Review: DRUNK DRACULA at DRUNK SHAKESPEARE SOCIETY
But I will tell you that DRUNK DRACULA definitely doesn’t suck, and it’s a new Halloween tradition for Houston that I can 1000% get behind.
The latest reviews and critic recommendations from Houston.
But I will tell you that DRUNK DRACULA definitely doesn’t suck, and it’s a new Halloween tradition for Houston that I can 1000% get behind.
Ayad Akhtar’s debut play from 2012 seems as relevant today as it did fourteen years ago, and it packs a wallop! It was awarded a Pulitzer Prize for literature in 2013, and Shunya Theatre Company’s revival is definitely worth attending.
WE ONLY COME OUT AT NIGHT is co-produced by The Phoenix Group and Company OnStage and written by local Houston playwright Austin Brady.
A Familiar Favorite Gets a Fresh Voice in THE SOUND OF MUSIC.
At first, when I heard Amadeus as a season opener, I thought, “How safe.
Everyone remembers where they were and what they were doing the morning of September 11, 2001, and as a former New Yorker who lived there when it happened, that day is indelibly burned into my memory.
This company is at the top of its game, and the performances of George Parker and Kyle Sturdivant are iconic.
The acting here is superb, a very strong ensemble taking on a literary tale of how art can transform the world.
What occurs when your family name has more importance than you do? This question sits at the center of Branden Jacobs-Jenkins' play Purpose, currently being performed at The Ensemble Theatre, and the answer is messy, hilarious, uncomfortable, and profoundly human.
It’s flashy, loud, and has a silliness you can’t avoid.
4TH Wall does wonderful work here, and I really admire David Auburn’s script more for what it doesn’t do rather than what it does.
It is painstakingly faithful to the book, save for some extra beats that make Jane a more modern-minded woman.
I never thought I would have such a good time watching five women talk about their sexual organs, but I absolutely understood every moment as if I had been lucky enough to have been assigned female at birth.
It deserves a large run, but the Stinson House space makes it all so immediate.
The thing about this cast is they are having fun and putting the play in play, and the comedy in musical comedy.
A NICE INDIAN BOY is one of the most fun romantic comedies that I have seen in years.
Would you believe me if I told you the hottest theater ticket in Houston this summer was to see a nun teach a class? Denise Fennell first debuted as Sister in LATE NITE CATECHISM at Stages Houston during 2007.
This company is having a great time with a thriller, and it shows.
A delightful evening of wit, charm, and impeccable musicianship awaits audiences at the Gilbert and Sullivan Society of Houston's production of The Gondoliers.
You will leave with many questions about how we deal with our past and how we can move forward socially while personally constrained.
Baz Luhrmann’s revolutionary film comes to life onstage, remixed into a musical mash-up extravaganza.
One of Houston's defining strengths is its vibrant performing arts community.
Holland Vavra has been a member of Houston’s theatre community since before she was born.
A soulful finale to close out the 49th season
She’s a good time gal, and we need her more than ever with all the bad time boys running the world today.
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Gloria: A Life Cypress Stage (10/02-10/18) PHOTOS |
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Oreste in Collaboration with Ars Lyrica Moores Opera House (4/16-4/18) |
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Emerging Choreographers Showcase Lyndall Finley Wortham Theater (12/04-12/05) |
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Clue: The Movie - A Screening to Die For! Hosted by Lesley Ann Warren The Grand 1894 Opera House (4/06-4/06) |
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Rumors Lyndall Finley Wortham Theater (10/30-11/08) |