stage and to be part of representing that nation was really wonderful for me.

One of the other great experiences I also did in Vancouver one year afterwards was a small show with about 7 or 8 performers and a non-profit called the Health Arts Alliance. We took an outdoor circus show to all kinds of health-impacted communities that might otherwise not be able to go see a show in an arena or in a big top tent. We went out performing at hospitals, we went to one prison, and to living communities for people with disabilities. That, for me, was again, I mean, giving back to that local community was amazing. It was just so phenomenal to be able to go out and give a show of that caliber to people who couldn't come see it otherwise.

Me: Is there an interesting story behind how you become involved in this touring production of QUIDAM?

Tanya Burka: A little bit. It's funny. I first got hired on as a temporary replacement for the artist who was performing up until early this year. She was taking some personal leave in Montreal. I was on tour in Newfoundland with a small, family circus there called Wonderbolt, and got an e-mail from Cirque de Soleil saying, "Would you be able to start in a week's time?" And, I was like, "Actually, I'm finishing up my contract in a week. That would work out perfectly." [Laughs]




More On: Cirque du Soleil, The Edge, Dominique Lemieux.

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David Clarke David Clarke has had a lifelong love and passion for the performing arts, and has been writing about theatre both locally and nationally for years. He joined BroadwayWorld.com running their Houston site in early 2012 and began writing as the site's official theatre recording critic in June of 2013.



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