BWW CD Reviews: NICE WORK IF YOU CAN GET IT (Original Broadway Cast) is Decadently Schmaltzy

NICE WORK IF YOU CAN GET IT closed up shop on Broadway on June 15, 2013. The show enjoyed 478 regular performances and 27 preview performances over the course of about 15 months. Its notices were mixed to positive, and there are plans to kick off a National Tour for the 2014-2015 season. For those of us who missed the show on Broadway, the lively and decadently glitzy NICE WORK IF YOU CAN GET IT (Original Broadway Cast Recording), which was released by Shout! Factory and distributed by Sony Records, perfectly allows us to acquaint ourselves with the production before it plays in our regional venues.

The album is jam packed with almost 80 minutes worth of Music and Lyrics written by George and Ira Gershwin. The rollicking score, featuring Music Supervision & Arrangements by David Chase, Music Direction by Tom Murray, and Orchestrations by Bill Elliott, captures the roaring 20s and the jazz-era musical soundscape that we associate George Gershwin with. Even on the recording it comes across as a pasted together pastiche in the vein of a jukebox musical, but the orchestra plays with dazzling charm and enthusiasm. They sprightly re-create the tonic and aural qualities that make jazz and compositions by the Gershwins so appealing and timeless.

With all the music, there are terse and passing nods to the show's plot included in the recording. Naturally, the jazzy music accompanies a plot that centers around bootleggers stashing illegal gin in a Long Island mansion while the proprietor of the estate is clueless. That proprietor is a often-married Playboy who falls in love with one of the smugglers. If all of this sounds familiar, it should. Joe DiPietro's Book is derived largely from Guy Bolton and P.G. Wodehouse's OH, KAY!, which George and Ira Gershwin wrote the Music and Lyrics for and opened on Broadway in 1926.

Starring as Playboy Jimmy Winter, Matthew Broderick made his first return to Broadway since Mel Brooks' THE PRODUCERS. On the album he is in good voice, infusing the character and his vocals with the smooth lackadaisical, effortless grace and charm that audiences and his fans alike expect and enjoy. It is clear he is having fun with numbers like "Sweet and Lowdown," "'S Wonderful," "Do Do Do," and "Someone to Watch Over Me (Reprise)."

Opposite Matthew Broderick is Kelli O'Harra as bootlegger Billie Bendix. Her angelic voice is perfectly suited for the tunes granted to her, emphatically selling each one with ease. Her rendition of "Someone to Watch Over Me" may be one of the best ever recorded, bringing fresh and exciting life to a well-known and absolutely beloved standard. Likewise, she is stunning on her sultry rendition of "Treat Me Rough," her gorgeous "But Not for Me," and her comically Cockney "Hangin' Around With You."

The supporting cast offers a handful of delights as well. Judy Kaye is your stereotypical Prohibitionist shrew, bringing bombastic and bold vocals to the score on numbers like "Demon Run" and heavy yet sweet timbre to "Looking for a Boy," which her character sings after she's been slipped lemonade spiked with gin. Jennifer Laura Thompson's Eileen Evergreen is a spoiled heiress, and her persnickety vocals on "Delishious" and "I've Got a Crush On You" adequately convey this. Michael McGrath voices a cartoonish lug masquerading as a butler on numbers like "Fascinating Rhythm," "Sweet and Lowdown (Reprise)," and "Looking for a Boy."



Comment & Share



About Author

Subscribe to Author Alerts
David Clarke David Clarke has had a lifelong love and passion for the performing arts, and has been writing about theatre both locally and nationally for years. He joined BroadwayWorld.com running their Houston site in early 2012 and began writing as the site's official theatre recording critic in June of 2013.