BWW Interviews: La Passion Noureev, Shown at Watter Read Theater

La Passion Noureev, a film by Fabrice Herrault

The Passion Nureyev is the perfect name for this film, shown as a part of Dance on Camera and Dance Films Society at Lincoln Center. Via film clips of performances, rehearsals, trainings, and interviews, it was Rudolph Nureyev's great passion for ballet, his work, and his life which resonated throughout.

Fabrice Herrault, a dance collector/historian/film-maker with an impressive history as a dancer and ballet teacher, was commissioned by Les Etés de la Danse in Paris to make this film. All of the film clips, many from the 1960's and 1970's, came from Herrault's own collection.

Carefully, he chose not only the film clips but the music, which was of great importance to this creation. Some of these original films have no music, so he had to match the music of individual variations and ballets to the film, or he chose appropriate, if sometimes unrelated music, to be the thread that connected the dance clips to each other. It was so well done that the viewer never once felt jarred, as if the film had been made of unrelated bits. It flowed smoothly, as a full length ballet would move naturally from one section to another.

In addition to selecting and matching the music, Herrault used sections of films, including clips from I Am A Dancer, a 1972 film which included Nureyev, Margot Fonteyn, Carla Fracci, and others. Every detail of this masterpiece was attended to as a top professional dancer would attend to his/her own body, technique, presentation, and heart.

In an interview, we heard Nureyev say that his knowledge came from Russia, but he had learned how to operate with this understanding in London. He was only 23 when he defected to the west, having begun his serious training late, at 17. He was still a raw talent. When asked if he had to sacrifice much to follow his career, he answered that yes. When pressed to tell what he had sacrificed, he said that was personal and, with a glint in his eyes, would keep that information to himself. It was those expressive eyes which told of his enormous passion. When asked if he felt alone, he said that we were, each of us, even twins, born alone and would die alone, so why could we not be alone. He said, too, that he knew exactly what he did vis-à-vis his public persona.




More On: Margot Fonteyn, Erik Bruhn, Jerome Robbins, George Balanchine.

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Marjorie Liebert Marjorie Liebert began her professional training and performing career at age thirteen with the Boston Ballet Company, Boston, MA, under the direction of E. Virginia Williams. At twenty one, Ms. Liebert went to Europe where her career expanded when she met Maitre Boris Kniaseff and his brilliant Barre-a-Terre method. She became a principal in his performing group as well as his assistant and was chosen by Maitre Kniaseff to perpetuate his method. Ms Liebert works as teacher/coach and guest teacher for companies and schools in Europe, South America, and North America, such as: the Dutch National Ballet, Amsterdam, the Netherlands; La Compagnie de Grand Theatre, Geneva, Switzerland; Les Grands Ballets Canadiens, Montreal, Canada; Ballet Stagium, Sao Paolo, Brazil; Studio du Marais, Paris, France (Kniaseff?s former studio); Studio Paris Centre, Paris, France; Artemis, Amsterdam, the Netherlands; several of the NYC, NY dance studios, principally, her own.

Ms. Liebert is committed to the optimal health of her dancers? bodies as well as their developing the ultimate of their artistic expressions.



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